sandrinepelletier

[sandrinepelletier]

Lost, Found and Eternal

Workshop by Sandrine Pelletier. Outdoor sculpture, installation and nature Curated by StudioKhana, with the support of Pro Helvetia ------------------------------------------------------------------ An archaeological site is a place in which evidence of past activity is preserved (either prehistoric, historic or contemporary). In cities like Cairo, plenty of archaeological sites lay unnoticed sending ambiguous signs to those willing to turn around and listen attentively. Paying attention might help us communicate with the spot through our collective memory, looking within it for little indicatives to guide us through the process of deconstructing the place. Analyzing its history and impact of the people who passed by it. The workshop is an attempt to achieve a clear view of a place, taking into consideration all its elements, be it reflections, shadows, voices and sounds, or people that associated with the place, a complete grasp of the place and its context. We then attempt to deconstruct and rebuild the elements, tracing the authentic elements and creating parallel landmarks with the ability to draw attention to or recall certain aspects relating the history of the place to its reality now.

موجود، مفقود، أزلي

ورشة عمل مع: ساندرين بيلتيير

الموقع الأركيولوجي هو المكان الذي يحفظ أدلة لأنشطة سابقة (ما قبل تاريخية، تاريخية، معاصرة. في مدينة كالقاهرة، تقبع مواقع أركيولوجية عديدة ترسل الإشارات الخفية إلى أولئك المهتمين والراغبين في الإلتفات والانصات لتلك الإشارات. قد يساعدنا الالتفات في التفاعل مع تلك البقعة عن طريق ذاكرتنا الجمعية باحثين بداخلها عن مؤشرات صغيرة ترشدنا في عملية تفكيك المكان ومحتوياته، وتحليل تاريخه وأثره، وأثر أولئك الذين مروا به. الورشة محاولة للوصول لرؤية واضحة لمكان، مع الأخذ في الاعتبار كل مكوناته سواء كانت انعاكاسات ضوئية، ظلال، أصوات يصدرها وتحيط به أو أشخاصًا مرتبطين به، سعيًا نحو إلمام كامل بالمكان وسياقاته. ومن ثم يأتي تفكيك هذه العناصر وإعادة بنائها: نتتبع العناصر الأصيلة ونحاول خلق أخرى موازية، ربما يكون لديها القدرة على لفت الانتباه لجوانب معينة من تاريخ المكان وعلاقتها بواقعه الحالي.

#cairo #studiokhana #sculpture #garden #landscape #landart #workshop #motherofdragons #prohelvetia

[sandrinepelletier]

Der Einzige Ort Irwin + Livia Di Giovanna Centre Pasquart Bienne/Biel https://www.pasquart.ch/fr/event/der-einzige-ort/

22.09 – 19.11.2017 With Margit Maria Bauer, Ariane Gaffron, Michael Hasenfuss, Stefan Liebermann. Installation by Sandrine Pelletier. The narrative of the journey of two men making their way through the mysterious Timbuktu stretches over four evenings, their curiosity about the unknown world becomes a struggle for survival. Cultures meet, and ways of life are challenged. A project for four actors and a visual artist based on Thomas Stangl's novel Der Einzige Ort

#thomasstangl #nsk #nskpasseport #irwin #installation #desert

[sandrinepelletier]

At night St François Church, Lausanne, Switzerland

9.5 on Luther’s squale. Exhibition runs until 1st of October

#glass #stainedglass #9.5surlechelledeluther #reforme #churchart #sandrine pelletier

[sandrinepelletier]

CHATS! A tribute to Théophile-Alexandre Steinlen BDFIL Lausanne Festival 14-18.09.2017

#lachascarade #bdfil #steinlen #chats #bd #drawing #bwdrawing #ceramic

[sandrinepelletier]

#espritsainf #churchart #sandrine pelletier #luther #9.5surlechelledeluther #burnedwood #artinstallation

[sandrinepelletier]

Sandrine

[sandrinepelletier]

9.5 on Luther's squale St François Church, Lausanne The nave of Saint-François' church in Lausanne is often used for the dialogue between theology and contemporary art. This year it hosts a monumental installation of burnt wood and glass by artist Sandrine Pelletier. Her work evokes the Reformation in the 16th century and the shock wave it created.

22.06 — 31.10.2017

Churches around the world are gearing up to celebrate the 500 year anniversary of the start of the Protestant Reformation. On October 31, 1517, a German monk called Martin Luther nailed 95 theses to the door of the Castle Church in Wittenberg. This precipitated the reform of medieval Christianity, which changed the world forever. We are all impacted by Luther, who has been called “the last medieval man and the first modern one.”

#glass #church #churchart #Sandrine Pelletier #drippingglass #luther #9.5surlechelledeluther #espritsainf #saintfrancois #eglisedesaintfrancois #installation #art

[sandrinepelletier]

9.5 on Luther's squale St François Church, Lausanne  The nave of Saint-François' church in Lausanne is often used for the dialogue between theology and contemporary art. This year it hosts a monumental installation of burnt wood and glass by artist Sandrine Pelletier. Her work evokes the Reformation in the 16th century and the shock wave it created. 22.06 — 31.10.2017

Churches around the world are gearing up to celebrate the 500 year anniversary of the start of the Protestant Reformation. On October 31, 1517, a German monk called Martin Luther nailed 95 theses to the door of the Castle Church in Wittenberg. This precipitated the reform of medieval Christianity, which changed the world forever. We are all impacted by Luther, who has been called “the last medieval man and the first modern one.” photo by ©Anoush Abrar

#Sandrine Pelletier #9.5surlechelledeluther #espritsainf #eglisedesaintfrancois #church #installation #burnedwood #glass #stainedglass #art #churchart #sculpture #luther

[sandrinepelletier]

Another great photo by the sweet Danae X

#mudac #miroirmiroir #whofearstheother #sandrinepelletier

[sandrinepelletier]

Who Fears The Others, 2017 Mirrors (250 x 100 cm)

Sandrine Pelletier´s work is rooted in material: its language, possibilities and limits. Who Fears The Other is a sculpture made of mirrors of varying sizes that have been treated with acid. Here, mirrors serve as both base material and medium. The work’s title comes from a poem printed in Two Rows by the Sea, a tract published by the Bible Society of Egypt (a Coptic Christian group) following the circulation of an internet video showing the execution of 21 Egyptian Christians by ISIS in Libya on 12 February 2015. The idea of image is thus central. ISIS has created an internet iconography that consecrates its barbarous acts in order to recruit new members. In a reflection of our century, the group does not lurk in the shadows but communicates openly on social media. With her permanently disfigured mirrors, Pelletier questions not only the viewer’s relationship to self but to society. Who fears the other, knowing that the latter is a product of the former? Group exhibition Miroir Miroir @mudac Lausanne http://mudac.ch/expositions/miroir-miroir/ 31.05 – 01.10.2017

#SandrinePelletier #mudac #miroirmiroir #whofearstheother #mirror #sculpture #isis #invisible

[sandrinepelletier]

A rotting fish begins to stink at the head

Italian proverb

[sandrinepelletier]

Crystal Palace, galerie Escougou-Cetraro, Paris Sans Titre, 2017 125 x 125 x 45 cm, wood, glass Haram city, 2017 Bronze

[sandrinepelletier]

#haja #church #installation #saintfrancois #art #burned #luther

[sandrinepelletier]

Calvin City, 2010 Charcoal (100 x 150 cm) Le Retour des Ténèbres, L’imaginaire gothique depuis Frankenstein Musée Rath, Geneva

Exhibition runs until 19.03.2017

#leretourdestenebres #museerath #calvin #geneve #charcoal #drawing #gothic #sandrinepelletier

[sandrinepelletier]

Pit inna de sky, it fall inna yuh y'eye

Jamaïcan proverb

#If you spit into the sky it falls into your eye.

[sandrinepelletier]

La Lignée - 2016 Bronze, patina (25 x 6 cm) La Ruse - 2016 Bronze, patina (22 x 18 cm)

#Sandrine Pelletier #Egypt #bronze #sculpture #corn #niqab #burkini #art

[sandrinepelletier]

Funeral urns for cats - oushebtis Each urns is unique and made in Egypt  Ceramic, enamel

#Egypt #cats #urns #ceramic #funeral