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The Pestryoshka campaign for Boecker made it to the cover of Lürzer's Archive. Thanks to Ibrahim Barakat of Studio Melt. Illustration by Carmine Bellucci in Milan.

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今年の年賀状でございます。本年もよろしくお願いいたします。

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An animation I made for Saranwrap.

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At Amplifier I was asked to make a logo for Baby-Star’s 60th anniversary. Since 2018 it’s been on all Baby-Star packages throughout the country. It’s funny to see it’s still there.

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A print for the new INFINITI QX50 I worked on with MullenLowe Dubai as an Illustrator at Amplifier in Tokyo. It got Silver at the Loeries and got shortlisted at Dubai Lynx 2019.

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今年の年賀状でございます。新たな時代へ猪突猛進。旧年中の一方ならぬご厚情に深く感謝いたしております。本年も何卒よろしくお願い申し上げます。

#年賀状 #max elbo #AMPlifier #亥 #平成の終り

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A mural I made for MullenLowe Japan’s new office.

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 At Amplifier we had the chance to work on an interactive animation exhibited at the Tokyo National Museum thanks to our client Prototype Inc. I drew the parts that you can’t see in the woodblock print and animated some birds flying by. The main animation was done by Toshiyuki Kuwabara (pictures by Prototype).

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A character I made into a 3D sculpture and printed for fun. The arms and torso are movable.

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Illustrations I did as an Illustrator at Amplifier for Staff Service’s Ōjinji campaign website with our client Dentsu Tec.

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Grand Prix at the Dubai Lynx.

From left to right: Miguel Dianda (Creative Director at J. Walter Thompson Dubai), me, Matt Eastwood (Worldwide Chief Creative Officer at J. Walter Thompson) and Mohammed Sabry (Manager Director at J. Walter Thompson Dubai).

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The logo and poster I designed for the 4th Latinamerican Zen Meeting in Chile. Posing next to it is Ven. Sempō Ōshiro, the abbot of Nanzenji, Argentina.

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This is one of three small gifs I made for Memo.

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My wife.

#max elbo #elborium #illustration #yumi tamamura

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A portrait commission.

#max elbo #elborium #illustration

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Till 8 Oct.

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I was invited to gave a talk to three hundred 12-13 year-olds at The Grange School and they laughed, so mission accomplished.