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mami-edamame · 2 years
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mami-edamame · 3 years
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studio ghibli + nature scenario
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mami-edamame · 3 years
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“How Cosmic Forces Shape Our Destines.” (Part 1)
By Nikola Tesla
New York American, February 7, 1915.
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Every living being is an engine geared to the wheelwork of the universe. Though seemingly affected only by its immediate surrounding, the sphere of external influence extends to infinite distance. There is no constellation or nebula, no sun or planet, in all the depths of limitless space, no passing wanderer of the starry heaven, that does not exercise some control over its destiny – not in the vague and delusive sense of astrology, but in the rigid and positive meaning of physical science.
More than this can be said. There is no thing endowed with life – from man, who is enslaving the elements, to the humblest creature – in all this world that does not sway it in turn. Whenever action is born from force, though it be infinitesimal, the cosmic balance is upset and universal motion result.
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Herbert Spencer has interpreted life as a continuous adjustment to the environment, a definition of this inconceivably complex manifestation quite in accord with advanced scientific thought, but, perhaps, not broad enough to express our present views. With each step forward in the investigation of its laws and mysteries our conceptions of nature and its phases have been gaining in depth and breadth.
In the early stages of intellectual development man was conscious of but a small part of the macrocosm. He knew nothing of the wonders of the microscopic world, of the molecules composing if of the atoms making up the molecules and of the dwindlingly small world of electrons within the atoms. To him life was synonymous with voluntary motion and action. A plant did not suggest to him what it does to us – that it lives and feels, fights for its existence, that it suffers and enjoys. Not only have we found this to be true, but we have ascertained that even matter called inorganic, believed to be dead, responds to irritants and gives unmistakable evidence of the presence of a living principle within.
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Thus, everything that exists, organic or inorganic, animated or inert, is susceptible to stimulus from the outside. There is no gap between, no break of continuity, no special and distinguishing vital agent. The same law governs all matter, all the universe is alive. The momentous question of Spencer, “What is it that causes inorganic matter to run into organic forms!” has been answered. It is the sun’s heat and light. Wherever they are there is life. Only in the boundless wastes of interstellar space, in the eternal darkness and cold, is animation suspended, and, possibly, at the temperature of absolute zero all matter may die.
Man as a Machine
This realistic aspect of the perceptible universe, as a clockwork wound up and running down, dispensing with the necessity of a hypermechanical vital principle, need not be in discord with our religious and artistic aspirations – those undefinable and beautiful efforts through which the human mind endeavors to free itself from material bonds. On the contrary, the better understanding of nature, the consciousness that our knowledge is true, can only be all the more elevating and inspiring.
It was Descartes, the great French philosopher, who in the seventeenth century, laid the first foundation to the mechanistic theory of life, not a little assisted by Harvey’s epochal discovery of blood circulation. He held that animals were simply automata without consciousness and recognized that man, though possessed of a higher and distinctive quality, is incapable of action other than those characteristic of a machine. He also made the first attempt to explain the physical mechanism of memory. But in this time many functions of the human body were not as yet understood, and in this respect some of his assumptions were erroneous.
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Great strides have since been made in the art of anatomy, physiology and all branches of science, and the workings of the man-machine are now perfectly clear. Yet the very fewest among us are able to trace their actions to primary external causes. lt is indispensable to the arguments I shall advance to keep in mind the main facts which I have myself established in years of close reasoning and observation and which may be summed up as follows:
1. The human being is a self-propelled automaton entirely under the control of external influences. Willful and predetermined though they appear, his actions are governed not from within, but from without. He is like a float tossed about by the waves of a turbulent sea.
2. There is no memory or retentive faculty based on lasting impression. What we designate as memory is but increased responsiveness to repeated stimuli.
3. It is not true, as Descartes taught, that the brain is an accumulator. There is no permanent record in the brain, there is no stored knowledge. Knowledge is something akin to an echo that needs a disturbance to be called into being.
4. All knowledge or form conception is evoked through the medium of the eye, either in response to disturbances directly received on the retina or to their fainter secondary effects and reverberations. Other sense organs can only call forth feelings which have no reality of existence and of which no conception can be formed.
5. Contrary to the most important tenet of Cartesian philosophy that the perceptions of the mind are illusionary, the eye transmits to it the true and accurate likeness of external things. This is because light propagates in straight lines and the image cast on the retina is an exact reproduction of the external form and one which, owing to the mechanism of the optic nerve, can not be distorted in the transmission to the brain. What is more, the process must be reversible, that in to say, a form brought to consciousness can, by reflex action, reproduce the original image on the retina just as an echo can reproduce the original disturbance If this view is borne out by experiment an immense revolution in all human relations and departments of activity will be the consequence.
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(Part 2 *here*)
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mami-edamame · 3 years
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sometimes it’s just u and ur oversized jacket against the world
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mami-edamame · 3 years
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when u step on a leaf and it doesn’t crunch
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mami-edamame · 3 years
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i shoot my shot by telling you i want to commit a federal crime with you
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mami-edamame · 4 years
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mami-edamame · 4 years
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mami-edamame · 4 years
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mami-edamame · 4 years
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mami-edamame · 4 years
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mami-edamame · 4 years
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uh that’s genius
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mami-edamame · 4 years
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mami-edamame · 4 years
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mami-edamame · 4 years
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mami-edamame · 4 years
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