âThe perfect man employs his mind as a mirror. It grasps nothing, it refuses nothing. It receives but does not keep. The wild geese do not intend to cast their reflection on the lake and the water has no mind to retain their image. To be able to drift like a cloud and flow like water. Seeing that all life is a magnificent illusion, a playing of energy, and there is absolutely nothing fundamentally to be afraid of.â
Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence.ďżź
 âThe Strangerâ is unquestionably the best choice for anyone who wants to get to know Albert Camus. It's so simple that it fools you at first. You think it's going to be an easy read, but when you finish the book and put it down, you don't even know your name or if it even matters to have a name. It will probably keep your mind busy for months and make you think about the true meaning of life. You will most likely never be the same person again.
 2. Falling in Love â âBetwixt and Betweenâ (1937) // âThe Fallâ (1956) // âExile and the Kingdomâ (1957)
After "The Stranger" has had time to settle and stick in your mind (a process that takes about six months to a year), it's time to explore other writing. Camus doesn't use the same language in every book, so it's important to be careful what you choose to read after. The best options to fall irrevocably in love with this French philosopher are âBetwixt and Betweenâ, which is his very first published book, âThe Fallâ, which offers a very interesting narrative perspective, or âExile and the Kingdomâ, his only collection of short stories. After going through these, your heart will be caught in the nets of love for Camus.
 3. The Surprise â âThe Plagueâ (1947) // âA Happy Deathâ (written 1936â38, published 1971) // âSummerâ (1954) // âNuptialsâ (1938)
After the reader has gone through the above books, he will have the impression that he knows Camus. Now is the time for him to have the surprise of his life. Camus managed the feat of not giving the audience the same thing twice. That is why each of his writings is unique. Some are easier to read and digest, some are not. At this stage, it is time to get acquainted with its more difficult side. "The Plague" is a story that shakes you to the core and is difficult for even the best readers to get through. âThe Happy Deathâ should never have seen the light of day, being the first version of what we now know as The Stranger. "Summer" and "Nuptials" are dubbed essays and are similar in format to âBetwixt and Betweenâ, but here Camus approaches a completely new language, so poetic and refined that it instantly wins you over. Only after the reader goes through these books can he say that he understands a part of Camus.
 4. Not just a writer â âThe Myth of Sisyphusâ (1942) // âThe Rebelâ (1951) // Theatre Plays // Journalism Articles
 Camus was not only a great French writer. He was also a philosopher (though he never called himself that), a journalist and a playwright. If you are interested in fully understanding Camus, you must also understand his writings in other fields. "The Myth of Sisyphus" is the essay that formed the basis of the formation of a new philosophical current called absurdism. "The Rebel" continues the work started by "The Myth of Sisyphus", going much deeper into the issues related to the meaning of life, art, war, etc. Plays like "Caligula" (1938) or "The Misunderstanding" (1944) are wonderful pieces of art in the history of the theater, while summing up the entire philosophy of Camus. His journalistic articles reveal a Camus involved in society, trying to change something in one way or another through writing. "Reflections on the Guillotine" (1957) for example was an important work that contributed to the abolition of the death penalty in France. Camus never confined his writing to a single specialization, and this can be seen in the skill with which he explored the power of the word in its various forms.
5. Camus the Human â âThe First Manâ (incomplete, published 1994) // âAmerican Journalsâ (1978) // âCorrespondence (1944â1959)â // âNotebooksâ
At this point, after going through all these readings, we also want to find out who was the man behind the word. Camus put many things from his personal life into writing, but in this selection we have the most personal point of view. âThe First Manâ was supposed to be an autobiographical novel, but Camus died before he could finish it. The remaining manuscript was revised and published years after the author's death. "American Journals" captures a highly sensitive moment in his life, an existential crisis in Camus's life. âCorrespondenceâ is an exchange of letters between Camus and the woman with probably the greatest influence in his life, Maria Casares. Finally, the "Notebooks" are a collection made from the notes that Camus wrote over the years in his countless notebooks. Every intimate thought, beginning of a novel, reflection, trace of feeling, all these complete the image of Camus as a man.
Congratulations! If you have reached this point, you have managed to go through all the stages of knowledge and you can call yourself a true fan of Albert Camus. Now go and spread his teachings to other little outstiders. And don't forget, the only purpose of life is to be happy (reading Camus together).
âShe walked along without seeing anyone, bent under a tremendous and sudden fatigue, dragging her body, whose weight now seemed to her unbearable. Her exaltation had left her. Now she felt too tall, too thick, too white too for this world she had just entered. A child, the girl, the dry man, the furtive jackal were the only creatures who could silently walk that earth. What would she do there henceforth except drag herself toward sleep, toward death?â
â Albert Camus, Exile and the Kingdom - The Adulterous Woman
(via words-and-coffee)
Wanted to say thanks for all support so far. I have a little sale going , kinda hate self promoting but i thought it could use a little boost. Have a great day and stay safe wherever you are. -peter
Hereâs the final piece from the Avengers Episode! I wanted to draw their female counterparts; Spider-Gwen, Riri Williams, Jane Foster and Shannon Carter. Took a while to figure out and iâm ultimately how everything came together! Enjoy (ďžÂ´ăŽ`)ďž*: シďž
Hereâs the final piece from the Avengers Episode! I wanted to draw their female counterparts; Spider-Gwen, Riri Williams, Jane Foster and Shannon Carter. Took a while to figure out and iâm ultimately how everything came together! Enjoy (ďžÂ´ăŽ`)ďž*: シďž