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Yara Eid obliterating Sky News

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The people in our dreams, we should call them when we wake up. It would make life simpler. “Hello, I dreamed of you. Love woke me.”

Les Amants du Pont-Neuf (1991), dir. Leos Carax

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Sometimes I wish I was deaf.

Julien Donkey-Boy (1999), dir. Harmony Korine

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But I’m wild at heart.

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La Dolce Vita (1960) dir. Federico Fellini // Mulholland Drive (2001) dir. David Lynch

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Twin Peaks 1x01

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Funeral Parade of Roses (1969) Directed by Toshio Matsumoto

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I'm thinking of ending things. Once this thought arrives, it stays. IIt sticks, it lingers, it dominates. There's not much I can do about it, trust me. It doesn't go away. It's there whether I like it or not. It's there when I eat, when I go to bed. It's there when I sleep. It's there when I wake up. It's always there. Always.

I haven't been thinking about it for long. The idea's new. But it feels old at the same time. When did it start? What if this thought wasn't conceived by me, but planted in my mind, pre-developed? Is an spoken idea unoriginal?

Maybe I've actually known all along. Maybe this is how it was always going to end. Jake once said, “Sometimes the thought is closer to the truth, to reality, than an action. You can say anything, you can do anything, but you can't fake a thought.”

#i'm thinking of ending things #charlie kaufman #film #jessie buckley #jesse plemons

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Trois couleurs: Rouge (1994, dir. Krzysztof Kieślowski)

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A minute of silence can last a long time… a whole eternity.

Band of Outsiders (1964) dir. Jean-Luc Godard

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Restando in silenzio influenzo le parole di chi ho intorno e solo andandomene lascio il segno.

Nostalgia Istantanea, Dargen DʼAmico

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Postcard that inspired the cover art for In the Aeroplane Over the Sea.

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I have a love in my life. It makes me stronger than anything you can imagine.

Punch-Drunk Love (2002) dir. Paul Thomas Anderson

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Demonlover; Olivier Assayas

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Skepticism is the natural reaction of people nowadays. But magic is ever-present. 

Suspiria (1977) dir. Dario Argento

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Funny Games (1997) dir. by Michael Haneke