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2024 GRAMMYs | Fortnight Music Video
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This interview was so hilarious! They got a weird question and instantly rolled with it thinking "how do we make it into a funny bit?"
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Iron Man (2008), dir. Jon Favreau
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oh sorry you’re right I forgot that an album specifically had to cater to everything you like and nothing can be different and it all has to be up to your crazy standards which you change everyday. and she better not put her real feelings on it because you don’t like what she feels. it can’t possibly be good because it’s not the one you imagined in your head so it objectively has to be horrible! And the rest of us can’t like it either we’re delusional!
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Something that stood out to me a lot from this album is the intentional de-personalization of extremely personal feelings and stories. She seems to have decided for this project that in order to be free to be completely honest in her art (which tbf she always has been but never as much as this album), she needs to visualize herself, and thus her stories, as a third party, an external entity on which she's conducting a post-mortem examination. Her 2016 self and the hate train she suffered after Snakegate is reimagined as Cassandra, a character from Greek mythology who had visions in her dreams but no one believed her and instead she was punished. Her anxiety of holding her lover's career back is instead described as The Albatross, this girl who everyone has been warned to stay away from bc she causes problems and is a liability. Her sweet, innocent childhood self is depicted as a robin, a feisty little bird full of life, dreams, and potential who has yet no clue of the cruelty of the world.
Consequently, the characters in her life are, too, bestowed upon fictional characters from stories that have been told before and/or are familiar in some way to the listener (aIMee the girl from this allegorical high school which is actually Kim Kardashian, Peter the boy who never grew up and stayed forever in Neverland who actually is her long-term ex partner, both her and her lover's separate romantic involvements imagined as Chloe or Sam or Sophia or Marcus, her real life therapist referred to as The Professor etc). By using the representation of well-known characters from widely popular stories and myths with names and all, she creates an even deeper line of emotional connection with the listener. Then, the 4th wall is delightfully broken in Clara Bow, where she refers to Clara Bow and Stevie Nicks as the inherent precedents to Taylor Swift. But what's even more brilliant about this is that in this way, she is making Taylor Swift into a character in and of itself. She is actually attempting to externalize Taylor Swift from Taylor the real-life woman. By narrating her stories through tangible entities presented as completely external to herself, she is inhibited by the safety of this fictional/allegorical lense through which she's allowing her stories to be consumed, and as a result, she has unlimited freedom to be more personal than she has ever been in her art before.
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I think it's so wild that Swifties think they can sit here talking about Taylor's life and decisions 24/7 and she can have no say in it? She isn't allowed to have thoughts and opinions about us talking about her all the time? She isn't allowed to make art about how that makes her feel? We deserve to be called out by her, it's completely fair and valid. To think otherwise is naive. And I personally find it refreshing that she isn't acting like having rabid fans is all roses and sunshine all the time, for once.
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i can’t believe she opens with talking about being a functioning alcoholic and that is like not even on the list of top 50 most insane things she says
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everyone needs to reconcile with the fact that taylor actually felt insane and like she should be in an asylum and she actually felt like dying. ofc in hindsight she can see that all of it hyperbolic, but these are not just metaphors. it was true in the moment. she’s also tired of the public image of a good girl because she inflicted that on herself and that hindered her from growing, and public inflicting this image on her is also hindering her, and she hates that. she wants to make mistakes and learn on her own and she has reconciled with the fact that she’ll have to live with herself and live with regret because she chose to do it. she thinks she’s fucked up because she is! and she wants the public to see it! (even though now i think she’s trying to un-fuck herself)
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This album is about how two men broke her heart just months apart and how she was quite literally going through a mental breakdown while trying to put on a front while performing for millions of people on a world tour but you wouldn’t know that because you’re either so caught up in trying to figure out who each song is about or your so caught up in your hate for her that you’d rather make fun of her in her most vulnerable, raw, and honest state just to make yourself feel better
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people pointing to the silliest lyrics on ttpd and using them as evidence that taylor swift is "cringe" or a bad songwriter is making me want to commit acts of violence
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Upon listening to TTPD for at least, idk 50 times maybe I think my conclusion about But Daddy I Love Him is that it's not really about Matty, Joe, or any actual person, but rather about the strange mix of deification and infantilization she went through while dating Matty. I remember the open letter some Swifties wrote to her. Look, I dislike that man myself. But at the end of the day, all we can do is air our dissatisfaction, stop listening to her music, etc. Whatever was going on at that time was so weird on so many levels. People were simultaneously shocked that Taylor was a fallible person and at the same time pretending that she'd been put, against her will, into that situation. They might've dated, it didn't last, Taylor certainly doesn't call Matty a good person anymore. We've all had entanglements with problematic people. And apparently even Chris Evans’ wife has said some problematic things in the past. So has one of Henry Cavill's ex-girlfriends. But why aren't the men receiving the same amount of backlash for that, even though one of them went ahead and got married to that person? It's a rhetorical question.
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the manuscript ending the album on the utter jawdrop moment that neither of the muses of the actual album were the first men to fuck her up with promises of marriage and babies, and that first heartbreak so long ago laid the scene for the woman she would become and the ways she would approach love and how we all watched her life like scenes in a show but she kept coming back to the manuscript of the first torrid affair that ruined her, to bookend an album about two love affairs that destroyed her utterly in almost the exact same way, because all her muses are acquired like bruises........ it's bone-chilling
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This album is about how two men broke her heart just months apart and how she was quite literally going through a mental breakdown while trying to put on a front while performing for millions of people on a world tour but you wouldn’t know that because you’re either so caught up in trying to figure out who each song is about or your so caught up in your hate for her that you’d rather make fun of her in her most vulnerable, raw, and honest state just to make yourself feel better
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what i think this album did was separate people who treat taylor as taylor swift the human vs taylor swift the brand
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#Buck is really fighting for every kid he will ever see because it's everything he wanted as a kid but didn't get from his parents
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DAYLIGHT // THE BLACK DOG
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brb gonna get a lobotomy
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