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The Green, Green Grass of Home (Hou-Hsiao Hsien, 1982)

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につつまれて (Embracing) Naomi Kawase, 1992

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Han Youngsoo, Bookstall in Seoul, c. 1950s.

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Deborah Turbeville for Ungaro, 1984

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https://www.instagram.com/p/BLouEL4g-Ct/?

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Il pianeta azzurro (Franco Piavoli, 1981)

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Family 1965

Pablo Picasso

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I like the sky because I don’t believe it’s infinite, 2016 Tyra Tingleff (b. 1984), oil on raw linen, source:

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Combining technical insight and an aesthetic sensibility, Harold Edgerton’s photographs give unprecedented clarity to the physical world and reveal the magic of everyday life. A revelatory selection of his work is on view in the exhibition Flash: Photographs by Harold Edgerton from the Whitney’s Collection through July 15. [Harold Edgerton (1903-1990), Milk Drop Coronet, 1957, printed 1984-90. Edition 109/150.  Dye transfer print: sheet, 19 15/16 × 16 in. (50.6 × 40.6 cm); image, 18 3/8 × 13 3/8 in. (46.7 × 34 cm). Whitney Museum of American Art, New York; gift of The Harold and Esther Edgerton Family Foundation 96.126.3. © 2010 MIT. Courtesy of MIT Museum]

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suzaku 萌の朱雀 (1997), kawase naomi

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Audra Wolowiec, Sound Text: synesthesia (grid 1 + 2), 2017

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“Anatomical and Optical Structure of the Crystallin structure of various quadripeds, 1836. From The Royal Society, PT/74/1836/114″

From the Royal Society’s pilot archive project - Science in the Making

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Aweng Chuol for Indie Magazine [] Photographed by Antonio Mingot [] Styled by Rachael Rodgers [] Hair by Tom Constantinou [] Makeup by Alina Makarenko

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Sugar and spice

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Chu Wong | Self-Portrait S/S 2018 ph. Jack Davison

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Cathy Wilkes abstract paintings are elements in her sculptural works, not presented as traditional paintings on a wall. You’ll find them sitting in an open glass vitrine, hung precariously low to the floor, tucked away in the corner of a small gallery, or even attached to the face of a mannequin figure, like in the above detail from “Non Verbal” (2005-11). Spend time with Wilkes’ work in her largest exhibition to date, on view through March 11. #MoMAPS1