I'm telling you right now if AI art creation gets so good I can live under the visor of limitless Euphoria stories, I will disappear. Won't even matter how inferior, there's something weirdly comforting about this universe.
"I think Lexi is hooking up with Nate!"
"No, look at the evidence! She disappears for hours! She's now surgically attached to her phone! She's got all this new shit! She's got a man and he's got money"
"So how do you figure it's Jacobs?"
"It's gotta be someone she's embarrassed about"
"Maybe she's just tryin' to, i 'on know, keep it private for a time? Just enjoy it without anyone sayin' nothin'?"
"Right, cus people would say something, because it's NATE"
"Rue I ain't sittin' by an' listenin' to you slander Lexi. She would not spit on Jacobs if he was on fire let alone let him touch her. She a literal angel and he a cockroach. So go back to yo' crazy conspiracy board Detective Bennet cus you WAY off base"
"...so I guess that puts me onto suspect number two. Where were you last night?"
"You told Rue!?"
"She tricked me baby!"
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SHOGUN | 1.10: A Dream of a Dream
I think my skills have never been sharper.
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Shōgun has one of the best, most original expressions of love in anything I have ever seen.
As a fan of the show, it is devastating to think this is a one and done, but also, considering what happens, do you really need more? Creators captured perfectly the whole keep them craving more. Even what the finale does, subverting the spectacle, what other show would dare do that? But this has always been a show about words and manners, the slightest transgression is magnified greater than the siege on Helm’s Deep.
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I’m a fan. I like naive art, I like myopic myth-making rigmarole. People that think this music is safe aren't giving it credit, there’s a lot of vulnerability. I prefer Folklore and Midnights, but whatever, her output is unrelenting lately.
inside the manuscript vinyl 🤍
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An almost perfect selfie.
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Bucket list checked.
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At Intermission, Sarah is phenomenal.
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Splynutí duší, 1896 by Max Švabinský (Czech, 1873–1962)
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Beautiful Losers, Leonard Cohen.
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Cosmè Tura
Saint John the Evangelist in Patmos
ca. 1470 - 1475
Tempera on panel.
27 x 32 cm
Museo Nacional Thyssen-Bornemisza, Madrid
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