A Hunger So Honed
Driving home late through town
He woke me for a deer in the road,
The light smudge of it fragile in the distance,
Free in a way that made me ashamed for our flesh–
His hand on my hand, even the weight
Of our voices not speaking.
I watched a long time
And a long time after we were too far to see,
Told myself I still saw it nosing the shrubs,
All phantom and shadow, so silent
It must have seemed I hadn’t wakened,
But passed into a deeper, more cogent state of dream–
The mind a dark city, a disappearing,
A handkerchief
Swallowed by a fist.
I thought of the animal’s mouth
And the hunger entrusted it. A hunger
So honed the green leaves merely maintain it.
We want so much,
When perhaps we live best
In the spaces between loves,
That unconscious roving,
The heart its own rough animal.
Unfettered.
The second time,
There were two that faced us a moment
The way deer will in their Greek perfection,
As though we were just some offering
The night had delivered.
They disappeared between two houses,
And we drove on, our own limbs
Sloppy after that, our need for one another
Greedy, weak
—Tracy K. Smith
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[Sometimes I don’t know if I’m having a feeling]
Sometimes I don’t know if I’m having a feeling
so I check my phone or squint at the window
with a serious look, like someone in a movie
or a mother thinking about how time passes.
Sometimes I’m not sure how to feel so I think
about a lot of things until I get an allergy attack.
I take my antihistamine with beer, thank you very much,
sleep like a cut under a band aid, wake up
on the stairs having missed the entire party.
It was a real blast, I can tell, for all the vases
are broken, the flowers twisted into crowns
for the young, drunk, and beautiful. I put one on
and salute the moon, the lone face over me
shining through the grates on the front door window.
You have seen me like this before, such a strange
version of the person you thought you knew.
Guess what, I’m strange to us both. It’s like
I’m not even me sometimes. Who am I? A question
for the Lord only to decide as She looks over
my résumé. Everything is different sometimes.
Sometimes there is no hand on my shoulder
but my room, my apartment, my body are containers
and I am thusly contained. How easy to forget
the obvious. The walls, blankets, sunlight, your love.
-Matthew Siegel
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On the Nature of Understanding
Say you hoped to
tame something
wild and stayed
calm and inched up
day by day. Or even
not tame it but
meet it halfway.
Things went along.
You made progress,
understanding
it would be a
lengthy process,
sensing changes
in your hair and nails. So it’s
strange when it
attacks: you thought
you had a deal.
-Kay Ryan
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Second Helpings
I wear my heart on my sleeve,
or rather both sleeves, since
it’s usually broken.
Sometimes when I join my hands
to pray, the jagged edges
briefly touch,
like a plate that fell and cracked
apart from being asked
to hold too much.
— John Brehm
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Carnegie Hall Rush Seats
Whatever else the orchestra says,
the cello insists,You’re dying.
It speaks from the core
of the tree’s hacked-out heart,
shaped and smoothed like a woman.
Be glad you are not hard wood
yourself and can hear it.
Every day the cello is taken
into someone’s arms, taken between
spread legs and lured into
its shivering. The arm saws and
saws and all the sacred cries of saints
and demons issue from the carved cleft holes.
Like all of us, it aches, sending up moans
from the pit we balance on the edge of.
—Mary Karr
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Vinegar and Oil
Wrong solitude vinegars the soul,
right solitude oils it.
How fragile we are, between the few good moments.
Coming and going unfinished,
puzzled by fate,
like the half-carved relief
of a fallen donkey, above a church door in Finland.
—Jane Hirshfield
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Things Shouldn’t Be So Hard
A life should leave
deep tracks:
ruts where she
went out and back
to get the mail
or move the hose
around the yard;
where she used to
stand before the sink,
a worn-out place;
beneath her hand
the china knobs
rubbed down to
white pastilles;
the switch she
used to feel for
in the dark
almost erased.
Her things should
keep her marks.
The passage
of a life should show;
it should abrade.
And when life stops,
a certain space—
however small—
should be left scarred
by the grand and
damaging parade.
Things shouldn't
be so hard.
—Kay Ryan
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Nights in the Neighborhood
I carry joy as a choir sings,
but quietly as the dark
carols. To keep the wind away
so the hidden ones will come
out into the street and add
themselves to this array of
stars, constellations and moon.
I notice the ones in pain
shine more than the others.
It’s so they can be found,
I think. Found and harbored.
—Linda Gregg
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Poet of an Ordinary Heartbreak
Who hasn’t been tempted by the sharp edge of a knife?
An ordinary knife cutting ordinary tomatoes on
an ordinary slab of wood on an ordinary Wednesday.
The knife nicks, like a bite to the soul. A reminder
that what is contemplated is as real as the blood
sprouting from a finger. As real as a bruised eye.
Instead turn back to the meat stewing on the stove.
Scrape pulpy red flesh into the heat and turn.
Say: even this is a prayer. Even this.
—Chris Abani
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Flying at Night
Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.
—Ted Kooser
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Singapore
In Singapore, in the airport,
A darkness was ripped from my eyes.
In the women’s restroom, one compartment stood open.
A woman knelt there, washing something in the white bowl.
Disgust argued in my stomach
and I felt, in my pocket, for my ticket.
A poem should always have birds in it.
Kingfishers, say, with their bold eyes and gaudy wings.
Rivers are pleasant, and of course trees.
A waterfall, or if that’s not possible, a fountain rising and falling.
A person wants to stand in a happy place, in a poem.
When the woman turned I could not answer her face.
Her beauty and her embarrassment struggled together,
and neither could win.
She smiled and I smiled. What kind of nonsense is this?
Everybody needs a job.
Yes, a person wants to stand in a happy place, in a poem.
But first we must watch her as she stares down at her labor,
which is dull enough.
She is washing the tops of the airport ashtrays, as big as hubcaps,
with a blue rag.
Her small hands turn the metal, scrubbing and rinsing.
She does not work slowly, nor quickly, like a river.
Her dark hair is like the wing of a bird.
I don’t doubt for a moment that she loves her life.
And I want her to rise up from the crust and the slop and
fly down to the river.
This probably won’t happen.
But maybe it will.
If the world were only pain and logic, who would want it?
Of course, it isn’t.
Neither do I mean anything miraculous, but only
the light that can shine out of a life. I mean
the way she unfolded and refolded the blue cloth,
The way her smile was only for my sake; I mean
the way this poem is filled with trees, and birds.
—Mary Oliver
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Injury
Insult is injury
taken personally,
saying, This is not
a random fracture
that would have happened
to any leg out there;
this was a conscious unkindness.
We need insult to remind us
that we aren’t always just hurt,
that there are some sources—
even in the self—parts of which
tread on other parts with such boldness
that we must say, You must stop this.
-Kay Ryan
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The Birthdays of Ex-Lovers
How they pinball through the mind
like the combinations of outgrown lockers,
a mishmash of Virgos and Cancers
on whose soft favor we once depended —
useless now like the few syllables
bored in from foreign language classes,
the equations of elementary physics
they swore we must memorize
if we held any hope for future happiness.
But no — the world knuckles along
whether we remember or not,
hauling everyone for whom the heart once
flounced like a broadsided schooner,
for whom we raised mythologies
all sin-sweet, proud as a dead religion.
-Michael Meyerhofer
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The Primer
She said, I love you.
He said, Nothing.
(As if there were just one
of each word and the one
who used it, used it up).
In the history of language
the first obscenity was silence.
-Christina Davis
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Love After Love
The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
-Derek Walcott
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Happiness
There’s just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.
And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.
No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.
It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basketmaker,
and to the clerk stacking cans of carrots
in the night.
It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.
-Jane Kenyon
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Anger
You tell me
that it’s all right
to let it out of its cage,
though it may claw someone,
even bite.
You say that letting it out
may tame it somehow.
But loose it may
turn on me, maul
my face, draw blood.
Ah, you think you know so much,
you whose anger is a pet dog,
its canines dull with disuse.
But mine is a rabid thing,
sharpening its teeth
on my very bones,
and I will never let it go.
-Linda Pastan
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