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leopardandstuds · 1 month

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Kid Galahad Review

In a rare departure from the "Elvis-vehicle" formula, Elvis doesn't have black hair and isn't shoved in our faces with every scene. To be specific we go back to Loving You where, despite being billed as the star, Elvis isn't entirely the focus. This movie was made by United Artists who had a different idea on how to work with Elvis. A formula wasn't entirely perfected, so studios outside of Paramount still felt that Elvis had the range to be more than just a comedic singer.

Unfortunately, compared to the huge success of Blue Hawaii, Kid Galahad seemed to have been swept under the rug and forgotten. Colonel Parker saw this as a sign that the people have spoken and Elvis as a real actor wasn't meant to be. The "failure" of Kid Galahad officially ended any hopes of prioritizing good story telling over soundtracks. Were the doubters correct in saying Elvis flew too close to the sun? Or were the powers that be simply too harsh to pull the plug on Elvis' acting dreams? Let's find out.

We immediately get our first song. "King of the Whole Wide World" is a pretty jazzy opening song. There's a swinging brass band. As weird as it is to have this play over a truck, we have no reason to believe this isn't an instrumental on the radio. At the same time when we do have a close up of him singing, you can tell the lip-synching isn't that great. I have no idea why a recently discharged soldier wouldn't have any indication of rank. It feels like an afterthought on that front. It's nit-picky but I don't get the concept of including a detail like that and not following through with it.

So we get introduced to Walter Gulick and he's looking for work as we get introduced to Cream Valley, New York. We get introduced to the people of Grogan's Gaelic Gardens. Just in this first interaction, I get personality. I already understand why Dolly is the way she is when she says she's Willy's fiancee. For once an Elvis character being southern is explained in the story. Despite being born in that small town, Walter's parents died when he was young so he had to be raised by family in Kentucky. There's no reason to go into further detail because the story doesn't need it. A perfect balance between establishing a character and moving the story along.

So we get introduced to Willy Grogan. Just by Gig Young's acting I 100% believe that he's this deadbeat business owner who likes to gamble his money away. Given the history of organized crime's involvement in boxing and in New York period, I totally get why this is included. The mob wants its money and never appreciates someone like him not being able to pay. Naturally when he can't pay for his car, the mob takes it away. This forces Willy to embarrass himself by having to lift a ride from the grocery store's delivery truck.

He meets Walter and immediately assumes that Dolly is having an affair. This introduces the concept of Willy being so insecure about his relationship with her, that he assumes every other man has bad intentions. Walter offers up his "skills" as a boxer until he could meet with the owner of the mechanic's garage. We get more depth on the mob's involvement with Willy's camp. Turns out Willy was a witness to a crime so the boss has his lackeys hang around the camp so Willy doesn't talk. I admit even after multiple watches I don't fully understand everything that was said about this. I won't take points off for this since you still get the idea that the mob's putting Willy in a sticky situation that can't be easily resolved.

This scene works so well despite not being all that grand or climatic. We have a lot of subtlety here. That's something a lot of movies lack. We don't get a lot of characters trying to explain something the audience already knows. Even when we pan down and see Walter's trainer Lew limping, we don't get this song and dance about why that happened. Everything's explained just by watching the movie and taking in the character's expressions. Meanwhile, we get introduced to Willy's sister who looks so much younger than him. Age gaps in siblings exist but it's still an odd casting choice. Turns out she's infinitively more responsible as she has to keep bailing Willy out of financial trouble.

This is the best acting Elvis can ever do. Basic instinct requires you to duck or in some way react when you see a fist coming at your face. A human being not having that ability or even reacting to the pain of being hit simply wouldn't live long. I have no idea how you can teach someone how to consciously control an automatic response. So to see Walter constantly get hit and not have any reaction or protect his face in anyway is just incredible. We also get some nice comedy that was supposedly ad-libbed where Walter's only priority is his five dollars. The fake blood is obvious but because it's meant to be just quickly wiped off it doesn't take away from the overall quality of the movie.

Throughout this scene we get the boxers singing "This Is Living". I love this song. It's not because the song is uniquely written but in the context of this movie, it's just so perfectly intertwined with the story. For once Elvis isn't the main singer. The backup artists do most of the work for this scene and it works so well because these boxers have their own group. Walter isn't exactly part of them yet so there's no reason for him to intrude. It isn't until Joey invites him to sing that he joins in when necessary. Moments like this where we let the side characters and even Elvis just be are what make some of his movies better than others. It's letting these characters be people and not plot devices that allow you to feel something for Walter. Heck none of these boxers, including Joey, really do that much in the story. But they don't need to because just by watching Walter interact with them, we get the idea that they mean something to him. They make him feel included and give him a sense of belonging.

This image of Walter looking at Joey is a nice example of non-verbal acting being able to say more. There's a palpable tension until Joey makes a joke that assures Walter no ill will exists. I love that because they could've easily made Joey the cliched rival who gets all salty that he's no longer the best. Joey isn't jealous of Walter at all and if anything is just in awe of his natural power. He's written to be a real person instead of merely a plot device to foil Walter. So many small details like this add up to being a sign the movie had effort put into it.

So Willy wants to sign Walter to be part of his camp and Lew explains why this is obviously a bad idea. Walter boxing the way he does makes no sense to me. If he had experience boxing in the military, he had to have learned how to block. That's literally the first thing you learn so you don't get hurt. I can understand if this was any other cliched boxing movies where Walter has skill but isn't polished, but that's not the issue. Walter doesn't know how to use the most basic defensive technique. Lew explaining all of this makes perfect sense because any trainer would look at Walter's technique and just groan. Even if Walter has this insane ability to not respond to being hit, that doesn't mean he's immune to head injuries.

A confrontation happens off screen and Walter knocks out a lackey. Turns out he was hitting on Dolly and Walter stepped in. You would think this would lead to a cliched love triangle where Dolly ends up falling in love with Walter. But they don't as there's nothing to suggest she's falling in love or that he has any feelings for her. A nice twist that even the original movie used. Willy is of course jealous that Walter protected Dolly but if anything it speaks to his character that he's also mad at Dolly for not coming to him. Lew and Maynard, the cook, find that one of Otto's lackey's had a gun on him. Turns out Otto had so little trust in Willy, that he's ordered his lackeys to carry weapons. You can clearly put together that if Willy talked, they will kill him.

We get a nice blink and you'll miss it of Lew holding a poster about an actual boxing match that happened in the 1920s. I love the real life references to boxers and boxing history. It shows that the creative team did their research. People who know about boxing would know about John L. Sullivan and Jack Dempsey. Details like this add color to a movie and shows that effort was put into building this world.

I love the car that Walter and Lew find. Walter feeling this need to spruce it up no matter what it'll take is so wholesome. Lew even being in this garage with Walter and supporting his decision to do this is also wholesome. When has an Elvis movie ever had this much of a focus on his character having actual friends? It rarely happens because of concerns that they'll take the focus away from him. Here giving Walter friends, makes Walter shine even more. A good person doesn't have to be boring and by giving Walter multiple relationships with people it gives him depth.

When Rose arrives in Cream Valley, Willy shows just how terrible of a person he is. Despite her being a grown woman, Willy treats her like a child. Like she's still so young and green that she couldn't possibly help him. I don't know if it's out of male pride or if he genuinely believes she can't do it. Even when Dolly comes downstairs he doesn't dare introduce her as his fiancee. And the reason why: He didn't think she could handle such a scandalous relationship. By modern standards this would be completely ridiculous as someone Rose's age would likely have learned at least something about sex one way or another. Even the concept of Willy and Dolly living together despite not being married by modern standards is a nothing-burger. But because it's the 1960s Dolly of course is upset as even back then what Willy is doing is a bit much and if anything makes him a hypocrite. He claims to protect his sister from degenerates, yet by those same standards is also one by having relations with Dolly before marriage.

Walter meets Rose and I immediately support this pairing. The soft focus on the close up works so well. Just by watching them interact you buy the love at first sight cliche. Walter looks smitten and you can tell she appreciates him too. This immediately foils how Willy sees Rose. He sees her as if she's still a child and shouldn't dare start dating anyone. Walter however, sees her as a woman. He's attracted to her, but because he respects her as an equal he doesn't force himself on her.

Everyone's character works so well. Lew is a classic New York tough love type of guy. He doesn't hand Walter things on a silver platter but he still believes in ensuring Walter gets his fair share. Lew makes for a great foil to Willy. Lew has morals and isn't willing to let Walter get hurt because Willy just wants to make a few bucks. He's just so supportive of Walter where at times he looks like a proud mom.

The scene of Walter riding his now repaired Model T demonstrates that. They have to travel to Albany, New York for his first fight and since Willy's car was repossessed they have to take the antique. Lew can just keep to himself but he's so proud of Walter. "Riding the Rainbow" works well in the context of the movie. Walter sings along with the radio and it's such a natural thing to do while you drive long distances.

I love this face. The fact that Walter is just staring at his opponent with a blank expression is just gold. The promoter calling him lamb eyes is such a fitting nickname. It's like how some animals just don't know they're about to die. That's Walter as he's trying to comprehend the severity of the situation and is failing miserably. I have no idea if Elvis was told to look like that but it ultimately doesn't matter as it's just so fitting. Walter had never been in a professional fight before so naturally that would be overwhelming.

In spite of Walter's terrible defensive abilities, he manages to win. Everyone is stunned by this ability but now there's no doubt about his ability to win. While Muhammed Ali was renowned for the "rope a dope" method, Walter still adds a layer of complexity by not blocking. Walter not being able to register getting hit is an unteachable skill that can lead to him being very successful. And he is as he begins to go on a winning streak. He makes it up to the championship fight slated to take place around Labor Day.

Walter returns to Cream Valley where it's the 4th of July celebration. Maynard had put Dolly up to supervising his corned beef. Now obviously that's a traditionally Irish product but I admit this is the first time I've heard of people eating it for the 4th of July. If there's any Irish Americans in New York or in general out there let me know if this is a thing. Me personally I would've just went with making it St. Patrick's Day. Even though it's in March, it's not that farfetched to have a warm spring. Plus you give Walter more time to train as opposed to just giving him one summer to take on a fighter who's likely trained for years.

Walter meanwhile starts getting really close with Rose. He serenades her with "Home Is Where The Heart Is" and I love this ballad. You can tell that sparks are starting to fly. We do get a funny moment where Walter gets annoyed about being interrupted. He was about to kiss Rose then just goes "whaaaa" when Lew asks him how they're going to get to the picnic. I just love small moments like this where it doesn't mean anything in the long run, but when put together makes for an entertaining movie.

This is how you do multiple songs in a short period of time correctly. I don't care that we just had a song not even five minutes ago because both songs adequately fit into the scene. This is a 4th of July picnic so naturally there's going to be music involved. "I Got Lucky" isn't a typical ballad he uses for serenading his girl. What adds to the natural feeling of this scene is if you look closely Walter crosses his eyes near the end of the song and it makes Rose smile and almost start laughing. It wasn't intended to happen, but it wouldn't have mattered if she did laugh. If anything it would give her a nice character moment by laughing along to Walter being cheesy. Couples do things like this all the time and it helps you see these two as real people.

So the young couple start walking and talk about Walter's upcoming fight. Despite having different opinions about it, Rose understands why Walter is doing it. We don't get this cliche disagreement induced breakup where we don't see her again until the climax. I like that. It shows that this couple is fully supportive of each other even if they don't agree on decisions being made. Walter isn't doing this as his permanent job. As much as he's friends with the people in Willy's camp, Walter is using boxing as a means to get what he really wants. Walter doesn't need to learn some type of lesson and I'm glad the movie doesn't want to add drama about them not agreeing about his decision to box.

Walter is an underrated feminist icon. Because feminism is about treating women as equals. Walter doesn't ignore Rose's opinions. Even if they don't agree about him fighting against Sugar Boy, he completely understands why she feels that way. He isn't using her as a tool to spite Willy. Walter wants to get married because she wants to get married. It's a mutual decision made by two fully consenting adults. "WE DECIDED TO GET MARRIED" is the most important line in their relationship. Rose doesn't have a big role but at the same time she doesn't need to. She represents why Walter's nickname is Galahad. Walter is a gentleman who respects women as an equal. This is a relationship based on a young couple's mutual feelings of attraction. She is another piece of the puzzle that makes up Walter's forever home. That's something he's always wanted and is why he came back to Cream Valley. We have a high amount of respect for Walter because he's aware of his exploitation and isn't going to let Willy disrespect him or Rose. Naturally Willy is furious but Dolly comes to Walter's defense. After all, Walter at least has the guts to maintain his commitment to his relationship which she's obviously referencing to something Willy doesn't have.

Things get even worse for Willy as the pressure against him mounts. The Chamber of Commerce for Cream Valley and Otto's mob have differing beliefs on who should win. For the Chamber of Commerce, of course they want Walter to win. It's a middle of nowhere town nobody wants to call home, Walter winning would be a big boost to their economy. This is where the exploitation really starts. Walter's body is being sold because people are now going to Willy's camp and paying just to watch Walter train. Otto's mob is equally exploitive but in a different way. Otto had recently "adopted" Sugar Boy so they're now sponsoring him. Naturally Otto would want Sugar Boy to win and for Willy to encourage Walter to take a dive. With Willy in all of this debt to them, he doesn't have a lot of options.

Willy and Dolly's relationship is completely on the rocks. Despite the image above, Dolly is furious. The cliche breakup I mentioned earlier still doesn't exist here. It's a cliche when the drama happens out of nowhere and doesn't reflect the actual character's emotions. Dolly here has been getting frustrated with Willy since before the movie started. Despite stating exactly why she's upset numerous times before this incident, Willy somehow completely misses the point. While Dolly was upset about him gambling his money away, his lack of commitment in her eyes is much much worse.

Watching Walter and Rose get it together despite not being a couple for even a year, was the last straw. There's a difference between waiting to get married because you don't have the money for a wedding and waiting to get married because you have no desire to get married. If you're someone's fiancee for years and have heard nothing about starting any wedding plans, that's a red flag. She shouldn't be expected to wait multiple years for Willy to get it together. He's stringing her along and for all she knows he could never want to marry her. That's a horrible thing to do to someone who is committed to a potential marriage. So she finally leaves Willy and sends him to rock bottom.

The backstory behind "A Whistling Tune" is interesting. Originally it was supposed to be used for Follow That Dream. For one reason or another it was dropped and instead was used here. I'm glad that choice was made. You can argue the songs don't add anything to the movie, but I would highly disagree. The songs' meanings are SUBTLE. Watching Walter and Rose simply be together as they walk to the church is meaningful. You need scenes like this to show that this is a couple that is content with the small things. You are allowing them to exist as people and not as a means to an end because it's an Elvis film and he always gets the girl. Good writing means allowing a couple to have chemistry exist outside of "they're together because the script says so". We need to see why they should be together because otherwise they're not people and therefore un-relatable.

This couple talking with Father Higgins is just incredible. We find out that they've been together for months. So many people complain that they've only known each other for a few days. NO THAT'S NOT THE CASE! Walter's been training over the course of months because if you actually pay attention, it was 4th of July and they wanted his fight against Sugar Boy to be during the Labor Day weekend (for non-Americans that's the 1st Monday of September). They've known each other even before that, but the background is a terrible determination of how time has past. But ultimately, Father Higgins priority was that the young couple was committed to a marriage. They make a great foil to Dolly and Willy's relationship. Walter and Rose know what they want and are willing to support the other if they want something different. That's the type of beautiful, healthy relationship that I wish a lot of people have.

The pressure on Walter mounts as everyone is watching him train. Joey comes back from Boston and I love their relationship. Despite not doing that much, watching them interact gives them both depth. Joey could've easily been a throwaway character that we never see again after he left for Boston. Him coming back was a great move on the writers. It reflects how Walter is more than just a potential cash cow to the town. He's actually well respected even amongst other boxers at the camp. Dare I say these people are his family. Just watching Walter light up when he sees Joey come back is enough to say that these two are good friends.

I love the representation of different cultures. This is supposed to be New York which is the melting pot of America. Ellis Island had only been closed for less than 10 years so it makes perfect sense to have a multi-cultural community. All of the cultures represented in this movie accurately reflect the real life boxing world. Boxing was really a form of exploitation of impoverished minorities. I'll skip the history lesson, but in the US Irish immigrants were in fact considered to be a minority because of their religion. So as a way to make money they would put their bodies at risk by boxing as even with the rules in place, boxers can still get hurt and even die. It was a risk they took because they knew if they were good enough, people would sponsor them. It's a sad reality that still exists and I'm glad that the movie doesn't shy away from how exploitive it can be by Walter outright saying he wants to quit once he wins. I also appreciate how in spite of the ill will that would've very much still existed amongst older generations of immigrants, everyone gets along. Mr. Lieberman and Father Higgins do get in a back and forth regarding the top boxers in their day, but nothing comes from it. They might not agree but they get along because they both love the sport and want to support Walter.

Lew and Maynard talk about Willy's relationship with Dolly. I'm not entirely sure on what to make of Willy going to Lieberman's to try to get her back. She left in the first place because he wouldn't stop gambling and showed no commitment to getting married even after a few years. Maybe there's a part of his character that I missed, but it doesn't really make sense for him to want her back knowing he hasn't changed his mind about marriage. It's nice to see though that we have side characters being allowed to talk without Elvis even being in the room. It's moments like this that make it feel like a real movie in place of an Elvis vehicle.

Maynard leaves the room as Otto and his men come in. Since Lew is responsible for patching up Walter during a fight, they pay him $500 to not show up. Given the amount of money at stake, Otto wants to see Walter lose by being too injured to fight because he was slated to be a favorite. Despite knowing what would happen to him if he refuses, Lew outright says "No!" and rejects the money. Lew is a king for this. He knew by being in the business for so long, that saying no to a mob boss will lead to consequences but he did he anyway. He got his hands broken by some of Otto's lackeys, but to him it didn't matter. Money isn't worth Walter being in an unnecessary amount of pain to Lew. But being injured himself is worth it if it means that plan doesn't go through.

This scene had a King Creole level of tension. The whole fight scene makes you feel like someone might die. It's so incredible to see a fight scene break out and an Elvis character isn't immediately involved. Willy and Lew have a relationship that's lasted for years and we get to see that Willy has a heart. Lew isn't just an employee who didn't fall in line. Lew is his friend who very much risked his life to make sure Walter didn't get hurt anymore than necessary. Seeing him still try to fight despite the horrific injuries to his hands is incredible. It shows that even though he's badly injured, he isn't going to cower in fear.

Seeing Walter come rushing down to save Willy and Lew doesn't necessarily add anything to his character. We already know that even if Willy is treating him like a lamb being fed to wolves, Walter will still stand up for him. So why is this so important? Because it shows that Willy is finally able to swallow his pride about Walter marrying his sister. Willy sees for himself that Walter doesn't have ill will towards him. He didn't help to specifically prove himself, but because it was the right thing to do. Seeing Walter look down at a bloody Willy makes him realize that Walter is good enough. He could've been petty about their argument but he wasn't. And that's what made Willy realize he was wrong. Such a beautiful character moment that didn't have to be verbalized.

We get more development on Willy's plot and while it still doesn't justify him being so overprotective, it at least gives him some depth. It keeps him from being completely irredeemable as a person. Seeing him and the people in Walter's camp emphasize that it's not worth killing himself just to win is beautiful. I love this example of non-toxic masculinity. Walter isn't responsible for making sure people win their bets. All Walter's responsible for is doing his best. The money is nice and is a motivation for Walter, but that doesn't mean he should try to go beyond what he's capable of. It's a good lesson to teach young boys as we still sadly live in a world where men feel pressured to put everything on their shoulders.

We get to see Sugar Boy and despite his involvement with Otto I don't hate him. Sugar Boy is antagonist but he's not at all a villain. He's just as much of a victim of boxing's exploitive nature as Walter is. The sad reality is that unlike Walter, Sugar Boy not being fluent in English would make escaping it even more difficult. I can't fault Sugar Boy for taking this path as we don't even know how aware he is of Otto's plan. So when Otto's lackey shows up to try to "make Walter bleed" Willy shows his true colors by making sure it failed. He took out the saboteur and had some of Otto's men apprehended. With it being a public event, Otto would be trapped from making a scene. That's what makes Willy redeemable. When given the opportunity to do the right thing he does it.

With Walter none the wiser he walks into surprisingly non-segregated crowd. This wasn't the only one either and given that segregated crowds were still practiced when this movie came out in some parts of the country, it's very refreshing to see. We get a name drop of Elvis' boxing trainer, Mushy Callahan who was a very famous Jewish boxer. I love how they don't parade him around for the movie yet still feel the need to honor him. The ensuing fight is intense but the fake blood here is a bit of a distraction. It doesn't completely kill the immersion though since Elvis is sweating up a storm. In fact he's so over zealous that Mushy had to drag him away from Sugar Boy after the bell rang. It was an ad-lib on Elvis' part that if anything works beautifully with how a competitive fight would be. It's so lovely to see everyone Walter has gotten to know be here to support him. You don't care about logistics of whether he should've won a fight because you understand the emotion behind him winning. When he does win, and everyone erupts into cheers and applause, it feels real. You feel that there's a connection between him and the rest of Cream Valley's residents outside of just money. They bet on him because they believed in him.

The ending goes by too fast for my liking. While Otto's lackeys get caught, we have no idea what happens to Otto himself. If they had simply shown him try to leave but get caught by the security guard, we can at least put it together that he'll be punished. Also since Sugar Boy lost, you feel bad because you have no idea what Otto might do to him if he did get away with it. Dolly coming back to Willy is strange as Willy has shown me nothing to suggest he changed his mind about marriage. I get that he did go over to Lieberman's to try to win Dolly back, but I feel like it could've been done better. Walter doesn't even get to talk to Rose. He just kisses her as we get a reprise of "I got Lucky" before fading to black. Given the run time, I think you can afford another 5 minutes if not less to wrap things up.

My criticisms can be written off as nit-picky and simply be a matter of creative differences. That's how good this movie is. If we were to rate movies independently of other movies that came out and the economic situation of Elvis fans, I have no idea how the higher ups can look at this movie's "lack of success" as a failure. I can go on forever about this, but Colonel Parker and the higher ups in Hollywood were wrong to consider this a failure when compared to Blue Hawaii. This isn't a copy and paste version of every other boxing movie out there. It isn't even a copy and paste version of the original Kid Galahad made in 1937. Are there similarities? Yes but there are enough differences that to me makes it above a generic movie.

Is this a perfect film? No but it very well could be in other people's eyes. This movie can very easily be the perfect movie and is a great example of how a movie doesn't have to be Citizen Kane or The Godfather level big to be good. It's also a great example of how a smaller level story doesn't mean shallow. Therefore, I'm giving Kid Galahad my highest rating so far of 9.5/10. I highly recommend watching this movie. It doesn't matter if you're an Elvis fan or not, it's just such a nice story. Simply saying it's a movie about an army vet becoming a boxer and finding love, doesn't do it justice. There's so much depth to even the side characters that you can feel the care put into this movie. A real treat if you want the best of both worlds when movie watching.

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AN: Thank you @arrolyn1114 for requesting this movie. If anyone wants to request a movie I haven't already reviewed feel free to send them in.

Tagging: @smokeymountainboy, @peaceloveelvis, @mercsandmonsters, @vintagepresley, @eapep, @tacozebra051, @hooked-on-elvis, @dragonkingsdaughter, @i-r-i-n-a-a, @presleyenterprise, @m5t1ld5, @huhhhhsthings, @tupelomiss, @atleastpleasetelephone, @sissylittlefeather, @sfull12345, @jhoneybees, @mitsyscoolplayhouse, @sillybookmarks and @alienelvisobsession.

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leopardandstuds · 7 months

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ECU High - Clint's Arrival

It was the first day of school at ECU High. Clinton, Clint for short, Reno was just dropped off at the front by his brother, Vance.

Vance turns to Clint as he exits the pickup truck and says, "Ya best have a good day at school ya here Clint."

"Oh Ah will. Thank ya, Vance" he replies as Vance drives away.

It's Clint's freshman year at ECU High. Ever since his brothers made the military their careers, Clint was left alone with his mother as the baby of the family. When his father died, the family farm lost a lot of its income. They were so poor that he had to take on most of the work as they couldn't afford farm hands, leaving him little time to socialize.

However, their luck changed for the better. Vance got himself a good job at the high school as the organizer of the junior ROTC using his military connections. The position paid so well that Vance hired some farm hands. Their mother now has enough help to be able to send Clint to a regular school.

Clint sees a sign saying "Freshman Schedule Line" with a couple other boys standing in it. He walks up right behind the boy in front of him, hoping to make a friend.

"Hi, mah name's Clint Reno. Wha's yer name?" he asks.

The boy in front of you flinches.

"Ah! Oh." he looks at Clint and narrows his eyes.

"Are you one of 'em cowboy types?" he asks.

Clint looks at him smiling and says, "Yes, Ah've been workin on mah family's farm all mah life Tyler, Texas".

The boy still looks at Clint and asks, "Do you know bout any of 'em Native reservations?"

Clint looks confused and says, "Ah heard of 'em, but Ah never been to one. Ah heard they ain't so good fer Native Americans. Is that were yer family lives?"

The boy looks like he's about to get angry, but realizes that Clint was legitimately asking without judging.

"Yeah. My name's Pacer Burton. I'm half Kiowa on my mother's side. We used to live on an old reservation in the Texas Panhandle until," he peters off. Pacer looks like he has a secret that he doesn't want to tell. Like he went through something so traumatic recently that it's left him very troubled.

"Ya don't need to tell me, Pacer. Ah just wanna make friends. Ya wanna make friends too, right?", Clint asks completely sincere.

Pacer looks at Clint and just nods. He turns back around and moves up a space as one of the boys gets his schedule.

Clint watches him walk away and calls out, "Hey! Ah'm Clint Reno! Wha's yer name?"

The boy is dressed in a uniform like he's part of the Junior ROTC and quickly turns to Clint saying, "I'm Josh Morgan. I need to get to class so I won't be late on my first day."

He breaks off in a sprint while Clint is still in line with Pacer.

"I hate him." Pacer says under his breath as Clint looks confused.

"What'd ya say, Pacer?" Pacer flinches and turns around.

"That boy scout thinks he's so perfect. Who cares if you're late on the first day of school? Everyone knows that we gotta get our schedule first."

Clint doesn't say a word. He just waits in line and sees the next boy leave the line with his schedule. Since he looks more friendly, Clint tries introducing himself again.

"Hi! Ah'm Clint Reno! Wha's yer name?" he asks. This time the boy stops.

"Hi. My name's Mike Edwards. Nice to meet ya, Clint. I like your jeans. I have gym first so I gotta book it. Maybe I'll catch up with ya later. Just be care of those dang upperclassmen. They just wanna cause trouble." Mike waves as he starts to run.

Clint smiles, thinking he made a friend. Pacer is next as Clint watches him show the teacher his school ID and get his schedule. Pacer picks up his backpack and walks to his class.

"Next." the teacher says looking at Clint. Clint fumbles for his school ID.

"Mah name's Clint Reno. Here's mah school ID, sir.", he hands the teacher his ID.

The teacher goes through his files to find Clint's schedule and hands it to him saying, "Here you go. First period's English. Just follow the map in the building and you'll be fine."

Clint takes his ID back and smiles, "Thank ya, sir."

He follows Pacer. "Hey Pacer, wha's yer schedle this year?" he notices Pacer flinches again.

"Oh. Hey Clint. I got math 1st period. What's your first class?" he asks. Clint hands Pacer his schedule.

"Huh. We got most of our classes together. Even got the same homeroom at the end of the day." Pacer says while handing Clint his schedule back.

Clint smiles and says "Tha's great. Boy we're gonna be good ol' friends this year ain't we."

Pacer smiles a little. "Yeah. We are." He's a little surprised that Clint hasn't picked on him yet.

The first bell rings and Pacer looks at the stairs. "Listen, Clint I gotta go. My math class' on the top floor. I'll see you in bio," he says as he goes up the stairs.

Clint waves as he goes to English. As he looks for the right room he sees a boy at his locker. He sees Clint's cowboy hat and smiles saying "Wow. Nice cowboy hat! Do you live on a farm? I'm Lonnie Beale by the way".

Clint stops and looks at him. "Ah do live on a farm. Thanks. Mah name's Clint Reno. Nice to meet ya Lonnie. Are ya a freshman? Ah'm on mah way ta English class."

Lonnie's eyes widen. "Me too! Lemme see your schedule, Clint." Clint and Lonnie pass their schedules. They have English and gym together.

"You should put your hat in your locker, Clint. The teachers don't like it when we wear hats."

Clint looks at his hat. "Oh. Ah don't know where mah locker is. Can Ah jus put it in yer locker, Lonnie?"

Lonnie smiles saying, "Sure, Clint. You can pick it up after English."

Clint takes his hat and puts it on the top shelf of Lonnie's locker. They start to walk to English class together. Lonnie asks Clint a lot of questions about what he does on the farm.

"You know Clint, I've always wanted to own a cattle ranch. Something about the lifestyle of just managing cattle and the clothes just has me obsessed." Clint's smiling the whole way until they get to class.

A woman is handing out "To Kill a Mockingbird" books to students as they walk in the door. Clint sees a boy immediately opening his copy to read. He looks a little serious, but Clint still wants to make friends with as many people as possible.

"Hi. Mah name's Clint Reno. What's yer name?", he says smiling.

The boy looks up with a neutral face and only says "Glenn Tyler" before going back to his book.

Clint respects this and sits down at a desk next to Lonnie. Another boy shows up just before the bell rings. He sits down in a desk to Clint's right.

"Hi. My name's Ted Jackson." he says quietly.

Clint waves slightly saying "Ah'm Clint Reno. Nice ta meet ya Ted."

The teacher gets a pile of papers from her desk.

"Good morning class. I'm your English teacher, Ms. St. Clair. This will be the syllabus for the year. Be sure to write down the due dates to all assignments in your planner. As you can see, I do not give out extensions outside of once in a life time circumstances." she says as she passes out the syllabus to everyone.

The class reads through the syllabus and there's about 15 minutes left.

"Spend the last 15 minutes getting to know your classmates. Ask them what their favorite book or genre is. We will compile a list and try to establish common themes." Ms. St. Clair says as the students look around the room.

Ted looks at Glenn reading "To Kill a Mockingbird" again. He goes up to him and asks "Hey, I'm Ted. My favorite book's "A Tale of Two Cities". I just love adventure novels. What's your favorite book?"

Glenn looks up and kind of smiles saying, "I just finished reading "The Hobbit" which is an absolute classic. I've been trying to get into classic literature."

Clint looks around the room and sees everyone talking. He starts to smile as he realizes that he's going to make so many friends this year.

"This year's gonna be great. Yeah. It's gonna be alright" Clint thinks to himself as the bell rings, ending his first class.

AN: If anyone wants to be tagged for this leave a like, comment or reblog.

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