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Speakers: Barbara Carrasco, Lara Demori, Esther Gabara, Andrea Giunta, Sophie Halart, Giulia Lamoni and Cecilia Vicuña (video contribution) Conveners: Burcu Dogramaci, Laura Karp Lugo and Stephanie Weber Program 11.00 Welcome by Ulrich Wilmes, Chief Curator Haus der Kunst 11.15 Introduction by Lara Demori, Goethe-Institut Fellow Haus der Kunst 1st Session 11.30 Sophie Halart (Universidad Alberto Hurtado, Santiago de Chile) "Mater chilensis toward a maternal re-reading of the Chilean neo-avantgarde" 12.00 Lara Demori (Haus der Kunst) "Transnational influences in Marta María Pérez Bravo's series Para Concebir (1985-1986) 12.30 Q&A moderated by Laura Karp Lugo (LMU) 13.00 Lunch break 2nd session 14.00 Barbara Carrasco (Artist and Muralist, Los Angeles, CA) "Chicana Artist in a U.S. Context" 14.30 Esther Gabara (Duke University) “¿Acaso hay otro orden?: Shouts and Murmurs from the 1970s” 15.00 Q&A moderated by Burcu Dogramaci (LMU) 15.30 Break 3rd Session 16.00 Giulia Lamoni (Universidade Nova de Lisboa) "Artists as Radical Educators in Latin America (1960s-1970s): A feminist research project" 16.30 Andrea Giunta (Universidad de Buenos Aires) "Race, Ethnicity and Empathy in Latin American Women Artists, 1960-1985" 17.00 Q&A moderated by Stephanie Weber (Lenbachhaus) 17.30 Cecilia Vicuña: an artist interview (video contribution) 18.00 Closing remarks and panel discussion Barbara Carrasco, Burcu Dogramaci, Esther Gabara, Andrea Giunta, Sophie Halart, Laura Karp Lugo, Giulia Lamoni and Stephanie Weber 19.00 End This one-day symposium explores the diverse forms of feminist artistic practices that developed in Central and South America between 1960 and 1980, and proposes a reevaluation of the notion of the ‘Third World’ via an examination of the historiography of exhibitions alongside artistic and activist practices that draw on the symbolic frame of feminism. Emerging from the 1955 Bandung Conference and subsequent formation of the Non-Aligned Movement, the term ‘Third World’ has traditionally shifted between denoting a political position that was ancillary to both the capitalist West and communist East, to identifying the cultural and economic conditions of so-called ‘underdeveloped’ countries; a position which in turn perpetuated a fallacious, homogenized understanding of the countries that constituted it. Such a misnomer is particularly egregious when one considers the pluralities of race, ethnicity, and gender that constitute Latin America, a region whose multiple identities and intercultural complexities are commonly analyzed within the framework of 'mestizaje' (miscegenation, mixing. Nevertheless, as Gerardo Mosquera has warned, even a notion as fluid as 'mestizaje' cannot escape the tendency to erase imbalances and conflicts within diverse cultural communities and, in so doing, similarly runs the risk of becoming “an attractive stereotype for the outside gaze.” Situating itself between the totalizing tendency of the “Third World” and the orientalist proclivities of 'mestizaje', "Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)" will utilize the lens of feminism in order to excavate the aforementioned historical moment, exposing its inherent contradictions, as well as probe its political and cultural specificities so as to emphasize and locate modes of resistance against patriarchal hierarchies and hegemonic forms of feminist identification. In so doing, it will circumvent the notion that “Third World” women constitute a homogenous category “victimized by the combined weight of their traditions, culture and beliefs, and “our” (Eurocentric) history,” as well as abstain from promulgating the notion of some form of “universal sisterhood” that assumes a commonality of gender experience across race and nationality. In place of this, the symposium takes up the call of several scholars who advocate for a new analytical methodology that acknowledges the struggles of Latin American women in relation to their history, cultural context, economic class, and social identity. "Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)" will strive to unveil the presence of multiple feminisms and their decolonizing subaltern positions. It takes  ethnic and cultural differences into account, as well as to exploring their political and economic implications. By investigating as well the intersectionality between the presence of African populations in Latin American, movements of Native Americans and differences between Latino and Latin American identities, “Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)” aims to further complicate the idea of feminism in Latin America. Unfortunately there is a sound interference during video photos by Marion Vogel

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#Moschino #JeremyScott #SS23          Moschino SS23 fashion show!                                          10.902 Aufrufe  Live übertragen am 22.09.2022  Moschino by Jeremy Scott Spring / Summer 2023 fashion show – Live from Milan, September 22nd, 2022. More pictures and videos on http://www.moschino.com! #Moschino #JeremyScott #SS23 #MFW #moschinofashionshow

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                                                                                                               Joey Huertas introduces Millennium Film Workshop 2022 screening at MoMA, Museum of Modern Art.                                          141 Aufrufe  19.02.2022  Museum of Modern Art, MoMA Wednesday, Feb 16, 7:00 p.m. MoMA, Floor T2/T1, Theater 2 The Roy and Niuta Titus Theater 2 Joey Huertas, Executive Director of The Millennium FIlm Workshop since 2017, introduces the first evening of a two-night 'Sold Out' film screening aimed to invoke the spirit of the early City Symphonies and apply it to the New York of the late 20th century and the early part of this century. Each filmmaker in this program has been affiliated with Millennium over the years, some educated through its workshop programs, others active members of their ongoing screening community. Each film offers its own particular and idiosyncratic view of the city, but it is hoped that the screenings will offer something more than just a compilation. Rather, as with any great symphony, the whole will be greater than the sum of its parts. Perhaps, when these short films are viewed together, the viewer will gain a deeper understanding of the city, its inner workings, its organic growth, and the profound changes that it has undergone in its recent history. With this series the Department of Film celebrates its acquisition of the Millennium Film Workshop and Howard Guttenplan Collections. Film selections and program text are by Joe Wakeman and Victoria Campbell. Organized by Ron Magliozzi, Curator, Department of Film, The Museum of Modern Art, with Joey Huertas, Joe Wakeman, Victoria Campbell, Roberta Friedman, Steven Siegel, and Paul Echeverria of the Millennium Film Workshop. http://www.janepublic.com MFW Official Website: http://www.millenniumfilm.org Recorded Introduction Event Link: https://www.moma.org/calendar/events/... Millennium Film Workshop Board of Trustees 2022: Joey Huertas, Executive Director   Joe Wakeman Victoria Campbell Paul Echeverria Colleen Fitzgibbon Roberta Friedman For decades, Millennium Film Workshop has served as a hub for independent experimental film production and exhibition, a place to bring forth personal cinema, open to anyone seeking a different vision beyond the mainstream. The original Workshop, located in New York City’s East Village from 1966 to 2011, was a community space providing low-cost equipment rentals, access to a screening room and editing facility, and the independence traditionally associated with painters or poets. Such filmmakers and artists as Andy Warhol, James Benning, Bruce Conner, Todd Haynes, Yvonne Rainer, Carolee Schneemann, and Michael Snow screened their work at Millennium, some premiering their first films. Today, Millennium holds instructional workshops for students and adults around the city, and maintains a community of critical engagement through its long-running publication, Millennium Film Journal. Through digital platforms, and in collaboration with other like-minded organizations, Millennium continues to foster experimentation and artistic development in film and video, steadfast in its mission to highlight new and unknown visions from beyond the commercial world of film. The many changes and adaptations Millennium has weathered over its long years of existence reflect the protean nature of the city it calls its home; though names and places may change, a certain character of filmmaking is always recognizably Millennium, just as our ever-changing city is always recognizably New York. Over the past few decades the filmmakers of Millennium Film Workshop have produced a wide range of films devoted to New York. These films can be understood as a continuation of the venerable “city symphony” genre and a modernization of the genre through new technology, interpretation, and techniques.

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     The Costume Designers: Full Uncensored Interview                          58.934 Aufrufe  19.12.2012  Full uncensored interview with the biggest names in movies from 2012, including Joanna Johnston, Mark Bridges, Colleen Atwood, Paco Delgado, Jacqueline Durran and Julie Weiss. Roundtables are back! The Hollywood Reporter’s 2016 Emmy Roundtable season has premiered. Subscribe to stay up to date with new Roundtable videos publishing everyday this awards season! Who do you want to see on this season’s Roundtables? Tell us in the comments below! Tune-in for the full Drama Actress Roundtable on Monday, June 28th! Stay tuned to everything you need for this season of Roundtables: http://www.hollywoodreporter.com/roun... Subscribe to our channel: https://www.youtube.com/hollywoodrepo... Like us on Facebook: https://www.facebook.com/HollywoodRep... Follow us on Twitter: https://twitter.com/thr Follow us on Instagram: http://instagram.com/hollywoodreporter Watch more videos on THR.com http://www.hollywoodreporter.com/video

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                                                                    Nova Wind (1983)                          539 Aufrufe  20.07.2019  This video, shot informally in the Ensemble Room at Mills College in 1983, contains the only footage known of David Rosenboom playing his 1981 composition Nova Wind from Future Travel. In it, he plays the legendary Touché—digital/analog keyboard instrument produced in collaboration with Donald Buchla in 1979-1980—, violin, piano, and ancillary electronics. A complete studio recording of Future Travel was released first on a vinyl LP by Street Records in 1981 and later on a double-CD from New World Records in 2007.

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CYFEST12 - Lecture by David Rosenboom - Propositional Music of Many Nows

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BALENCIAGA:  ENVAHIT LA BOUR$$$E DE NEW YORK! DILING! DILING! $$$$ par Loic Prigent

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https://opensea.io/assets/matic/0x2953399124f0cbb46d2cbacd8a89cf0599974963/55564345084935636139305106473563672946435427702696539258668393639089692213253