red-artemis-jane

[red-artemis-jane]

Said Snape…

An analysis inspired by my username :)

There are about 300* times in the series that Snape’s delivery of dialogue contains additional descriptives beyond “said”, giving us insight into his tone. I thought it might be interesting to take a look at what this can tell us about Snape’s character. And if you’re a fic writer looking to have your Snape reflect canon!Snape as much as possible (or even if not, and you’re looking to make choices that will distinguish him from canon!Snape), I figured this might be a helpful resource.

[Adverbs] Snape says things…

...softly or quietly, most often, followed by coldly, coolly, or icily, and then smoothly, silkily, or sleekly.

This trend holds when we look across not just adverbs modifying “said” but all verbs of speech. Here's how those descriptors are used across the books in the series:

And here's what that looks like split up by the different eras in Snape's life:

Snape is most often described as saying things “repressively” or “dismissively” as well as “calmly”, “slowly”, or “deliberately” in his double agent days, which are adverbs that convey a certain amount of control over the conversation, information, and his own temperament. Taken together, this may reflect his increased caution and the high-stakes nature of information at this stage.

Although Snape displays little patience for those not at his level even in his teenage years (“just shove a bezoar down their throats” comes to mind), his dialogue only reflects this with adverbs such as “sharply” or “curtly” once he has established himself as an authority figure. We will see a similar pattern below with verbs and adjectives conveying impatience.

[Verbs] When Snape doesn’t simply “say” something, he…

...Most often is expressing a negative emotion: shouting, yelling, bellowing or snarling and spitting. The largest portion of Snape’s shouts occur in HBP, specifically in Flight of the Prince, as he tries to direct the Death Eaters to leave and faces Harry. But looking across these first two emotionally-charged categories, about 30% of these (perhaps not surprisingly) occur in Prisoner of Azkaban, where Snape is spends a notable chunk of the book in an extremely emotional state.

However, he's not always shouting or snarling; approximately 15% of the time when he is not simply speaking, he is whispering or hissing, which complements the 25% of the time that he is speaking softly or quietly.

Let's look at this in relation to Snape's timeline:

It's fitting that the majority of Snape’s inquiries occur after Voldemort’s return, when he returns to his double agent role, gathering intelligence.

I also think it’s interesting what we don’t see in Snape’s school days. In childhood/school there’s relatively little superciliousness—instead, we see more argumentation; Snape argues, demands, pants, splutters, and backtracks.

Snape’s brand of snippy impatience and condescension (sneered/snarled/snapped, etc) is most evident in his days as a professor (before Voldemort’s return through his years as a double agent). In his deep cover years it declines; he no longer has the time and he’s focused on the task at hand.

Let's now look at the adjectives used to describe Snape's tone. Snape says things in a tone of voice that is…

...Most often soft, low, or quiet, followed by cold or icy, and then by sneering or sardonic. I find it fitting that Snape’s tone is described as impatient in GOF and HBP, both books in which Snape spends the year on tenterhooks, waiting for the axe to fall.

When we look at how these adjectives are distributed across Snape's lifetime, we can see that Snape’s vocalizations described as “terrible” only three times, and they occur at pivotal moments: Lily’s death and his own. Additionally, Snape’s unconcerned or bored tone comes out during his double agent years, and 3 out of the 4 times it is used as an affectation.

Misc. notes: It is also notable when there are a lack of descriptors surrounding Snape’s speech altogether. There are definitely fewer in the first two books, likely given their shorter length and lower reading level. However, there are three moments in Deathly Hallows that, taken together, really stood out to me: The Dark Lord Ascending, Voldemort’s visit to Hogwarts to take the Elder Wand, and Snape’s meeting with Voldemort in the Shrieking Shack (that is, up until the moment of Snape’s murder, during which he protests and lets out a terrible scream). The lack of any description of Snape's speech is a neat nonverbal way to convey to us readers the effect of Occlumency.

Anyway, hope this was interesting, and I’d absolutely love to hear any additional insights you all pull out of this!

*This is by no means meant to be the definitive, exhaustive analysis of Snape’s speech. This was completed doing simple searches for dialogue with “Snape” (didn’t have the raw text to write a script or anything), so it’s entirely possible that I’ve missed several instances of Snape speaking when referred to as “he” and the dialogue in question is several lines away from his name. However, I believe those cases are relatively few, so I’m fairly confident that I have a majority of the instances in which Snape’s dialogue is described with an adverb, adjective denoting tone, or with a verb other than “said”. It’s likely the remainder would follow similar trends if they are dispersed sporadically throughout the series.

[red-artemis-jane]

“We Teachers are rather good at magic you know.”

Professors Severus Snape and Minerva McGonagall Aesthetic

[red-artemis-jane]

Potion’s Classroom

Severus Snape Aesthetic 

[red-artemis-jane]

General Prompt: Someone in the group is not-entirely-human.

Could be a mystery - trying to find out who it is as events escalate in weirdness.

Could be horror, as in John Carpenter’s The Thing.

Could be humor - the character is VERY obviously not human but everyone seems to be blind to it.

[red-artemis-jane]

Credit/reblogable versions: [x] [x] [x] [x] [x] [x] [x] [x] 

Enjoy~

[red-artemis-jane]

Hearts & Cauldrons Snamione Smut Fest

Announcing the second H&C Snamione Smut Fest: Where the plot goes the same way as Severus and Hermione’s pants: out the window. Posting dates will be 1-31 May 2023. SSHG fics and art are both accepted, and there’s no need to sign up. Just create something that fits in one or more of the categories on the collection profile and submit your work to the collection.  See the collection page for information about the categories and rules. 💖

[red-artemis-jane]

#spicy books #spicy booktok #a lady of rooksgrove manor #smutty books #books and libraries #kindle books #booklover #review #black aesthetic #red aesthetic #gothic aesthetic #gothcore #kathryn moon

[red-artemis-jane]

A Lady of Rooksgrove Manor by Kathryn Moon - Aesthetic

Rooksgrove Manor Aesthetic

(I know this is a tame set of images but Tumblr doesn’t let us have fun anymore hahah)

#a lady of Rooksgrove manor #Kathryn moon #black aesthetic #red aesthetic #spicy books #smutty #smutty books #spicy booktok #booktok #gothic #gothic aesthetic #goth home decor #vampire #vampcore

[red-artemis-jane]

books read in 2021 || a touch of darkness

“They say Hades is protective of his realm, and while that is true, it isn’t about power. He cares for his people, protects them, and he takes it personally if anyone is harmed. If you belong to him, he will tear the world apart to save you.”

[red-artemis-jane]

A Game of Fate Aesthetic 

Hades

Nail by @red-artemis-jane - on TikTok and  Tumblr

@scarlettstclair

#a game of fate #a touch of darkness #hades #persephone #hades aesthetic #red aesthetic #black aesthetic #scarlett st clair #spicy books #spicy booktok

[red-artemis-jane]

The last peaceful nights

[red-artemis-jane]

S L Y T H E R I N

[red-artemis-jane]

Happy birthday week Severus Snape!

After a Henri Privat-Livemont poster advertising Absinthe Robette.

Source

[red-artemis-jane]

“… I can teach you how to bottle fame, brew glory, even stopper death—if you aren’t as big a bunch of dunderheads as I usually have to teach.”

[red-artemis-jane]

“EXPELLIARMUS!”

Harry Potter and the Chamber of Secrets Chapter 11: The Duelling Club

Art by Vladislav Pantic

[red-artemis-jane]

shh Snape is sleeping

[red-artemis-jane]

when he strikes this pose it’s over for all of you