Serpents 2019, resin cured clay and aluminium weave #marvinchan #solo show #contemporary_art#contemporarysculpture#artasiapacific
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How can I be substantial if I do not cast a shadow?
I must have a dark side also If I am to be whole.
Carl Jung
Brief
It is our moral duty to lead a meaningful life,
because we depend on a narrative to know
who we are and what we are about,
because it combats the suffering.
There is an unalienable reality of finitude and
suffering that characterises people’s lives
and it’s not surprising that they become
embittered and resentful.
Given that life is about drawing out as much positive
outcome as we possibly can from the potential
which surrounds us, we are laden with as much
negative results, when we fail or choose not to do that.
Our efforts compound a structure of being in which we exist,
and the climate of this structure relies heavily on the
collective outcome of every individual effort to
extract good. When we fail to extract what is meaningful
and good from that potential, malevolence is takes place,
because our regrets and bitterness often times grow
from miss opportunities or things we know we should have done.
The one way to overcome this catastrophe is to
take responsibility of our lives so we can solve the big
problem in our small individual way, and when
enough people do this, we make things better.
For example, we can be so laden with problems
that we despair, given our finitude. But despite our tragedy,
we can make something out of the potential or
possibility which presents itself.
With this aim, we improve our odds of extracting good
from the world, and rise from our problems and create
more possibilities for happiness.
It’s not another call to a utopia that’s produced by
human imagination. Its the insistence that without the
proper engagement in truth that your life will degenerate
and you will end up embittered and in chaos.
Marvin Chan
#contemporaryart #soloshow#theartling #marvinchan#soloexhibition#soloartexhibition2019#sumaorientalis #artasiapacific
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You are here 2019, Oil on canvas #contemporaryart #soloshow#theartling #marvinchan#soloexhibition#soloartexhibition2019#sumaorientalis #artasiapacific
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Lost:misdirected 2019, oil colour on canvas #marvinchan #soloshow#fineart #contemporary_art #contemporarymalaysianart
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Murder on the dance floor, 2015
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Folly of man 2017 (With intervention)
The intervention compounds a history to the construct of the work, as a result of complying to presiding permissions and cultural sensitivities in Public Art spaces. previously shown at the National Arts Gallery of Malaysia.
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Study. Islands #7
2010
Oil Colour and relief print
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study. Island #4
2011
Oil colour and relief prints
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Public Sculpture.
Sonic-boom 2017
Mild steel construct with repurposed titanium-blade inserts
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Public Sculpture.
Sonic-boom 2017
Mild steel construct with repurposed titanium-blade inserts
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Public Sculpture.
Sonic-boom 2017
Mild steel construct with repurposed titanium-blade inserts
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Public Sculpture.
Stingray 2017
repurposed aircraft FM antennas
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Disenchantment of hope - The day, the carousel stopped 2018
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Disenchantment of hope - Fallen star 2018
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