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POPPY - AM I A GIRL? (Album Review)

           Only a year after the release of her debut album Poppy.Computer, the singer and ever-growing internet personality Poppy has returned with her second musical effort, titled Am I A Girl? This sophomore record sees our favorite android widening her range in lyrical content and production quality, offering a more polished and extensive view at the world through her sweet, robotic eyes. While her director Titanic Sinclair still had a hand in some of the songs on this album, there are also major collaborations with producers Diplo (owner of the label Poppy is signed to, Mad Decent) and Fernando Garibay (responsible for Lady Gaga’s ‘‘Alejandro’’ back in 2009).

           Am I A Girl? further progresses the narrative of the Poppy character, after the first album basically introduced who she was to the world, and commentated on the presence of technology and the internet in our modern society. This time, Poppy takes us on a more personal ride, as she begins questioning everything about her surroundings, from the reason of her existence on this world, to the fate that might await humanity due to pollution that we have caused ourselves. The first half of the record, though, is focused more on Poppy’s love for fashion, and a sassier and much firmer confidence that reassures the growth of the character. She isn’t a follower of what ‘‘They’’ want anymore. Poppy knows what she’s capable of and even though this album is based on a question that could define her entire life, it also presents her with answers that she may have been asking herself since she first started appearing on Youtube back in 2014.

1.      In A Minute: a solid opener for the album, this track shows a great combination of the material Poppy is known for, and a big step towards this new polished path she will be taking us on. With lyrics such as ‘‘I used to be free willing / Now I got work to do’’, we are presented head-on with the aforementioned confidence and sense of individuality that is to become the running theme throughout the record. Overall, In A Minute works perfect as an introduction to Am I A Girl?

2.      Fashion After All: although the theme of sass and confidence tried real hard to stretch enough for several songs on the album, Fashion After All feels a bit overdone and very easy to skip. While sing-talking about how she’s mother to many and the fact that she is relatable yet scary, the electropop production doesn’t really do its job of grasping the listener, as it sounds not too exciting or like something we haven’t heard before, and the lyrics can get tiring quick.

3.      Iconic: this track attempts a go with the inspiring and ‘‘even if you’re weird, you’re still so cool’’ concept that isn’t at all new for female pop singers. While the lyrics aren’t necessarily the most original and groundbreaking piece of handcrafted artistry, they succeed in delivering an uplifting and feel-good vibe to the listener, with the production matching the joyous energy that is supposed to carry the message. Poppy’s vocals also shift from low tones in the pre-chorus that we haven’t really heard from her before, to sweet and colorful falsettos that we all know and love.

4.      Chic Chick: this track feels like what Fashion After All should have been, and it is honestly a bit surprising that both of them made it on the album. Chic Chick is a punch to the face, with Poppy making it very clear that she’s here to do her business, she is classy yet a handful, and there is nothing you can do about it. Being the only song on the project to have an Explicit warning with the line ‘‘I’m a chic chick / If you don’t like it, suck my d*ck’’, the aggressiveness and the unapologetic tone of this track steers the album towards the right path. The synth guitar solo felt like a very nice touch for adding a bit of edge to the track, as it also suffers a bit of weakness with the electropop production.

5.      Time Is Up: being the lead single of the album, Time Is Up gave us our first glance of what Am I A Girl? was going to be, and we can all agree that the raise in production quality and 80s synth sound that Diplo gave us threw us all for a loop. Not only that, but the lyrics, which narrate Poppy’s perspective of waking up in a factory then realizing mankind is destroying their own home, truly solidify the strength of this track. She is telling us that all we really have achieved during our time on Earth is pollution, overpopulation and causing sickness to the planet, and that once we go extinct due to our irresponsibility, her android body will stay here to witness the aftermath of the mess we made. Time Is Up does an astounding job of delivering a very serious message, while doing so with a sound that is sure to capture the interest of mainstream music listeners.

6.      Aristocrat: this track makes me feel the most reminiscent of Poppy’s work from the Bubblebath EP back in 2016. Produced by Fernando Garibay, Aristocrat is a very theatrical and dramatic telling of how Poppy infiltrated a party in what feels like the late 1700s France, easily capturing the attention of all those who are royal due to her dancing abilities, without realizing that, as she puts it, she ‘‘got there from the gutter.’’ The track is fresh and new for what Poppy usually puts out, while somehow still giving a nod to her earlier musical efforts. Definitely one of the strongest in the album.

7.      Hard Feelings: this is where we start getting that personal inside look on Poppy’s life, and where she becomes more vulnerable with the questions she’s asking about herself, like why she’s falling so hard for her creator if she wasn’t meant to be capable of feeling in the first place. The track opens with some lines in French, asking somebody what they want from her. We see more of the vulnerability when in the pre-chorus she asks ‘‘Am I a replica of someone that you loved? / Someone you made me to replace?’’ Then we get a very interesting touch of heavy rock guitars smoothly blending into the track after the chorus, which reappear with just a bit more intensity during the bridge, without necessarily overpowering the song or ruining the soft honesty the song is meant to portray. Overall, Hard Feelings does its task of presenting Poppy as someone who has more worries than just being chic, and also subtly opens for the surprises that are to come later in the album.

8.      Girls In Bikinis: this track leans more to the failing side of the album, as it feels somewhat unnecessary and honestly quite boring. Sounding like something that would perhaps gain more attention in the late 90s if it were released by any other female phenomenon of pop, the only redeeming quality that Girls In Bikinis might just carry is the bisexual hinting Poppy throws throughout the song. Other than that, it quite frankly sounds nothing like a track we should be getting from her, even if this album is all about expanding and experimenting with sounds.

9.      The Rapture Ball: this is another track that also falls a bit weak, especially with its lyrics. Poppy sings about going to a party and seeing everybody arrive in limousines and dance in gowns, but really she just fails at actually creating a good enough atmosphere for this grand ball that we’re supposed to be intrigued by. Perhaps the line where she states that she never got to go to her prom were meant to give it a more personal touch, but the overall content still feels like it only scratched the surface of its potential. The song in its entirety seems to rely mostly on the one line ‘‘This is the best bang since the big one’’, almost like it’s supposed to be so clever and iconic that we’ll want to sing it over and over and just forget how lacking the end result of everything really is.

10.  Am I A Girl?: Picking up once again after the disappointment of the last two songs is the title track, Am I A Girl?, where Poppy urges the listener to please not try to resolve or define her as either male or female, because she is having a hard time even knowing what it truly means to be either of those. It is a very nice track to hear, starting with the pop sound that we got on the first half of the album, and then hitting us with a hard rock that blends perfectly with the frustration of the message. Poppy is basically declaring war against gender roles and the definition of gender itself, something refreshing to hear for people like me in the LGBT community.

11.  Play Destroy feat. Grimes: this is where things get intense. First off, I simply could not imagine a world where this song would sound any good without Grimes in it. Poppy does add her own edge, and the combination of both these artists’ weirdness is just grand. Grimes is what makes the song though, which is not at all a bad thing. We hear these girls so sweetly announce that they are going to drop a match into a gas tank and burn down the local Walmart, all alongside a heavy rock production, and it’s nearly impossible to not allow them to do so. Then in the bridge Grimes says that she’s dying, with Poppy simply replying ‘‘It’s a Hollywood moment!’’, making fun of the way people there see anything that happens to celebrities as the newest gossip or article for their cheap magazine. In the end, Play Destroy is an absolute masterpiece that truly displays Poppy’s behavioral battle with herself and discovering if she really is the sweet angel she thought she was on her first album.

12.  X: Closing the album is the song that all previous rock attempts were really building up for. Continuing with the theme of going back and forth between wanting peace or wishing to see chaos and destruction in the world, this track goes for a less subtle approach (and it’s perfect). It begins with very heavy guitar, then quickly shifting into a melodic sunshine pop a la Beatles, with Poppy saying she wishes to empty the bullets out of all the guns in the world. But the calm does not last long before we go back into the metal, where we get lines like ‘‘Please get me bloody / You can get down on your knees if you’re naughty’’. A third sudden genre kicks in, this time (believe it or not), it being trap music. The track continues aggressively going back and forth, switching between all these sounds, but cleverly enough as not to get boring or overwhelming. It is definitely new and exciting to see Poppy go and attempt something so out of what she usually gives her fans, and it really could have gone either really well or horribly wrong. Luckily for her (and us), it was the former.

Am I A Girl? is an album that somehow is better when it gets out of the comfort zone of what we know Poppy for, with very nice vocals and a brave refusal to stick to only one genre. It contains very high replay value and it allows Poppy to show fans a new, edgier side that Poppy.Computer might have restrained her from. Hopefully in the future, she continues to explore and experiment in ways that keep being entertaining and interesting.

RATING: 7/10

Favorite songs: Chic Chick, Aristocrat, Time Is Up, Play Destroy, X

Least favorite songs: Fashion After All, Girls In Bikinis, The Rapture Ball

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