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miami-vice-fan · 13 days

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Miami Vice S1E21: No One Lives Forever

Sonny's new girlfriend distracts him from his work; Rico hates her.

Where do I fucking start with this one

Okay. Crime. Let's start there.

The actual crime in this episode is so inconsequential that the criminals literally have no motive but "do crime," because that's not what the episode is about. The crime is mere set-dressing for the actual thematic core of the episode, which is "Sonny's Relationships." There will be a number of Sonny's Girlfriends episodes, especially in S3 when they were trying to Heterosexual It Up, but that's not what this one is (and Brenda gets to leave the storyline relatively unharmed, too, whereas the girlfriends in the Sonny's Girlfriends episodes... uhh... don't)

I'm really serious about how stupid the crime part of it is though

Death - the ULtiMat HiGH!

These dudes just drive around Miami jacking cars and shooting up hotdog stands, there is no nuance to it at all. I think this is the least nuanced portrayal of criminals in the entire series.

That's because the nuance is all stored in Tubbs' Roiling Jealousy Over Sonny's New Girlfriend. After we watch the crime idiots jack some cars, we cut to Sonny and Rico talking, and Rico spends about ten sentences complaining about how Sonny has been unavailable recently because of ~Brenda.~ He is so obviously uncool with Brenda that Sonny calls him out on it, asking if he's jealous (the implication being Sonny has misinterpreted the obvious jealousy as Tubbs wanting a Brenda of his own), and Rico, with absolutely not an ounce of sincerity in his voice, backtracks and is like PFFT. No. Falling in love is GREAT

Which like. Is not actually a response to Sonny's question

We meet Brenda canoodling with Sonny, and she asks him why his marriage ended. He dances around the question and asks her in return "who the ugliest guy she ever dated" was. They are very much not on the same page in terms of the seriousness of their relationship. Brenda is asking hard-hitting, "I'm thinking about our future together" questions, and Sonny is asking like... two girls giggling at a sleepover questions.

(I find this super interesting also from a "Sonny is heavily queercoded throughout the series" standpoint-- the "morning after" scene also has Sonny framed very much like women often are in media, waking up in someone else's bed and finding them already up and working out downstairs. Brenda is also significantly wealthier and more successful than he is, and a lot of their love scenes are filmed in a very soft, delicate way that positions them very equally. There's something especially about the scene where they're kissing in the pool, and we see both of their bare backs floating in the sun, that feels almost like we're watching two women. Considering Sonny has another dalliance with a short-haired blonde woman where he's very feminized at the beginning of S2, this feels very purposeful?)

Brenda is played by Kim Griest, who I know best as Kay Gallagher from Wiseguy. This is not what anyone else knows her best as.

Brenda is working out in Sonny's shirt, which she gives back to him all sweaty and gross, and that is the worst crime she commits (but let's be clear: it is a crime. Why would you put on someone else's clothes to work out??)

At the precinct, Gina asks Rico if he thinks the relationship "must be real." She is also clearly jealous, but sad instead of angry, and definitely not remotely aware that Tubbs is jealous. He is uncomfortable talking with her on the subject, makes a somewhat unkind joke at Sonny's expense ("Whatever that means"), and slithers out and away so he doesn't have to keep having this conversation.

"Eye contact is for losers"

Also, Rico and Gina have the theoretical potential to be really wonderful friends and allies as the senior members of the "Sonny uses me as an emotional crutch" club, but the writers never decide to go for that, and instead you get the sense that they just can't ever really be honest with each other and that's a bummer

Sonny and Rico go to make a bust and Sonny calls Brenda mid-mission, which is foolish and supposed to demonstrate how his mind isn't on his work. However, what I'm more interested in is how this phone call with Brenda mirrors two other Important Phone Calls With Women: when Sonny calls Brenda, he's not saying anything of consequence. He's cute and flirty, but that's about it. Then, when he realizes a shooting is going down, he doesn't hang up-- he runs out of the phone booth and quite literally leaves Brenda hanging. She hears gunshots and gets no explanation or closure on what is happening until much later. This is in direct contrast to the pilot, where Sonny's call to Caroline in the middle of the mission is completely vital. utterly heartfelt, and provides extremely needed closure. It is also in contrast to the last phone call he has with Caitlin in Deliver Us From Evil near the end of season four, where Caitlin calls him, tries to tell him something important, and he brushes her off and tells her he'll talk to her later. In all three cases, there's an intersection (and conflict) between his love life and work life: with Caroline he's confirming that even though ultimately he chose work over love, that their love was always real; with Brenda he's briefly choosing her over work and then realizing that's a mistake and ignoring her feelings completely; with Caitlin he seems to have given up on the idea of romance ever being successful and chooses work over her because that's just what he does. Vice states time and time again that there's no fixing the broken justice system from the inside, and that any so-called "good cop" will eventually destroy himself and/or all those around him; Sonny's inability to balance the case and Brenda foreshadows all his other relationships failing as well. Caroline only gets out unscathed because she chooses to divest herself completely from Sonny's world, and Sonny won't find peace until he does the same.

Gina shoots one last shot and Sonny turns her down pretty definitively, and the scene feels frankly like character assassination for Gina. The last time we saw them be at all "couple-y" was way back in episode 8, and even that was already after they'd had more than one "this is a bad idea and we shouldn't be doing it" conversation. Gina asks Sonny if he's "just keeping her around for a pitstop," but the show has not indicated they've been dating for what likely accounts for at least six months (and possibly up to a year) of in-universe time. As a result, her jealousy seems not like it's based in the solid and thoughtful characterization of Gina Calabrese, Vice Detective, but rather in hoary old gender stereotypes: she's a hysterical woman who somehow hasn't realized her relationship (if it ever even was a relationship) has been over for half a year. So when Sonny quietly and sadly responds with "that's not fair" (because if they haven't been dating for 12+ episodes, it's really not fair for her to say that-- she has no control or ownership over his love life at this point), he seems like he's in the right. I am certain this conversation was written by a heterosexual man, and I hate how much Gina's characterization gets worse every time the show decides to create romantic tension between her and Sonny. Gina deserves better, in-universe and out.

Then we cut immediately to Brenda asking Sonny if he and Tubbs have "been partners long." This scene alone deserves an essay; the long story short version is that Brenda asks Sonny if being cop partners is like a marriage, whether your partner always comes first (off the job and on), and whether or not he'd ever think of her as "his partner in crime." Sonny, notably, does not answer a single one of these questions directly. He deflects and jokes, hearkening back to her serious question about the dissolution of his marriage and his jokey response about "ugly guys."

This is his face before she asks if "his partner always comes first:"

Aaand this is his face after he processes what she's just asked him:

When he responds to that question with the ambiguous "Well, on the job...," Brenda looks like this:

And then Sonny follows up with saying he doesn't remember the last time he wasn't on the job, which is to say that he implies that yes, Rico does always come first. Like. Damn, Sonny. Maybe... try lying a little?

Izzy claims to be selling "Richard Gere's shoes" and wooden clogs, because why not

Tubbs tells Crockett his mind is elsewhere, and that he should "take a few days" to "get over whatever it is you need to get over," which is among the bitchiest things he says in the entire course of the show. Rico is usually very patient, cool-headed, and compassionate, but every once and a while he says something downright cruel, and when he does it's often with a smile. He strikes me as the sort of person who has learned and chosen to be good to people rather than someone who's nature is to be kind by default. When Sonny, who is a curmudgeon on the surface but fairly soft and naive on the inside, gets mad, he lashes out; when Rico, who is thoughtful and easy-going on the surface but surprisingly unsentimental inside, gets mad, he gets mean.

On the Dance, Brenda tells Sonny she thinks being there with him is paradise; he deflects and talks about smoking. Brenda asks about Sonny's "closeness" with his coworkers again, and he's weird about it; when she clarifies she's talking about "the woman cop" (Gina), Sonny ceases entirely to mince words like he had with Tubbs. The difference is stark; he's willing to explain to Brenda that yes, at once point he and Gina had sex. He's not willing to explain anything about his partnership with Tubbs-- and yet, Brenda talks like she knows Tubbs, and isn't entirely sure who Gina is, so we know he's talked lot more about Rico than Gina.

When Rico and Brenda do meet, Rico immediately tries to tank their relationship by throwing Sonny under the bus. He implies Sonny is an idiot and bad at his job, and basically tells Brenda she'll eventually leave him.

Okay. Brenda committed one more crime. It's this table:

Izzy continues wearing clogs

Tubbs continues being an enormous bitch, telling Sonny Brenda's not his type, and that his type is "the bearded lady at the circus." Jealousy looks really bad on you, Rico my broski. You are being so so mean to the guy you have a super obvious crush on.

He then asks Sonny to go to dinner with him; Sonny says no because he's got a date with Brenda, but they agree to meet at 6am for a stakeout. On their date, Brenda asks Sonny about marriage and he gets extremely uncomfortable and goes to bed alone when she asks about who their friends would be.

Either because a) he did not set an alarm and was relying on Brenda to wake him up on time, in which case he's a fucking idiot, or b) because he did set an alarm and Brenda turned it off, in which case she has no respect for Sonny at all, Sonny misses his 6am meeting with Rico and Rico gets the shit beat out of him.

Castillo puts Sonny on desk duty because Sonny is a fuck-up. He goes on a sad boat ride over which Red 7's Heartbeat plays to a montage of Brenda, beat up Rico, and disapproving Castillo.

On stakeout, Tubbs plays the saxophone (do we ever see him do that again?) and Gina is reading A Man for All Seasons, which I suppose is doing something as a parallel with regards to the moral repercussions of the dissolution of a relationship but I don't frankly feel enlightened enough on the Tudors to expound on that

Sonny breaks up with Brenda; his line is "you're a very special person and you mean a great deal to me," which is about as unromantic as you can get. Brenda calls what they had a "wonderful fantasy;" Sonny says he can't afford fantasies. They leave it vaguely open but absolutely do not continue dating-- we don't ever see Brenda again. (Good for her.)

Returning to the actual crime, the three Death is the Ultimat High idiots roll around in bed with their guns smashing radios, declare themselves out of money, and go off for another hot dog stand murder. They come upon the stakeout with Tubbs and Gina, and Tubbs is chased down and about to be killed when Sonny swoops in heroically at the last minute and saves him. They end the episode walking away with their arms around each other. Because, you know. Partnership marriage something something something.

Hear me out: I am not convinced Sonny is talking about Brenda when he says "he can't afford a fantasy." The one romantic relationship Sonny has in the series that involves grounded, real-life issues, and actually talking through things like an adult is his relationship with Caroline, which he chooses to have healthy closure regarding. Every other romantic relationship Sonny has is, to some extent a fantasy-- he dates a pop star, a surgeon, a madame-- even Gina is a kind of fantasy to Sonny, as a sweet and understanding always-available fallback. He actually can only afford a fantasy-- he's aware, to some extent, that a normal relationship with a normal woman is likely to end the same way it did with Caroline. Considering all of the very pointed parallels between Rico and Brenda, between "partnership" and "relationship," and knowing that we'll learn in the next episode that Sonny watched one of his best friends die because of his sexuality, I don't think it's wildly out there to think that maybe the fantasy Sonny truly can't afford is one where he can make his partner his number one priority, on and off the job, and be happy about it and accept himself for it. He knows he can't afford that particular fantasy because he's literally seen someone pay for it with his life.

Oh god this was so long

And I didn't even talk about the "department softball games" scene or the lyrics to Heartbeat

Help me

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miami-vice-fan · 2 months

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Miami Vice S1E18: Made for Each Other

Larry's house burns down, and Izzy and Noogie are sent undercover.

Made for Each Other suffers immensely from coming right after The Maze, which is a true "the system is broken" classic Vice episode. Made for Each Other is a comedy breather, and actually kind of great in its own right, but where it sits in the progression of the series feels more like a deflation than a break.

Made for Each Other is also almost comically homoerotic-- it's the episode that convinced me that Sonny is supposed to be a textually closeted bisexual man on my first watch through of the series, but on a repeat watch it's somehow even more obvious. Why are there all those half-naked bears on a boat? Why is the entire plot basically "Stan and Larry sort of have a breakup because of Stan's new girlfriend and then get back together at the end?" Why does Izzy keep saying things like nubile and anal? Why does the camera linger so very long on his and Noogie's cigarillos touching? What's up with the repetition of 'shafted'? Why are all the guests at Noogie's wedding like, extras from a Boy George video?

Why does this happen?

(plz draw your OT3 like this)

Anyway I actually really like Made For Each Other upon rewatch, it really just should have been placed elsewhere in the season. It's a fun, silly episode, and a little levity is necessary in a series that is often so very bleak.

The episode opens with Sonny and Rico trying to catch a counterfeiter, and Rico is bitchy and condescending to Sonny in a way that I think is supposed to be "ha ha, my criminal persona is a dick," but actually just comes off as "ha ha, I am a dick." It seems like he's trying to impress the counterfeiter by throwing Sonny under the bus. This occasional cruelty towards someone he does genuinely like is a fascinating part of Rico's characterization, and part of what elevates his character writing to "actual nuanced person" and not "nice Black sidekick who always supports the main white guy." Rico absolutely sees himself as more educated and worldly than Sonny, and occasionally he lets that slip. He has a very complicated relationship to both class and geography-- he's a New Yorker (...from the Bronx), he wears a perfectly tailored suit everyday (...and is a poorly paid cop), he idolizes Sonny for his football career but also thinks he's a bit of a yokel. As someone whose own class status is a bit shaky, Rico tends to get a little mean when it seems like he might be 'found out.'

Zito almost gets blown up in the ensuing warehouse fire, and Switek flips out. A short while later, a surprisingly chill Zito says he believes things are "either in whack or out of whack," shortly after while they discover that his entire house is on fire.

Please note the company that moves Zito's stuff to Switek's house:

I am dying

Trudy and Gina, in their only real appearance in the episode, very sweetly present Zito with a new fish as an office gift. Sonny is a dick about it.

Swi and Zito go to investigate BONZO BARRY who is a shady stereo and computer system dealer who has a FUCKING SEAL in his store

Michael Talbott is wildly overacting this entire episode, like to the point that I wonder if they had to turn down his mic

Noogie is marrying a stripper(?) named Ample Annie. They argue about going to Disneyland while she's practicing her routine. She does a striptease down the aisle. She is perhaps the only person bonkers enough to keep up with Noogie.

Stan's girlfriend, Darlene (who was Larry's girlfriend a short period of time ago), is extremely unhappy with Larry staying at their house, and spends the entire episode either complaining or being upset that the conditions are not right to bone; frankly, Stan does not seem to like her and she does not seem to like Stan. The most likely reasoning behind this is "bad 80's hurr hurr the ol' ball and chain" comedy, but considering the homoeroticism of the episode I'd like to think it could be a comment on compulsory heterosexuality

Izzy and Noogie show up at Stan's and, in one ridiculous whirlwind, declare the current case "theirs," ask who is the "Captain Kirk of this Enterprise," and start eating Stan's breakfast

In one scene Tubbs asks Zito and Swi if they want backup and they both very loudly yell NO like he's the reason everything has been on fire in this episode

Switek asks Zito at one point, "do you ever think about the future, Larry?" and Zito answers No.

This is funny the first time you watch the episode!

This is not funny anymore after Season 3.

The bad guy (whose crime seems to be like. Selling stolen stereos or something equally stupid) has a boat full of half-naked men with guns. This is not remarked upon.

Then we get to the Night Talk scene. I've talked at length about this scene before, but basically: Zito has been kicked out of Switek's and is sleeping at the station; Sonny comes in, romantic music plays, Zito basically describes Switek as the perfect man, and Sonny tries to get Zito to come back to his place (and fails.) It's very gay. I like to think that Sonny has a burgeoning crush on Rico at this point but is certain Rico is straight (and also. Y'know. Was a bit of an asshole at the beginning of the episode.) and takes desperate, tragic shot on Zito because of that. Zito politely declines because his heart is already spoken for.

Meanwhile, Stan is unable to perform sexually because he's thinking about Larry.

I'm sure that means nothing.

The outfits at Noogie's wedding are just. They are. Truly they are something.

The priest is a leather daddy. Many people appear to be in space blankets, including Noogie. Annie has a tearaway wedding dress. The pianist has the world's most incredible zebra shirt. There are headbands and weird hats abound.

By contrast, all the members of Vice look like they're supposed to be at a PTA meeting. (Also Sonny looks like he wishes he could ask where the punch is but doesn't want to bother Gina and Trudy, who are clearly each others' plus-ones.)

And the episode ends with Switek and Zito, side by side, at a wedding.

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