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He was just trying to bring freedom, justice and security to his new Empire.

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Zuko helped her to get closure, Zuko helped Sokka to free his father and Suki from boiling rock, Zuko helped Aang to learn firebending and redirecting lightning that literally helped him in final battle with Ozai.

Zuko saved Katara from the rocks, Zuko saved Katara from fire nation soldier (TSR), Zuko saved Katara from Azula's lightning.

Zuko found her mother's necklace and it would've been lost forever if he hadn't taken it, because Aang got it back from Zuko, right? Zuko didn't steal it.

Yon Ra killed her mom, not the entire fire nations nor him (he was still a child back then). Zuko helped her find the killer and let her do whatever she needs. He didn't suggest her to do anything nor judged her.

These two characters always met in the final episode, in every season, with development (enemies - betrayal - allies).

If their development have no chemistry, I don't know what chemistry is anymore.

So, yes, sorry not sorry but they can be a good couple lmao

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If this ain't Yusuke every 2 episodes...

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My Interpetation of The Southern Raiders: Part 1 – A\ang

Warning: The views expressed in this analysis will be very critical of Aang. If you aren't critical of him in this episode, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.

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The Southern Raiders is probably one of the most discussed episodes in the fandom. Everyone knows Zuko Alone is great, but the discussion surrounding this episode is a war zone. In this essay I will try to answer every question posed in the discourse. This is part 1 out of three. In this part, I will discuss A\ang. I believe that understanding both Zuko and Aang's decisions in this episode will give us great insight into Katara's. Because the this episode is hers.

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1. Is Aang's philosophy of forgiveness valid?

(1) "Revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself".

(2) "You do have a choice: forgiveness". // "It's easy to do nothing, but it's hard to forgive". // "Forgiveness is the first step you have to take to begin healing".

This philosophy is indeed morally sound. Revenge comes from rage, a negative emotion that causes harm in the long run. Forgiveness is letting go of that rage, which is healing. I cannot write a full thesis, this essay is not about that. But on paper, I do agree with A\ang. He's right to say that letting go of rage is a better alternative than getting consumed by it. (However, his philosophy might not help some).

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2. Was A\ang being insensitive when talking to Katara?

First I must reiterate, a lot of people frame the conflict of the episode as one regarding the ethics of murder. In my interpretation, it is not. During this episode Katara was in a deeply emotional place. Her rage stemmed from intense grief and those around her should treat her as a mourner - with great sensitivity.

Now, was Aang being this sensitive with Katara? Well, in my opinion, very much so.

Imagine a scenario where A\ang just happens to meet Haru, and he's about to go on a quest to find revenge on who imprisoned his father. He tries to help him with the following sentences:

(1) Um ... and what exactly do you think this will accomplish?

(2) Wait! Stop! I do understand. You're feeling unbelievable pain and rage. How do you think I felt about the sandbenders when they stole Appa? How do you think I felt about the Fire Nation when I found out what happened to my people?

(3) I don't think so. I think it's about getting revenge.

(4) Haru, you sound like Jet.

(5) The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

(6) Haru, you do have a choice: forgiveness.

(7) No, it's not. It's easy to do nothing, but it's hard to forgive.

(8) You did the right thing. Forgiveness is the first step you have to take to begin healing.

Everything makes sense, right? The pieces fit.He just talks about his cultura\personal values, nothing about what Katara needs at the moment. He could have had this exact conversation with Haru without changing a thing.

Therefore his lines are impersonal and thus preachy. In this conversation he doesn’t show signs of trying to convince Katara not to end her mother’s killer because she is, fundamentally, a good person and couldn’t live having committed murder. He shows signs of trying to make her obey his cultural ethos. This is highly insensitive. Katara was in a very emotional place, filled with rage and grief. And his response was, intentionally or not, to impose his own cultural principles onto her.

But his lines weren’t insensitive just because they were preachy, some of them were judgmental and even harsh. When A\ang is first confronted with Katara’s intentions, he says:

A\ang: Um ... and what exactly do you think this will accomplish?

You can tell from his tone and how the rest of the conversation plays out that he does know what Katara thinks this will accomplish. He asks the question as a form of disapproval - that he thinks that going after Yon Rha won’t accomplish anything. He’s not being genuine, he’s casting judgment on her. He’s almost looking down on her and Zuko, looking down from a moral high ground and sarcastically interrogating the two. Another line that sticks out is

A\ang: Katara, you sound like Jet.

He says she sounds like the man who wanted to flood an entire village full of innocent civilians. He’s insulting her, and greatly so, all the while wanting to keep a moral high ground. This is incredibly rude and condescending.

In the next scene, right after the intense argument concludes, it appears as though A\ang comes around to the journey Katara was about to go through.

A\ang: I wasn't planning to. This is a journey you need to take. You need to face this man.But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

While he’s still discouraging Katara, it’s not outright condescending. But it’s as clear as day that he’d just preferred if she didn’t go on the journey at all. When he sees Zuko and Katara taking Appa to find Yon Rha, he says:

A\ang: So you were just gonna take Appa anyway?

Clearly disapproving of Katara. He doesn’t want her to go on the journey to find inner peace, he wants her to forgive the man who killed her mother right here and right now. He couldn’t change her mind on the subject, so he’ll advise her the next best thing. It is worth noting that in the beginning, before he advises her, he cracks a joke.

A\ang: It's okay, because I forgive you. [Pauses.] That give you any ideas?

Overall, A\ang’s behavior is unsympathetic and callous.Instead of placing his focus on Katara’s wellbeing, he preaches about Air Nomad teachings and goes as far as insulting her. Even when he comes around, it’s not because he realized his mistakes, it’s because he knew he couldn’t change her mind. And then he makes a humorous remark while giving him his supposed new found advice. The answer is: Yes. Aang was very insensitive when talking to Katara.

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3. Did A\ang know what Katara needed?

I don’t think he did. A\ang thought Katara needed to forgive Yon Rha, and as we previously established, without going after him. But even if we look at his second advice, she still doesn’t follow it.

A\ang: This is a journey you need to take. You need to face this man. [Katara situates herself on Appa's head.] But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

Katara explicitly didn’t forgive Yon Rha, and yet the whole point of the ending is that she’s in a better place now. No matter what Zuko says, A\ang didn’t know what Katara needed. And considering that his lines in the episode were as impersonal as they were, it isn’t a surprise.

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In conclusion, A\ang’s behavior in The Southern Raiders is questionable at best. He might have had pure intentions, and had a good message, but the way he put out the message was degrading and preachy. And in the end, he didn’t know what was the right thing for Katara.

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Must admit that one thing that changed the way I see fandom discourse is realizing that a lot of fandom is just… playing with dolls. We're playing with dolls. Shipping? Playing with dolls. AUs? Dolls. Darkfic? Dolls.

Lotta people very agitated about the other kids playing with dolls wrong.

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kicking a hornets nest.

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🔹 Saying that it's okay to write or read about dark and taboo topics but only when they're portrayed in a certain way is still censorship.

🔹 Wanting to ban or forbid media that you believe portrays a negative topic in a positive light, by glorifying, romanticizing, or fetishizing it is still censorship.

🔹 There is no objective metric to decide if a story is portraying a negative topic the 'right' way.

🔹 Just because a piece of fiction doesn't explicitly condemn or portray an evil action in a bad light in the text doesn't mean the author thinks its good or is trying to persuade the audience that it is good.

🔹 Survivors of trauma will not always write fiction about their trauma in a way that seems 'right' or 'normal' to you.

🔹 Banning fiction because it portrays dark, taboo topics in a way you consider gross or disgusting is still censorship.

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Many people have already discussed the way Zuko and Katara are linked by the loss of their mothers. I and others have also meta'd about the differences in how they interact with their fathers, a comparison the show highlights in "The Awakening," where Zuko faces his father for the first time in years and is forced to repress his emotions, vs Katara being allowed to express her hurt towards her father and being treated with kindness and compassion by Hakoda. But another comparison between Ozai and Hakoda that I have not seen anyone bring up before is this one:

Both Zuko and Katara running to their dads for help upon discovering that something has happened to their mothers. Hakoda immediately stops what he's doing to let Katara take him to Kya, while Ozai does not even acknowledge Zuko. Zuko's angry "where is she?" to Ozai also implies that he knows his father is the cause of her disappearance. There's also an emphasis on the fact that Hakoda is defending the village when Katara comes to him whereas Zuko finds Ozai tending to his own wounds and refusing to acknowledge what his children might be feeling.

The father as protector of the family vs the father who divides the family.

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peace at last.

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The Rules:

Every twenty-four hours there will be another round. After every round, the ship in last place will be eliminated.

If there are multiple ships tying for last place, there will be a special elimination round. In these rounds, every ship in last place will be eliminated, even if all the ships have tied equally.

When there are only two ships remaining, they will face off against one another in a week-long poll to determine the victor.

If the ship that you consider the best isn't listed here, hit the 'the best polarizing ship is ___' option and reply to this post with the overlooked ship. The ship with the highest 'write-in' votes will be added to the next round. Unless the 'the best polarizing ship is ___' option is the least voted for, in which case it will be eliminated.Welcome to the party, VaderLuke/AniLuke!

Addendum to Rule 4: Only polarizing ships are allowed. Yes, I'm sure your OTP is awesome, but if there's no proof of it being polarizing then it unfortunately cannot be added to the poll.

This is all for fun. Don't take it too seriously ;)

It's not a good time to be Hux! Our next casualty is Gingerpilot.

(Do you know how hard it was to find a good Gingerpilot gif? DO YOU KNOW?!)

It's time for Round Six!

#reylos to the front

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HUGH JACKMAN is WOLVERINE in DEADPOOL & WOLVERINE (2024)

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X-MEN '97 (2024) To Me, My X-Men - 1x1 dir. Jake Castorena.

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what i love about mlp fim is that the power of friendship is not a symbolic thing it is a real and tangible force so potent it can be channeled into killing people

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❤️Rogue FINALLY controlling her powers❤️ Legacy #224

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ive read the argument that kaiba would stay in school to beat yuugi at grades, but i don't really think this squares. i think kaiba would see yuugi's "D+ SEE ME AFTER CLASS" on his math test and laugh his way to the administration office where he files his "i am dropping out of school and you won't stop me" paperwork and never steps foot in a high school classroom again.

like i think he went to high school as some kind of boring formality more than anything else. gozaburo seems to have had him in some kind of accelerated curriculum of languages, social studies, business management, and judging by DM, STEM as well (and being some kind of STEM prodigy just makes sense for him anyway, no matter the canon; he designed the duel disk!) so in the end he's just miles ahead of any high school curriculum regardless.

in addition, "beating yuugi at grades" is like... a perpendicular exaggeration of his competitive tendencies. first of all, he knows and acts like he is the smartest person in any room he walks into. he shows no signs of wanting to prove anything in that respect. he does not feel the need to prove he's smarter than yuugi because he already knows he is. second of all, "grades" is not the same as "duel monsters." grades are, in the end, a measure of how well you can take a test. Duel Monsters means something entirely different to kaiba--it is connection, passion, vehicles of emotion; it is rising to meet the challenge of someone else, through an antagonistic/responsive zero-sum card game, with your whole being. a grade is something you can earn by yourself--a solitary victory. someone else can also win at "grades" and it has nothing to do with you. duel monsters is something you have to play with someone else, with an outcome constructed via interactions with other people.

in other words: he dropped out of high school the end

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seto kaiba with his newfound freedom decides that he hasn’t been to a legit school in so long so he’s adding that to his list of normal childhood things to catch up on, and then fast forward to waking up from a coma and he’s like well that sucked