Slice of Girl, paper collage, 2024.
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planning / execution (x)
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Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980
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(small people
frolicking out and about like isn't what's expected of this way of life
neither galloping
but i'd do it
maybe i'd run away from the stares just as quick)
would you give me a hand, some time?
i don't know the difference between selfless love and
stupidity
not sure if i mean this in a critical way
but indeed i tend to forgive too quickly
to forget because it does me good
i can't hold on to everything for the sake of getting revenge
or love out of it
however, people sing the same songs
walk through the same streets
wear the same shoes
there's no way of letting go
why do i love people who won't love me back?
why do i still hold on to them?
because they stopped caring, but i didn't
out of respect, of love
why do i love, then?
why hasn't it stopped?
why do i still hold on to the things i know about the people that have left?
how he likes to smell good, that he likes sparkling water, that she likes yellow flores, that she loves apple chopped into little pieces
i love them still, ghosts of past lives
i don't care if they don't love me back
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no such thing as wasting your 20s your 20s are for recovering from whatever the fuck happened to you as a kid so that youre ready to get weird with it in your 30s
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glad that people are rightfully stanning the queen Kate Bush, but I must remind you all that she has never apologized for startling Sufjan Stevens
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Susan Sontag, from On Photography (excerpted from “Uses of Photography”, John Berger)
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Wouldn't It Be Nice by The Beach Boys hits different when you're gay
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Rainer Maria Rilke, Book of Hours: Love Poems to God; from ‘Gott spricht zu jedem nur, eh er ihn macht’, tr. Anita Barrows & Joanna Macy
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Hedy Lamarr tries to find a burr in her glove while gardening, 1940
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my favorite genre of music is “singers who are obviously fairies or some other sort of magical being and only just barely hiding it”
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To The Moon, Time-Life Records, 1969
“ Astronaut John Glenn peers through a simulated capsule window, he observes star groupings at the Morehead Planetarium in North Carolina. Sighting on the vertical blue line which represents his flight path “
text copied from sci-fi orama
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The Letters of Emily Dickinson
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A. Hering’s Death and the Maiden - edit, version 2 & 3
v. 1
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