I would be very interested in hearing the museum design rant
by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat
so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.
meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)
with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this
(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)
i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).
even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.
oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!
or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.
also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.
tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?
also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!
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I’ll be honest, when one party’s aiding and abetting the genocide and the other’s outright gonna kill all my friends, I don’t really care if the fascists “win”. They’ve won already.
You know who would be delighted to hear that? Trump and Putin. The US far right and the Russian government have poured lots of time, effort, and money over the last decade+ into convincing US leftists and liberals that things are hopeless, there's no point in even trying to make things better, and the Democrats and Republicans are functionally interchangeable. They do this because one of the easiest ways for them to win is if the left gives up and stops trying. Every person on the left they can convince to give up in despair brings them closer to complete control. Defeatism on the left actively supports victory on the right.
I think your statement is wrong on a number of levels, both factual and emotional. It comes from not understanding what the actual options are for the US government and the President specifically, either at home or abroad. And it will allow actual fascism to flourish and make the world far worse than it is now.
On an emotional level, the way to address this is to stop doomscrolling. Stop focusing on the worst things happening in the world. Don't ignore them! but don't let them consume you. Start looking for the things that are going well. Find places in your community that you can get involved in making things better. Even if it's only on a small scale like volunteering in a soup kitchen or homeless shelter, it will help you realize that you aren't helpless, that there are things that can be done to make the world a better place. Stay informed about things on a local, national, and international level, but limit how much time and attention you give to things that depress you that you can't affect. Instead of sitting there thinking about all the ways the world sucks and how awful things are, look for things you can do that are productive, and then do them. You'll feel better and you will have made your corner of the world a little better. And you will be a lot less likely to unintentionally fall into the despair, nihilism, and passivity that the fascists want you to be consumed by.
Always remember that the worlds problems are not resting solely on your shoulders, or solely on America's shoulders, and neither is the hope of fixing them. Everyone has things that we can do to make the world a better place, but there are also things that are beyond our control. We can control what we do; we cannot control what others do. We can and should try to make the world a better place, but focusing on the things we can't change has no positive benefits. Focusing on things we can't change accomplishes two things: it makes you feel bad, and it stops you from doing the things you actually can do to make things better. Neither of these things is good for you or anyone else. Look for things you can do and do them. Keep informed on the things you can't change, but don't focus on them.
On a factual level, let's look at "aiding and abetting genocide," shall we?
First, it's important to remember that the US President is not the God-Emperor Of The World. The US government has limits to what it can and can't do in other countries, and both legally and practically. If the US wants to intervene in a problem in another country, there are a variety of things we can do that boil down to basically four categories. It's a lot more complex than this in practice, of course, but in general here are the categories of things we can do:
Send in the troops. Invade, either by ourselves or as part of a NATO or UN operation. (Or maybe just send in a CIA wetworks team to assassinate the head of state.) I hope you can see the moral problems with this option, and also, we've done this a shitton of times over the course of the 20th Century and pretty much every time we've done it, we've made an already awful situation worse. On a moral level, it's pretty bad, and on a practical level, it's worse. Sure, we could stop the immediate problem, but what then? Consider Afghanistan and Iraq. We got rid of Saddam Hussein and the Taliban, and everything went to shit, we spent twenty years occupying Afghanistan with pretty much nothing to show for it. (The Taliban is back in control of Afghanistan.) Things were worse when we left than when we arrived. So this option is pretty much off the table (or should be).
Diplomatic pressure. Now, the thing is, they're a sovereign nation, they don't have to listen to us if they don't want to. We have a lot of things we can leverage--including financial aid--but the only way to force them to do what we want is to invade and conquer, and that only works temporarily. Since we can't force, we have to persuade. This requires us to maintain our existing relationship with the country in question, and possibly strengthen it, because that relationship is what we're leveraging to try and influence them to do what we want them to do. If we do not maintain our relationship, they have no reason to listen to us.
Cut ties and go home. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things and we wash our hands of the whole situation. This keeps our own hands lily-white and pure, but it also means we have zero leverage to work on any kind of a diplomatic solution. They have no reason to listen to us or care about what we think. We can pat ourselves on the back for doing the right thing, but we destroy our own ability to influence anything. Not just now, but also in the future. Let's say the current crisis ends, and then ten years later there's another crisis. If we want to have any effect then, we would have to start from square one to start building a relationship. Cutting ties would be great for making Americans feel better about ourselves, and there are times when it's the only option, but it should be a last resort. If there is any hope of being able to influence things for the better this will destroy it at least temporarily.
Cut ties and impose sanctions. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things, but also use the might of the American economy to isolate and punish them. We've done this a lot over the 20th Century, too, and it has never actually resulted in the country in question buckling down and toeing the line we want them to. What happens is the sanctioned country has an economic shock (how long it lasts and how bad it gets depends on a lot of factors) and then pulls themselves back together economically, except this time they're more self-sufficient and less reliant on international trade and financial networks. They tell themselves that America is evil and the cause of all their problems, and so not only do they not listen to us, they actively hate us. And they have fewer international relationships, so fewer reasons to care about what the international community thinks about them. So they're most likely to double down on whatever it is they're doing that we don't like. This one is completely counterproductive and utterly stupid. It's great for making Americans feel better about ourselves, but if we actually care about being able to use our influence for good (or, at least, to mitigate evil) this option shoots us in the foot. It encourages other nations to do the very thing we're trying to stop them from doing.
So, with those four options in mind, both option one (invasion/assassination) and option four (sanctions) are off the table for being immoral and counterproductive. That leaves "breaking our relationship and going home" and "using diplomatic pressure" as our only two viable options.
Biden has chosen option two, diplomatic pressure. Yes, he and our government have continued financial support for Israel ... but with strings attached. They have put limits on it that have never been put on any US foreign aid before. They have taken legal steps to lay the groundwork to target Israeli settlers (i.e. Israeli citizens who confiscate Palestinian homes and businesses). We've been hearing reports for months that Benjamin Netanyahu (Israeli Prime Minister, and a far-right-wing demagogue) hates Biden's guts, because Biden is pressuring him to stop the genocide and work towards peace. Biden is maintaining the relationship, and he's using that relationship to try and influence things to curb the violence and pave the way for a just peace settlement of some sort. Biden has also mentioned the possibility of a two state solution where Palestine becomes its own completely separate country. That's huge, because up until this point the US position has always been that Israel is the only possible legitimate nation in that territory. If Biden stopped US support for Israel, it wouldn't force Israel to stop what it's doing ... but it would let them ignore us. It would remove any leverage or influence we might have.
Biden's hands aren't clean. But the only way for them to be clean would be to also give up any chance of influencing the situation or working to protect Palestinians now or in the future. Only time will tell if it works, but I personally would rather have someone who tried and failed than someone who didn't even try. You might disagree about whether this is the right course of action, and there's a lot of room for honest disagreement about the issue (there's a lot of nuances that I'm glossing over or ignoring). But please do acknowledge that Biden isn't supporting Israel because he supports genocide; he's doing it so that he can continue to maintain diplomatic pressure on Israel to stop the violence.
Which brings us back to "aiding and abetting genocide." Trump is not like Biden. Trump is good friends with Netanyahu and backs Israel to the hilt. Trump thinks that all Arabs are terrorists (and all Muslims are terrorists) and genuinely believes the world would be a better place with them dead. Biden is continuing to support Israel, but using that support as influence to get them to stop or slow down. Trump would be using that influence to encourage them.
And those are the two choices. Someone who is trying to curb the genocide, and someone who actively supports it.
I really hope you can see the significant and substantial difference between those two positions.
But let's say that you're right and Biden's policy towards Israel and Palestine is every bit as bad as Trump's would be. If there was nothing to choose between them on foreign policy grounds, there would still be a shitton to choose between them on domestic policy grounds. You admit that the right wants to kill your friends, and yet you don't seem to think that stopping them from killing your friends might be a good thing to do.
"We can't save Palestinians, so we might as well let Republicans destroy the rights, lives, and futures of LGBTQ+ people, women, people of color, people with disabilities, poor people, non-Christians, and anyone else they don't like." "We can't save Palestinians, so why bother to try to save the people we might actually be able to save." "We can't save Palestinians right now, so there's no point in trying to build up a longer-term political bloc that might drag US politics to the left over the long run."
Do you get why there's a problem with that line of thought?
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I'm back! Thank you kindly for your patience, we're done with Act III! It was probably a terrible idea to wait because this is so long, I'm so sorry.
previously, in harrowhark! a vagrant the ninth:
this happened
also a couple previews that will show up in this but are in the tag
currently, chapters 24-31 (END OF ACT III!!!):
harrow wakes up after sleeping a sensible amount of hours in yandere twin's room
yandere twin, who's into chomping cavaliers, complains about having had some harrow soup
they have a sort of tender moment, I guess
they have a complicated dynamic
harrow falls asleep again
she's in the bed and yandere twin is sleeping on the floor
and harrow is woken by the sound of self inflicted pain and torture
harrow gets tired of this and decides to just rip yandere twin's arm off
@lady-harrowhark reminded me that I called this (!!!) in this recap
I had absolutely 100000% forgot I said that but congrats past me!!!
so, there's this scene in which harrow rips yandere twin's arm off and puts a new bone-y one in there, remade with her own parts
like this
some people have told me in the replies that it's a sessual sort of scene, and I get that, I suppose it was the vibe it was going for
total respect to that
but I'm gonna be honest here
it felt like I was witnessing a birth and harrow was the midwife
so harrow lets yandere twin know that she's been improving her necro powers via studying and practicing to try to make up for her being "lyctor lite"
harrow and alleged gideon aka ortus are the only people here that seem to be getting any work done tbh
so now, with the new arm, inner chad can use the sword again
and yandere twin is happy because she's now a proper lyctor and has senior chad aka augustine's approval
harrow is proud of herself for doing nice necro things like chopping and reconstructing arms
as a thanks, yandere twin agrees to help harrow to kill alleged gideon the first aka ortus
nobody asked you, but ok
I actually have no qualms with alleged gideon aka ortus
because he's at least direct and honest about it
everyone here has an agenda, at least this guy's like directly trying to physically kill harrow
at this point, I respect the direct approach
augustine and emperor reverend professor john can go fu—
WELL, ACTUALLY, WE'LL GET THERE LATER
CHAPTER 28
we're back at gideon-less canaan house
canaan house isn't safe in any universe, all the trails lead to death
everyone who's alive or accounted for is having a sleepover
there's a bunch of people unaccounted for, actually
the kiddos from the fourth are allegedly hidden elsewhere
who knows, at this point
I don't trust anyone
there's a fog and rain and water rising still
which reminds me of the movie identity, in which they all were trapped in that motel because it wasn't actually a motel and they weren't actually alive per-se
magnus and abby say that protozoa should have decked mayonnaise uncle
which is one of the reasons why the gideon universe is superior
aside from the presence of gideon and camilla
I miss them so much I'm gonna start biting cavaliers
anyway, where in the hell is duracell bunny nephew???
he wasn't with mayonnaise uncle when he yeeted himself
his soul, which got detached from his body in the gideon universe, is still flying like a balloon across universes and dimensions, I guess
abby didn't expect regina george twin to die, apparently, and says "if she's gone, then perhaps that means..." but doesn't elaborate
nobody ever elaborates
abby also makes harrowbean read another one of the "harrow texts"
I can't keep adding them all together in recaps because this will end up being super long but here goes the new one
"I will remember the first time you kissed me —you apologized— you said, I am sorry, destroy me as I am, but I want to kiss you before I am killed, and I said to you why, and you said, because I have only once met someone so utterly willing to burn for what they believed in, and I loved him on sight, and the first time I died I asked of him what I now ask of you. I kissed you and later I would kiss him too before I understood what you were, and all three of us lived to regret it—but when I am in heaven I will remember your mouth, and when you roast down in hell I think you will remember mine"
so yeah, we've got a triangular situation, I suppose
I need to put all of them together to continue to draw connections
my though was that this could be ice cube barbie aka annabel lee, because of the long-lost sun, but I'm unsure still
I don't think the timing fits the other side of the 3d model that's the gideon's mom and rebel leader situation
inconclusive still
abby suggests harrowbean she might be haunted
which might also fit with ice cube barbie??? maybe??? idk
CHAPTER 29
harrow says she doesn't remember shit about chad
get perpetually owned, chad
mercygirl asks harrow things about her necro process for the arm reconstructing and the last thing she asks is "what is the name of the saint of duty?" to which harrow says "ortus the first" and mercygirl goes
me and my "alleged gideon" theory are very happy about this
the hill I will die on
mercygirl continues to use onomatopoeias to express herself
I do not want to think about what that would imply in a later situation I don't want to dig into
"you read unholy omens in the way people say good morning" that's what these recaps are, thank you very much harrow
that's our tagline over here, that's our brand
"how you loathed any sentence beginning with augustine says" SAME, BESTIE
I HATE THAT MAN
he can go fu— ANYWAY
harrow and yandere twin are having sleepovers so that harrow isn't murdered in her sleep
apparently the nudes are cyrus and his cavalier and yandere twin likes that energy
they gifted them to others as souvenirs too
it's like if you had a university classmate who sent nudes to the groupchat every birthday
yandere twin says augustine the asshole has agreed to help kill alleged gideon aka ortus the first
I don't trust any of these lyctors if they're willing to kill each other this easily
how do I know they've got my back in combat if they don't have each other's backs—
I CAN'T EVEN ARTICULATE MY THOUGHTS AND NOT SOUND TERRIBLE NOW THAT I KNOW WHAT HAPPENS LATER IN THE PARTY
ANYWAY
yandere twin reminisces about not having been apart from regina george twin much in their lives and hoping she's sleeping well wherever she is
I also don't know where she is
yandere twin tells harrow that she was more farsighted than her
which I'm sure she was, but she doesn't seem to remember shit about it, and the letters remain unopened
harrow thinks it's kinda gross that the cyrus lyctor murdered his cavalier to become a lyctor and then took all of their nudes to the emperor's bolthole
none of these lyctors are operating from a place of common sense, harrow
"you were lucky that the memory of your own cavalier did not hurt you—except sometimes in the form of a sick headache in your temples, or in words stuck on repeat in your head"
so, augustine's plan involves dinner
harrow, hearing that, is like this
they look for clothes in the cavalier's things
yandere twin says "valancy trinit was my height, weighed more than both of us put together, and —judging by her portraits— had a body that did not quit"
I sure hope she's a thick girl, because I've had enough disappointment with the gideon cover not letting her have the arms she deserves
I hope valancy trinit looks kinda like this
ANYWAY, here's the makeover vibes, as previously shared
apparently chad could embroider, which I have to admit is a good quality
hate giving him any props, but I must be fair
harrow painted the less cute skull in her repertoire and we respect that
they went to augustine's room and he's still an asshat
I don't like how he treats yandere twin tbh
I feel like yandere twin has a thing with validation because of how her life has been and he uses that
augustine justifies his betrayal to his fellow lyctor saying that he "caused more pain over these last scant forty years than I dare to admit"
mercygirl is also here for the party, all dressed up
SO HERE'S THE THING
I am so embarrassed I didn't pick it up on the fly and it took me the whole chapter to put it together
augustine tells her "dios apate, minor"
at the time, I didn't remember what it meant, and when I finished reading the thing, I was like "oh, it's exactly like the deception of zeus"
I forgot that's what it was called
I mean, I got the "dios" part, obviously, but forgot the "apate"
my ancient greek professor is going to come back into my life to shoot me at my doorstep
to be fair to myself, it was a long while ago that I took ancient greek
AT LEAST I PICKED THE REFERENCE UP AFTER, OK????
god, I'm so embarrassed
palmolive, I'm so sorry, I promise I figured it out eventually
mercygirl punches augustine in the face, which is great
he insists on it being "minor", which idk where the line is there and I'm not gonna ask
idk which things are or aren't...involved in a minor form of zeus's deception
mercygirl says she's not wearing the right dress, I don't think it matters, it worked just fine
CHAPTER 30
everyone gets drunk except for alleged gideon aka ortus and harrow, because they're the only people in this group project who are doing the work
augustine and mercygirl start fighting about something their cavaliers did back in the day
they start toasting for cavaliers and talking about how "hot pyrrha was"
there is no respect for the dead in the emperor's bolthole
there's about to be something else in the emperor's bolthole in a minute though
I was excited about them drinking, though, because that's when people start spilling some truths
the lost commander of BOE is a "she", her name is/was Commander Wake, she almost killed alleged gideon aka ortus
I'm still spinning with the gideon's mom theory
and the background telenovela I've got going on
BOE found a Herald, killed it and turned it into weapons against these clowns
good for them, tbh, kill these drunk irresponsible bastards
emperor reverend professor doctor john thinks it's narcissistic of him to toast to himself
I want to murder him in cold blood
I hate this man so viscerally I want to rip him apart with my hands
the twist in this book is that I'm gonna reach to his murder and it's gonna be me
it's like bastian reading the neverending story but it's me killing this man
his full name is john gaius but I had been spoiled of his name by people not tagging their posts
he also does a "your mama" joke because he's my villain origin story
"part of your brain temporarily calcified into atheism" I'M GLAD, HARROW
so, they start to make out, all three of them
I finally caught up about zeus's deception and all about here
emperor awful is sandwiched between mercygirl on a table and augustine behind him and they forget there are children in the room
well, not children, but same difference, they're a million years old
harrow and yandere twin get the hell out of that display
CHAPTER 31
yandere twin wants to kiss harrowbean before she leaves to kill alleged gideon aka ortus, but harrow doesn't let her
harrow says "my affections lie buried in the Locked Tomb" to which yandere twin responds "Somebody might even exhume them for you"
when harrow mentioned not wanting to be touched while sleeping beside yandere twin, I remembered the pool hug and all that, that was a nice time
people were being killed left and right but it was a nice time
ANYWAY
harrow has a whole plan and has it all figured out, it's a really good plan, it works very nicely, but alleged gideon aka ortus isn't where they told her he was
sometimes, life works that way
the man you plan to kill isn't in the training room and all
she goes to look for him in not!dulcinea's crypt or whatever
and she sees this
and the spear
she follows the children's hospital trail of blood to the incinerator
alleged gideon aka ortus is inside the fire thingy and not!dulcinea is operating the controls
I wonder who could have predicted that this woman could still be an issue even after death
me, it was me
anyway, no time for I-told-you-so's because harrowbean decides to help him out of there
I'm very happy because I need him alive
he knows things and he's less bad than everyone else around here
because he's upfront about the killing
he tells her some things while he's kind of out of it
like to use blood wards instead of bone ones
that it will make her safe from "us"
"I know you're there. Kill me all you like. I would know you in the blindness of my eyes" he says and, among other things "Just tell me—back then—why you brought along the ba—"
WAS HE GONNA SAY BABY???? WHAT IF HE WANTED TO SAY BABY???
I'm still on my gideon agenda, sorry if it's embarrassing to read
of course emperor dickhead stops him before he can finish it
alleged gideon aka ortus says he doesn't remember shit afterwards and harrow sees her own mental state reflected in his
they can't find not!dulcinea, apparently
she's probably operating heavy machinery elsewhere
harrow is putting up her blood wards when she hears augustine and mercygirl argue about the whole zeus situation
the incinerator alarm apparently interrupted their plan of letting this happen
whether or not they had a hand on the not!dulcinea thing idk
mercygirl says she didn't move her
we end this act with ice cube barbie maybe annabel lee saying "The water is risen. So is the sun. We will endure."
obligatory yearning for camilla moment
That is the end of Act III and of my commentary because this was way too long and I need to make less chapters at a time istg
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