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LisAni! LIVE 2024 Broadcast
Here's the footage from this year’s LisAni! LIVE 2024 Yuki Kajiura, her regular FictionJunction members and LiSA all participated in the Saturday Stage of LisAni! LIVE 2024.
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Title: リスアニ !LIVE 2024 Date: January 27 (SATURDAY STAGE) Venue: Nippon Budokan Website: https://www.lisani.jp/live/ Appearing artists: illumination STARS & CoMETIK/ASCA/Yuma Uchida/JUNNA/ FictionJunction (Vocal: KAORI, KEIKO, YURIKO KAIDA, Joelle, LiSA)/Myuk; UPCOMING ARTISTS:asmi / SennaRin / UniteUp!
🎤Setlist🎤 1.蒼穹のファンファーレ 2.stone cold 3.from the edge 4.Parade
📺Broadcast: MUSIC ON! TV(エムオン!) <SATURDAY STAGE> 4/13: 23:30〜25:00
📺FictionJunction Broadcast Setlist📺 stone cold from the edge
The girls looked particularly good here and I really enjoyed that performance of "stone cold" (although I am starting to get a bit tired of it XD). By now I've gotten used to Kaori doing Wakana's chorus parts but seeing the official MV at the very end of the broadcast is making me miss Wakana again T_T
"from the edge" was fun to watch but ultimately just meh. Not a fan of the song. There are some epic parts but overall, there is too much going on for me and as we all know, LiSA's voice is not my cup of tea.
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FJ Family presents ~ “JUMP OUT” LIVE vol.#1
Today's event is officially over. How I wish I could have been there for it... Tweet by Highway Star | Tweet by Keiko | Tweet by Hikaru | Instagram story by Keiko | Instagram story by Hikaru | Tweet by rito
Setlist (INCOMPLETE) !Subject to change, no one has shared the full setlist yet!
-Opening act- rito --- Awe (Hikaru) イエスノウ (Hikaru) Flow (Hikaru) カナシイケダモノ(Hikaru) Survivor (Hikaru) disclose (Hikaru) Escape (Hikaru) Altern-ate- (Hikaru&Keiko) --- エンドロール (Keiko feat. guitar) キライ。(Keiko) 私アップデート (Keiko) ユア (Keiko) --- Encore EN1: 音楽 (Kalafina cover by Keiko&Hikaru) EN2: destination unknown (Kalafina cover by Keiko&Hikaru) EN3: blaze (Kalafina cover by Keiko&Hikaru)
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KEIKO Instagram Live #79
[20240424] KEIKO Insta Live #79 with comments
[20240424] KEIKO Insta Live #79 WITHOUT comments
Ohhhh! I never thought I'd hear Keiko sing Linda Ronstadt's "Desperado" (I really like a lot of Linda's work). Needless to say, I am obsessed!! Apparently, this was a suggestion by her music director Asami Sakata (the one Keiko keeps referring to as "Asami-chan" – you can see her commenting in the live chat).
Keiko also mentioned that she had originally planned to go on a little overseas trip during April but due to her ongoing skin issues, she decided against it. Right now she is like a turtle staying tucked in her shell to protect herself.
On a side note, the live ended very abruptly so don't be surprised by the sudden cut-off in the video.
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Memoire 63 Omake
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Heeello there. It has been a while since I edited one of these.
This time is a simple Omake with recycled drawings from previous chapter to promote the volume 11 release. I made the cleaning and translation, it's not perfect.
Repost with credits.
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vnc chapter day
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GG joker posted this wonderful cover of the chapter on Twitter, I love it.
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I've been thinking lately about Vanitas and Noé's first "what is salvation" fight at the bal masqué and what it means about their individual definitions of the concept, and I've realized something about Vanitas.
Noé's definition of salvation is the obvious one. It feels natural. To save someone is to keep them from dying. But in a way, his understanding of salvation is also almost selfish. Noé's foundational trauma is the constant loss of his loved ones. He is the eternal sole survivor. So of course he wants to keep people alive—he wants to "save" the people he cares about in the way that keeps them by his side this time.
It's not wrong to want that, of course. I don't mean "selfish" as a condemnation. It's just that the definition of salvation that Noé starts the series with is inarguably the one that best serves his own happiness.
And it's the same with Vanitas.
When Vanitas kills the little girl Catherine by restoring her true name, he tells Noé he doesn't know what salvation is. He might be lying there, or he might be telling the truth in that he's never put his definition of salvation into words or acknowledged it on a conscious level. Either way, though, I do think he has a definition of salvation somewhere in his mind, and it's a very personal one.
Vanitas sees salvation as the preservation or restoration of one's true self. You're saved so long as you can preserve your essential self, uncorrupted by outside forces. Even if the price of that selfness is death.
While Noé's foundational trauma that informs his worldview is the loss of his loved ones, one of Vanitas's foundational traumas is the loss of his bodily autonomy. Through Moreau's experiments and Luna's mark/bite, he has been transformed into something no longer fully human, and he hates it. From the moment Luna told him he was dying, he said he wanted to die as himself rather than live as their kin, and he has been denied that opportunity.
Nothing is more important for Vanitas than being able to dictate the destiny of his own body, and malnomen are the ultimate corruption of bodily autonomy and selfness. Altering one's true name warps not only their physical body, but their very being on a metaphysical level. The curse takes everything a vampire is and changes it, and doing that to an unwilling victim is the ultimate horror for Vanitas.
Given that context, of course Vanitas thinks that killing a child to restore her true name counts as saving her. He's restoring her essential self and un-corrupting her body and being, and even if her self is only returned for an instant before she dies, it's preferable to living on as something warped by an outside force.
Vanitas absolutely starts the series with a definition of salvation, and like Noé, it's the one that best serves his own happiness. He wants to be saved. He wants to be returned to his human self, and failing that (since he knows it's impossible), he wants to wipe out all traces of the force that changed him and then die without going any further down the path of inhumanity.
Vanitas might not be able to admit that definition out loud (or even to himself directly), but it's there, and it guides him early in the series as much as Noé's own definition of salvation guides him in turn.
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Vanitas from the case study of vanitas
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