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· JAKAWISA · SUBS ESP from sergio bastani on Vimeo.

Sinopsis

Tres generaciones de mujeres aimara, habitantes del lago Titicaca en Bolivia, trabajan la tierra siguiendo una larga tradición familiar. La textura de manos y pies así como la del material fílmico protagonizan esta propuesta, reflejando la mirada personal e íntima de la directora hacia su familia y su cultura.

Duración: 5:21 Genero: Documental Idioma: Aymara Año: 2020 Pais: Bolivia Soporte: Digital Formato: 4:3 B&N/Color: Blanco y Negro Sonido: Estéreo Master film: HD

FICHA TECNICA / ARTISTICA

Reparto: Marcela Chura, Natividad Chura, Delia Yujra Chura Director: Delia Yujra Chura Guion: Delia Yujra Chura Productores: Delia Yujra Chura / Sergio Bastani Dirección Fotografía: Sergio Bastani Diseño Sonoro: Esteban Zamora Música: Beto Martinez Montaje: Sergio Bastani

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pre edit_master_ATOS_20220616 from Renato Vallone on Vimeo.

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XXL Lag With Single Foot – Manipulation I and II from Cia. Excessos Studio on Vimeo.

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Seeing in the Rain from Chris Gallagher on Vimeo.

Experimental, 10:00, 1981 - chrisgallagher.ca/

Photographed through the windshield of a Vancouver city bus and edited according to the rhythms of the bus' windshield wiper, the film transforms the linear narrative of the bus ride into a temporal construction that can be described as cubist. The effect of the cutting strategy on the actual temporal organization of the film is as remarkable as its effect on our sense of time.

R. Bruce Elder, Image and Identity

Gallagher's film embodies the essence of cinema; movement, rhythm and the poignance of ephemeral gestures.

J. Hoerman

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YANA - June from Magdalena Zielinska on Vimeo.

"June" explores the idea that to be fully present, you must let go, get lost, and surrender first. It celebrates our vulnerability, praises the beauty of fleeting moments, nostalgia, and finding inner peace and acceptance despite our failures, fears, burn-outs, and sorrows. Delicate, almost improvised piano song, together with visuals, illustrate the undefined longing for both the unknown journeys and familiar places we would like to find ourselves in.

written and directed by Magdalena Zielińska cinematography: Mateusz Kanownik starring: Joanna Niemirska, Jairo Almoguera Acosta colorist: Piotr Putko sound design: Tomasz Stempniewicz

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7Y98D from OURO Collective on Vimeo.

7Y98D is a reference to The Climate Clock, a public art installation in New York City, created by artists Gan Golan and Andrew Boyd. The clock counts down the time we have left to avoid climate disaster. OURO Collective became aware of the Climate Clock when the time remaining was 7 years and 98 Days. According to the Intergovernmental Panel on Climate Change, we must reduce global greenhouse gas emissions within this critical time window to prevent irreversible damage to the planet.

7Y98D was premiered by NOWNESS: nowness.com/series/just-dance/7y98d-ouro-rubberlegz

CREDITS

Performed by - Cristina Bucci, Eric Cheung, Rina Pellerin, Ash Cornette, Shana Wolfe Choreography by - RubberLegz Directed by - Jeff Hamada & David Ehrenreich Production Design - Maiko Miyauchi Score - Aiden Ayers Cinematography - David Ehrenreich Titles / Graphic Design - Jeff Hamada 2nd Unit Cinematographer - Caleb Ford Key Grip / Drone Pilot - Hayden Rensch Set Construction - Wyatt Franke Costume Design - Jean Okada Colour - Sam Gilling

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CUB - Reason Doesn't Sleep [L.I.E.S.] from Samuel Domínguez on Vimeo.

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LA FEMME AU DRAPEAU from abou naddara on Vimeo.

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CENTELHA - trailer 02 from Renato Vallone on Vimeo.

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c4157750-18c4-45ad-b888-a3f9a8e941a5.MP4 from Renato Vallone on Vimeo.

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brasilia patrimonio cultural da humanidade from ANTONIO JOSE P OLIVEIRA on Vimeo.

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CENTELHA - trailer from Renato Vallone on Vimeo.

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Retrato n.1 Povo acordado e suas 1000 Bandeiras. from Edu Yatri Ioschpe on Vimeo.

Um rosto em quadro, um coro furioso fora dele. Um pequeno fragmento das manifestações de 2013, na tentativa de revelar as enormes contradições do contemporâneo.

- Festival ENTRETODOS de direitos Humanos - 2013 - SP. entretodos.com.br/

-16ª FESTCURTASBH - Minas Gerais - 2014.

-VI Semana dos Realizadores - Rio de Janeiro - Nov-2014. semanadosrealizadores.com.br/site/filmes/retrato-n-1-povo-acordado-e-suas-1-000-bandeiras/

-Mostra do Filme livre-2015. mostradofilmelivre.com/15/info.php?c=8404

- Festival Oberhausen (Alemanha) - Maio de 2016 kurzfilmtage.de/en/

-Mostra "68 e Depois", organizada pela UFMG, Junho de 2018.

-"VIDEOEX – International Experimental Film & Video Festival Zurich. (25 de Maio a 02 de Junho de 2019) - videoex.ch/videoex/festival-2019/

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pand_nudes from Renato Vallone on Vimeo.

“se eu disser que vi um pássaro sobre teu sexo...” h.h

com M. Peixoto, Santa Teresa, Francisco Tárrega...

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eu vi from Renato Vallone on Vimeo.

padim ciço mãe nossa senhora e d e u s - g u e r r a s

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ECAL Instagram Live: Jean-Luc Godard from ECAL on Vimeo.

ECAL Instagram Live: Jean-Luc Godard, cinéaste, Rolle (Suisse)

En conversation avec Lionel Baier, responsable du Département Cinéma de l’ECAL, sur la thématique «des images en temps de Coronavirus»

Mardi 7 avril sur @ecal_ch (instagram.com/ecal_ch/?hl=fr)

A ses débuts critique à La Gazette du cinéma puis aux Cahiers du cinéma, Jean-Luc Godard réalise des courts métrages avant de tourner son premier long métrage en 1959: «A bout de souffle». Ce film devient l’œuvre phare du cinéma de la Nouvelle Vague, dont Godard est désormais l’un des représentants emblématiques. Les années 1960 sont marquées par une œuvre prolixe («Le Petit Soldat», «Le Mépris», «Pierrot le fou», «La Chinoise»…).

Les évènements de Mai 68 confirment un changement dans sa façon de concevoir le cinéma et ses films deviennent des étendards politiques. L’advenue de la vidéo engendre la création de grandes séries essayistes, «6X2» et «France, Tour, Détour, Deux Enfants».

Métamorphosés, le narratif, les acteurs professionnels, les mythes et archétypes reviennent à partir de 1979 avec «Sauve qui peut la vie», «Détective» et «Prénom Carmen», film pour lequel il reçoit le Lion d’or à la Mostra de Venise en 1983. S’ensuit une période d’investigation expérimentale sur les formes de l’Histoire comme «Allemagne année 90 neuf zéro» ou «Histoire(s) du cinéma».

Depuis les années 2000, Jean-Luc Godard continue son exploration infatigable du septième art avec «Eloge de l'amour», «Film Socialisme» ou «Adieu au langage» (Prix du jury au Festival de Cannes en 2014). Jean-Luc Godard a reçu la Palme d’or spéciale du jury au Festival de Cannes 2018 pour «Le Livre d’image».

(Biographie publiée à l’occasion de «Jean-Luc Godard – Parcours Livre d’image» au Théâtre Nanterre-Amandiers en 2019)

ECAL/Ecole cantonale d’art de Lausanne Avenue du Temple 5, CH – 1020 Renens

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DISORIENT EXPRESS from Ken Jacobs on Vimeo.