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Her happiness when she listened to Monica , she was like 'oh wait a minute fury that's my kid "
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Everyone talks about Kamala being the biggest Captain Marvel fan. No one talks about Carol being a total Kamala Khan stan. Proof:
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New still of Dakota as Cassandra Webb with Adam Scott as Ben Parker.
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I AM A FAN OF MADAME WEB AND HERE’S WHY - REVIEW
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Madame Web is perhaps the most controversial and hated of Sony’s attempts into this universe. I went into this hoping to like it, but having in the back of my head that I might not. My friend predicted a 2/10 or 8/10 from me…and let’s just say it definitely came out in the higher end of things for me. I’ll start this review off with the main negative that loses the film points, and then get into the great stuff it has to offer, and why I think it is an overhated film.
Without further ado…
-The Main Negative-
Our villain, Ezekiel, is the main cost of points. This is mainly due to writing issues with him and the performance being the most lacking of the film, and his vocals feeling too overdramatized. It feels off at times and serviceable otherwise. This is my main criticism of the film, and caused a decent chunk of point loss due to it. There isn’t much else to say in this respect besides the villain overall is messily handled compared to the rest of the film. It’s unfortunate, but it didn’t ruin the film for me whatsoever; it just made it not a 9/10.
-The Technicals-
Before getting into the narrative and acting, I want to touch on the filmmaking aspects of Madame Web. There are a lot of interesting shots and visual effects employed through the film; particularly, whenever we see Cassie’s visions of the future playing out, as well as moments replaying themselves around her, I thought it was very visually interesting and engaging, and really sold the chaos that she must be feeling as this all goes on, and the deja vu that is remarked on. It was honestly one of my favourite aspects of the film, and I am happy it was used to its potential and not just discarded after one use; we see many moments like this through the film. I’ll go into detail on two scenes in particular and why I thought they were executed fantastically.
(Diner Scene)
This scene is one of the highlights of the film, as is the other scene I’ll get into below. The diner scene has both its moments that felt great, and also some quite funny moments. A chunk of it is to the tube of Britney Spears, and there’s what feels like a clearly intentional hilarity to this big, dramatic fight sequence happening with a pop song in the background. I also thought the cinematography during this scene was great, and the transition when Cassie gets stabbed is honestly super satisfying visually. It is another great example of the future sight and rewind powers being used to great effect, and it also uses the setting in a good way. It’s also the prime example of Cassie starting to really come into her powers, as she changes the future that she herself witnessed and participated in; changing the timeline of the web that she and the girls are in. I also really like the lighting in this sequence, between the dark forest roads and the diner itself, the atmosphere of each location is sold clearly. This goes for the whole film as well.
(Metro Scene)
This scene is also excellent, and is a fantastic showcase of the editing prowess in the film. Its mind-bendy in such a fun way. In particular I am talking about when Cassie and the girls are all on the train, and Cassie is seeing the girls dying over and over, as they get on and the conflict begins to kick into gear. It really does a wonderful job of showing how chaotic it is at first for her, having these visions of the future, as things are much more fragmented here than say, in the climax. The train passes by multiple times, people repeating lines and sitting, visions of the deaths…it all blends into a great, chaotic inciting incident as Cassie’s responsibility becomes the girls’ safety. The scene is one of the better ones from Ezekiel too, as is the above diner scene.
(More technical details)
I think there are a lot of interesting - and sometimes funny - shots and editing moments in the film. In particular, the funniest moment has to be the dramatic setup to Cassie trying to climb on walls like a Spidey, only to slump down along the wall to the floor, the dramatic music cutting out as she does so. The film has a very solid script in my opinion; a couple of moments that falter, but they are very few and far between. I really like a lot of the cinematography of scenes in general; it looks very nice, and is visually engaging. There’s many great stills from this film that I can pick out easily, and will definitely apply as wallpaper and profile pictures sometime in the future, when more become easily available online. I really like the visual style the film is able to keep throughout, particularly aided by the cinematography and editing, as well as very solid colour grading.
i think that Sony finally got super-suits down well in this film; they all look very good and fit the characters well…Julia’s in particular, and Ezekiel’s is honestly quite good-looking as well.
Overall the film is fantastic in the technical department, and is directed quite well save for a couple of oddities with the lesser performances, described below.
-Narrative and Performances-
First off, let us get the obvious out of the way. Dakota Johnson absolutely kills this role throughout, and I also especially enjoyed the performances of Sydney Sweeney, Isabela Merced, and Celeste O’Connor, though out of the three the show-stealer is definitely Sydney, who nails the awkward, geeky personality. Costuming was also on point all around; I really liked Cassie’s outfits for the whole film, and Julia’s sweater getup is gorgeous. But yes, they carry the film to upper heights with their portrayals of these characters, and Dakota Johnson continues to cement herself as a great actor. She brings a great energy to the film. Also, I do need to mention that again, Ezekiel’s performance is the weakest, followed by Ben Parker, who doesn’t do much and is more just fine than negative-leaning.
As for the narrative itself, I honestly do quite like the direction they took it. It is interesting and fun, and also really develops Cassie’s character very well, as well as those of the girls. It is to the film’s benefit that they didn’t give the girls their powers yet, because it allowed us to explore their characters before they even have that concept in their heads, as well as truly leaving more room for Cassie’s character development and coming filly into her powers by the climax. Not having the same physical strength sort of powers, Cassie has to be quite clever about solving the conflict since she cannot do a physical fight, and I thought that the filmmakers pulled that off super well; she absolutely outsmarts the villain, and I liked the fact that her powers, while incredibly powerful, aren’t all she needs to win the day. She has to think on the dot as well, and really shows how far she comes from the beginning to the end. She becomes more open as a person as well, less awkward in the ending than she is in the beginning, something that Julia comments on after their initial escape. I also found the moment where Cassie sees her mother’s past very touching, especially when she gets to hug her mother. I do also want to touch on the resolution of the film, and in particular, the moment where the girls revive Cassie after she falls into the water and is blinded. It’s a very well-formed moment, and also a strong foreshadowing example; earlier in the film, Cassie taught them CPR, and it comes into play in a strong way by the end. Thematically the film’s mainly about controlling your fate, and having agency in your life. It also makes a clear connection between its main characters besides simply being acquainted; they have all gone through some form of familial hardship, and are able to further their bond because of that. The girls, while maintaining their agency, also learn to think before they act, particularly forwarded by the diner scene.
I really liked the tone that the film had throughout. It’s very engaging, while having fun and funny moments in there as well. The film, to me, really all comes together through the different aspects of it, and makes for a great experience with a compelling lead and interesting narrative that uses the Marvel universe well. I also consider this film overhated, a term I don’t use very lightly. It has so much going for it that films like Venom and Morbius never had, so that fact it is being compared to those (in a way that’s despite them being made by the same company) is kind of crazy to me, let alone being called worse than Morbius. Dakota Johnson’s performance alone makes this film better than the rest by a lot, in my opinion. I know I will be in the minority to be so positive towards Madame Web, and I am fully fine with it, because I do genuinely like so damn much about this film.
-Cassie-
I do wish to get into Cassie’s character before closing off this review. Cassie is a very interesting character, and the way she discovers her powers is intricately linked to it all. She discovers them when she quite literally dies, and begins to see everything in the future, including much foreshadowing for the film itself. She’s both selfless and reserved; her occupation involves saving and helping lives, yet she is quite awkward when appreciation is shown for it. She also has her priorities straight in her head though; she saves the girls and helps protect them despite being initially frustrated with the turn of events. She scolds them after the diner scene for getting themselves into danger, but its at that point that we see how much she clearly has come to care for them, despite her frustrations. She defeats the villain not just with her powers, but with her own cleverness that she demonstrates throughout the film.
-Conclusion-
Overall, Madame Web is a film I am very happy with, and it held up wonderfully on the rewatch. There’s a lot that I like about it in the technical side as well as the narrative side, and though it isn’t perfect, the lead performances along with the other strong aspects - particularly cinematography, narrative and editing - make this the best Sony Universe film, and a great film in its own right. Interesting ideas and characters as well. I’m a fan!
8.2/10 —> 4.1/5
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Am I the only one who thinks the madam web trailer looks genuinely so good? Like I’m pumped!
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Cassie: I'm going to use my powers to change the future and save people from dying unnecessarily. Like these asshole (affectionate) teenagers
*civilians blow up, buildings destroyed, whole helicopter goes kaboom*
Cassie: its not a perfect system
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Hopeful (Natasha x Reader)
Finally, my first fic in forever! I’ve missed writing so much and I can finally feel the motivation coming back, please enjoy 💕
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You sit in your room, feeling like the world around you was falling apart. You were convinced that it was never going to get better for you. You gave up feeling hopeful for the future, so it was best to shut yourself away from the world to prevent any other bad event from happening.
One person you felt somewhat close with was Natasha Romanoff, you wished desperately that she would come to your rescue and help you out of this dark cloud you had engulfed yourself in. However, she only really showed proper warmth towards her sister, Yelena, which was understandable considering their past.
You and Natasha had brief moments of closeness, she would check in on you and pull you to one side if you were having a panic attack, you relished in the short moments where she’d put her hands on your arms, giving them a gentle squeeze to get you back in the room.
But that was pretty much it.
You always craved that physical affection, whether it was a simple hug or something as small as a hand on your back, and you found yourself especially jealous of Nat and Yelena when the two sisters were wrecking each other, it was mainly Nat digging into Yelena’s ribs, as her laughter echoed through the living room.
What you didn’t know, was that Natasha noticed you each time her and her sister got into those kind of playful fights, she saw the jealousy in your eyes, and she mentally noted it for when it was much needed.
A time like today.
She knew something was up with you, and she knew that it was time to strike, she went up to your room, your door ajar and curtains closed, you were curled up on your bed facing the wall, jumping when she knocked on the door.
“Hey, can I come in?” The Black Widow asked softly, she was met with a grunt which technically translated to a yes, so she entered, and sat on your bed, starting off by putting a hand on your arm, which you melted into without even knowing.
“You wanna talk? Get stuff off your chest?” The redhead offered, but you shook your head in response, although your head was full of dark things, you were unable to get any of it out into words.
Natasha nodded, rubbing your arm gently, moving down to your back, before her hand touched your side, knowing exactly what she was doing.
You flinched when she touched your side, biting your lip to try and hide your reaction. As much as you wanted this, you didn’t want to be a burden, so you didn’t engage unless she initiated it.
A small smile appeared on Nats face, now using a single finger up and down your side, the teasing touches causing you to bite back a smile as you held back any other sign of your sensitivity.
It didn’t take long for Natasha to really test the waters, spidering all five fingers up and down your side, observing your reactions as you lay there and wiggled around, scrunching your face up to hide your giggles.
“Y/N, it’s okay, you can let out those giggles that want to come out, I want to do this with you.” Nat told you gently, using her other hand to move to your belly to flutter in, causing you to squeal in surprise and roll onto your back, a few giggles slipping out.
“There we go.” Nat said fondly and now used both hands to scribble into your belly, making you finally release those giggles for the first time in a while, you covered your mouth self consciously as you weren’t the biggest fan of your giggles.
“Well I can’t have that can I?” Natasha teased, now being a little quicker in her attack as she now scribbled into your armpits either her mean nails, could you to let out a squeal, your giggles growing louder as you tried to fight the sensation and keep your hands over your mouth. However, it didn’t take long for your arms to fly down the second she got to an overly sensitive spot in your armpits.
“You’re so cute.” She commented casually, now deciding to fully wreck you since it seemed that you were both comfortable with it, she leaned down, still skittering into your armpits, and she nibbled into your ribs over your shirt.
Shrieking, you switched tactics and tried to push at Natasha’s head, you kicked out and tried to roll away. “NAHAH!”
“They talk!” She cheered and kept going with that technique, until she saw a little bit of tummy which revealed itself from your consistent squirming.
She moved her fingers down to your ribs, shaking in before suddenly blowing a huge raspberry on your bare tummy, shaking her head in whilst wrecking your ribs.
You burst into laughter, shaking your head helplessly as you shoved your shirt down as best you could, but Nat’s head was in the way, so she continued with baby raspberries whilst scribbling up and down your ribs and sides until your laughter went silent.
The redhead let you go, chuckling as she patted your belly. “You’re almost as bad as Yelena, but how are you feeling now?” She asked, rubbing your arm gently to help calm you down.
You were processing what had just happened, you finally experienced something you had craved for so long, you immediately felt closer to Natasha, closer than ever. You melted into the hug she gave you too, not wanting to let go, and she didn’t let you.
For the first time in what felt like forever, you felt a glimmer of hope that there was love and positivity in the world, all thanks to the Black Widow.
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I just need this. But maybe with Cassie, too. Credit: Thais @tati_sketch on X. It didn't say that she has a Tumblr, and I didn't find it here!
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Y/N: *on the phone* Tony? I need your help! I-
Tony: Is the compound on fire?
Y/N: ...no?
Tony: Then, it’s not an emergency *hangs up*
Peter: Well? What did he say? What do we do about the portal to hell in the living room?
Y/N: *shrugs* Apparently it’s not an emergency
Kate: *being strangled by a demon* HOW THE FUCK IS THIS NOT AN EMERGENCY??
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THE MARVELS (2023) dir. Nia DaCosta
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Just finished what’s ifs season two finale and Kahhori is such a highlight. Like, girl was just finished sorting the Spanish out, then she gets yanked with precisely zero warning to whatever Supreme Strange’s madness was, she escapes him to a whole other reality, now armed with all his secrets. She recruits Captain Carter to her side. Her just handily catching the shield and holding it back out all like “can you not, I’m not the enemy here, I am just having the mother of all bad days” was so cool. She helps keep both of them alive running around Strange’s place. She portals everybody home. The Watcher’s all like to Cap Carter “the multiverse didn’t need me to intervene it needed you” AND KAHHORI. Don’t you leave my girl out you tell me they would have got anywhere without her
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WHAT IF 2.06 ─ What If... Kahhori Reshaped the World?
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“What If... Kahhori Reshaped the World?” might be the best episode of the series so far
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What If... Kahhori Reshaped the World?
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What If… Kahhori Reshaped the World?
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The Marvels - Deleted Scene "It's Under Control"
First deleted scene entitled "It's Under Control" officially released!
(So glad they're including the other Valkyrie scene in the deleted scenes.)
The Film will release digitally on January 16th!
4K/Blu-Ray/DVD on February 13th!
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Special Features to include:
FEATURETTES
Entangled – Take a cosmic trip behind the scenes on The Marvels with the cast and crew of the film.
Learn how director Nia DaCosta and the team took on such a vast production, and dive deeper with more details about Marvel’s first ever musical number.
The Production Diaries – Experience the lively, upbeat set of The Marvels as cast and crew recall candid and heartwarming moments, along with hilarious anecdotes.
DELETED SCENES
Captain-in-Residence – Kamala finds herself in Carol's ship after an unexpected switch and incredulously picks up a call from Valkyrie.
It's Under Control – Carol, Kamala, and Monica find themselves brainstorming for solutions on Aladna.
Space Yoga – Muneeba teaches yoga while an exasperated Nick Fury looks on.
The Chase – Chaos ensues as Ty-Rone chases Kamala in a tension-filled scene.
GAG REEL
Watch some hilarious outtakes on set with the cast and crew of The Marvels.
AUDIO COMMENTARY
Listen to co-writer/director Nia DaCosta and VFX Supervisor Tara DeMarco talk about the film.
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The Marvels - Deleted Scene "Captain in Residence"
Another deleted scene set to be included on the blu-ray has officially been released by IGN! This is the much publicized second Valkyrie cameo scene in which she ends up talking to Kamala who inadvertently finds herself on Captain Marvel's ship after another power switch-a-roo. The scene is entitled, "Captain in Residence".
(This scene also features the deleted bit of Carol asking herself "what is happening to me?" which appeared in one of the trailers.)
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