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Dracula (1931)
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lestat canonically takes a lot of naps because if i was him i would also want to be unconscious all the time. imagine being in his mind 24/7
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We stan a confused king
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Blade Runner dir. Ridley Scott | 1982
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Lestat got so impossibly hard when Louis decked that vampire at the end of TVL
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A hastily-made meme
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funny moment from church coin, coin to distract attention! you smart ass) 
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I firmly believe what ever you’re obsessed with at 11/12 years old becomes a core part of who you are, regardless if you lose interest in it or not. Maybe some of you were lucky and were obsessed with warrior cats or smth, and if you’re real unlucky it was probably twilight.
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Made a chart for sorting fantheories
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@monstersinthecosmos and I were talking and she dug up this exchange Anne had with someone on Fanpop back in the day, concerning vampires' love and sexuality. There were quite a few fascinating tidbits but these are my favorites:
I see them [vampires] as transcending matters of gender or age. Lestat loves Louis. Louis loves Claudia. Armand loves Lestat. Lestat loves Gabrielle. There is no distinct difference in the quality of any of these loves. This has also been described as polymorphous sensuality.
"--- Armand is desperately in love with Lestat but it has nothing to do with sex. Armand feels Marius failed him and Marius feels Armand failed him, and that part has nothing to do with sex. Marius and Pandora, that is a love affair, but again sex has nothing to do with it. So they are all capable of loving people of their own gender and the other gender; gender doesn't matter. It's the essence. Lestat loves David Talbot as a lover, a friend, a mentor, a father, etc. --- It goes on like that. The act of dominating and drinking blood can happen between any two characters regardless of gender. They cannot be pinned down. They see all life as potentially beautiful and all forms of love as rewarding."
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I'm verklempt at the fact Anne mentioned Armand and Lestat in the same vein as Armand and Marius and Marius and Pandora, but also I love how much she emphasizes that they can cannot be pinned down and all that forms of love are rewarding!
It's just such a revolutionary way of thinking especially when you consider that she was a woman born in the 1940s in the American South. She may have missed the beat on some things but on others, she was right on the fucking money. 
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I've talked before about the similarities between Jesse and Daniel disconnecting from family as they pursue the supernatural, but there are so many other similarities between them and their experiences with vampires.
For example, they both have this moment of realization when looking at a vampire of how inhuman and strange the thing is (and yet they are both very attracted to said creature).
Daniel's realization gets passed around a lot because he compares Armand to an insect:
Daniel stared hard at the creature before him, this thing that looked human and sounded human but was not. There was a horrid shift in his consciousness; he saw this being like a great insect, a monstrous evil predator who had devoured a million human lives. And yet he loved this thing. He loved its smooth white skin, its great dark brown eyes. He loved it not because it looked like a gentle, thoughtful young man, but because it was ghastly and awful and loathsome, and beautiful all at the same time. He loved it the way people love evil, because it thrills them to the core of their souls.
This is right after Armand has come to him in Pompeii and he realizes they've been lovers for a while and Armand isn't going to kill him. He has a moment where the facade drops and he sees Armand for everything he is. (Spoiler, he still wants to hit it.)
Jesse has a similar realization about Mael, whom she does not yet know is a vampire:
Then, an odd realization had seized her. This isn't a human being. This is something pretending to be a human being. It was so clear. But it was also ridiculous! If it wasn't a human being, what the hell was it? It certainly was no ghost or spirit. That was obvious.
This is during a conversation with Mael where they're discussing ghosts and spirits, and Jesse is quite drunk and finds Mael very handsome and attractive. Uet she suddenly realizes that he's not human and has a moment of what the heck?
It's interesting to note that by this point, both Daniel and Jesse have a lot of experience with the supernatural. Daniel has met Louis, of course, and now has spent four years being chase around by Armand, whom he knows is a vampire. Jesse has seen ghosts (both of people and buildings, which is so fascinating!) all her life and is spending the summer in a house with vampires, though she does not know that is what they are.
It's a fascinating example of what mortals see when they really, truly see a vampire. Most mortals simply ignore the strangeness of their movements, the mesmerizing nature of their eyes, the demonic nature they hold. They shrug it off as imagined or a mistake, or the vampire uses mind tricks to convince them it's nothing. But then a mortal really sees a vampire, they absolutely see how utterly inhuman they are.
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2007. Midnight. Somewhere down in the subway. Louis is having Vampireissues. Again. Lestat is just fabulous.
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the soundtrack of QUEEN OF THE DAMNED (2002)
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forget who’s the top or bottom, which one of you is nursing a fresh bite-sized wound and which one of you is licking the blood off your teeth
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imagine you’re daniel and you’re lying on some shitty little hotel room mattress at 4 in the morning, coked up out of your goddamn mind, thinking your heart is about to explode and that the last thing you’re ever going to see is armand doing the twist in front of a mirror to rockin robin
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Armand, the iPad kid, watching Lestat trying to unlock his iPhone:
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(Quote from 'Prince Lestat')
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