melancholyessayist

[melancholyessayist]

they need to invent a writing that is easy. and fast also

[melancholyessayist]

— BERTOLT BRECHT, trans. John Willett.

[melancholyessayist]

Yohji Yamamoto: 'Many Buttons' Shirt (2010)

[melancholyessayist]

marcille 🤝 that one dude from green eggs and ham

i will not eat it

[melancholyessayist]

[melancholyessayist]

if anyone finds out when this permanent feeling of fear goes away please let me know

[melancholyessayist]

april will be a good month [staring into the sink mirror eyebags prominent the most upset person youve ever seen]

[melancholyessayist]

one might imagine sisyphus learning by playing, winning by learning, and begin by beginning

[melancholyessayist]

brutalist candy cane

[melancholyessayist]

I’m going to unlearn shame *bursts into tears and beats my head against a brick wall*

[melancholyessayist]

hey sorry we put your players in a time loop. yeah they can only win by learning, and they can only learn by playing. yeah grant o’brien is carboloading next to their podiums. yeah they know that x equals 8 so y must equal 6. no they can’t use the ladder. yeah now they’re doing the wenis. sorry. 

[melancholyessayist]

One thing that’s baffled theatre historians for years is early modern prompters’ tendency to pretty meticulously mark actors’ entrances but not their exits, and I find this low-key hilarious? Like I’m gonna help you get onstage at the right time, Thomas, but once you’re there you’re on your own, man. I have a whole procession to organize entering for the next scene so idk when you run out of lines just leave

[melancholyessayist]

sparkle kitty

[melancholyessayist]

Moth Cats Stickers from smugcomputer

[melancholyessayist]

Alyssa Thorne

[melancholyessayist]

[melancholyessayist]

Timothy Cleary: ‘Bronze’ (2016)