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my coffin shaped locket is the perfect size to fit one singular ibuprofen
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I love baseball
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The thing neurotypicals tend not to understand about the ADHD brain is that it really only has two gears
I turn to the chalkboard and carefully write out
WORKIN' HARD
HARDLY WORKIN'
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Hey students, here’s a pro tip: do not write an email to your prof while you’re seriously sick.
Signed, a person who somehow came up with “dear hello, I am sick and not sure if I’ll be alive to come tomorrow and I’m sorry, best slutantions, [name]”.
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OH MY GOD ITS MERMAY. UM. EVERYONE GO WATCH THE SUMMER KING MUSIC VIDEO.
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I have just learned that Mountain Goats are NOT, in fact, actual Goats.
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jesus these cutscenes are REALLY long
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Shout out to the best joke I’ve ever told, WWDITS style.
(His name is Timothy)
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Chances for excessive summer temperatures
#:(
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Some day I want to see a show that does the “no filler episodes” thing from the opposite direction. Just a whole season worth of low-stakes character pieces that seem to move the overall story absolutely nowhere, then episode 26 pulls all the triggers at once and this massive Rube Goldberg machine of a plot the show’s been quietly setting up in the background the whole time hits you like a truck.
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The Robot Apocalypse came. Cities are empty, you stayed since you’re almost out of insulin and will die soon anyway. The robots find you and while processing you one of them sees your insulin pump and asks if you want to apply for dual citizenship, since the pump technically makes you a cyborg.
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saw a grown woman on tiktok snidely calling gen z the christopher columbus generation bc someone’s fifteen year old son ‘thought he’d discovered weezer’. newsflash every generation finds out about the music of the previous generation at some point it comes free with being fifteen. being annoying about music also comes free with being fifteen. a kid saying yeah i’ve just found this band nirvana have you ever heard of them should be a thing of joy
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a little tribute to my new fav song from the epic musical
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trying to figure out their design again
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A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.
Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.
The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.
The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.
Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.
The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.
We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.
The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.
At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.
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