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leave-her-a-tome · 7 hours
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weirdest art trick i have is that sketching limbs is easier and neater if you slice em at the joints instead of using those little circles
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leave-her-a-tome · 7 hours
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I know it's not the worst thing about capitalism. But I do think there's something really *bad* about the fact that between lack of leisure time, lack of disposable income, and "hustle culture" mindset that for many, many, many people the primary/only way they are able to express their creativity and artistic aesthetics is through consumer culture. Buying stuff and displaying that stuff.
When like...making stuff. Drawing, painting, weaving, crafting, sketching is like, baked deep deep into our bones as humans.
But I know so many adults who haven't like...drawn a picture since they were children.
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leave-her-a-tome · 7 hours
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Some day I want to see a show that does the “no filler episodes” thing from the opposite direction. Just a whole season worth of low-stakes character pieces that seem to move the overall story absolutely nowhere, then episode 26 pulls all the triggers at once and this massive Rube Goldberg machine of a plot the show’s been quietly setting up in the background the whole time hits you like a truck.
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leave-her-a-tome · 7 hours
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meet cute: it's raining and I see your battered bleeding body lying in the mud and I kick it slightly to see if you're dead
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leave-her-a-tome · 8 hours
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New type of narrator. Not unreliable narrator but narrator whose need for therapy is definitely influencing this story.
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leave-her-a-tome · 8 hours
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I'm collecting a list of Short Stories That Fucked Us Up As Children. reblog and tell me what I'm missing.
here's the list so far:
the yellow wallpaper
all in a summer day
fever dream
the lottery
hey come on out
by the waters of Babylon
the most dangerous game
flowers for Algernon
a good man is hard to find
skin
to build a fire
silent snow secret snow
bartleby the scrivener
i have no mouth and I must scream
harrison bergeron
lamb to the slaughter
the cask of amontillado
the telltale heart
the vampyre
where did you come from, where did you go
the monkey's paw
I'll add a poll in case it helps haha
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leave-her-a-tome · 8 hours
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Character Voices
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (More)
Transitions
Pacing
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Miscellaneous:
Overcoming Writer's Block
1000 Follower Special
Writing Fantasy
Character Ask Game
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leave-her-a-tome · 19 hours
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How To Have a Good Beta Reading Experience (or: what I've learned from 3 years of beta reading)
So lately I've been having a lot of discussions about beta reading with my discord groups so I thought I would write it out here and also share some resources I've used over the years.
This is mostly by and for writers, however readers can learn from this post as well!
DISCLAIMER: I'm by no means a writing expert, but I have been either beta reading others' books, or having my own stories beta read consistently since 2020. THIS IS ALL PERSONAL EXPERIENCE/OPINION. Others may agree or disagree ❤️
Here are the main points I'm going to talk about in this post, and I'll do it under the cut to save your dash space:
Understanding Alpha vs. Beta Readers
Choosing Readers
Being Clear About Feedback
Swapping / Compensation
The Importance of Writing Community/Groups
Websites/Resources for Finding Beta Readers
1. Understanding Alphas vs. Betas
So this is extremely important and for me, this may be the difference between me finishing your book or not. Many times, especially from new writers who had never had anyone read their work before, had extremely rough drafts that were barely coherent and were NOT beta ready, but asked me to beta read. I am not a person who can look past extensive grammar errors, nor am I the kind of person who will sit and fix all your grammar line-by-line for you.
Alpha Readers - for first/second drafts
Beta Readers - for polished drafts
It is ok for alpha reads to be unpolished and have grammar issues, and it's even ok if they have plot issues, continuity errors, etc. Because alpha readers are there for that purpose: to be the first eyes on your story and help you find and fix those issues.
The issue I have had over and over, though, is people asking for a beta reader when what they really needed was an alpha. I went in expecting a polished draft and got someone's Draft 0. In some cases, I got 100k drafts where the writer obviously had no idea how to format dialogue grammar and every single dialogue was wrong. Obviously this made me slow and in many cases, unable to finish.
Alpha readers will go in expecting it to be unpolished, and will be prepared to look past grammar/stylistic errors in order to focus on the big picture issues (plot holes, character consistency, pacing/engagement issues, etc). A Beta may be too frustrated by an unpolished draft to finish it or provide the feedback you're looking for. If you have been experiencing a lot of betas backing out and not finishing your work, you might consider this as a possible reason why.
I would also recommend, if you have never had anyone read your work before, even if you have had multiple drafts, it might be safest to ask for alphas rather than betas.
A quick way to see if your work is beta ready (again, personal experience): Pick up a published book from the shelf in your genre. Does your book read similarly? Does your formatting & grammar look the same? Bonus: read it out loud! If reading the published book out loud is significantly easier than reading yours out loud, you're probably in the alpha stage.
TL;DR: Understand your draft and which level of reader your draft is ready for. Know the difference between polished and unpolished, and be upfront about it.
2. Choosing Alphas/Betas
You may not like it but: Just because someone is your friend, real life or online, does not mean they will make a good reader for you.
#1 MOST IMPORTANT: GET READERS WHO LIKE & REGULARLY READ YOUR GENRE!
I cannot stress this enough. As someone who writes vampire content, I cannot begin to express to you the amount of useless comments I got from readers who had clearly never read a vampire book in their life.
You need someone who is familiar with your genre and you likes your synopsis/blurb.
Caveat: that said, I did find a few great betas who had never read vampire content before and gave awesome feedback. However, these readers knew and admitted they knew nothing about the paranormal genre, and because of that did not make any comments on worldbuilding, instead sticking to plot and character development only. Some readers can't make this separation.
Another thing I would recommend, especially if you are swapping or the beta reader is also a writer/on writeblr, I would recommend reading their writing before having them beta read. If you read their excerpts and see that it's really unpolished or a style that's vastly different than yours, that might change whether you want them to read for you.
In my most recent beta round, I used a google form to do a quick survey to see who was interested in beta reading. This worked really well for me and I would recommend it! You can also use this to make all potential readers agree to not share/distribute/plagiarize your work, so you have it in writing just in case someone were to try something.
This was also a great way to see which genres they usually read and how many times they have beta read in the past!
TL;DR: Get readers who LIKE your genre. Read their writing and see how they write. Use an online signup form to narrow down.
3. Be Clear About The Type of Feedback You Want
This is perhaps the second most important thing when you get readers. Many readers will shy away from reading your work if you have nothing in mind for them to look out for. Also, being clear about this shows that you 1) know it isn't perfect and needs work and 2) you have insight into what the issues already are.
For Alphas, these traits are what I have found to be the most helpful:
Immediate inline reactions - particularly emotional engagement and pointing out lines that resonated with them
NO grammar/stylistic comments (unless incomprehensible)
Questioning of worldbuilding, character decisions, and character development - particularly if confusing or unclear
Comments on action sequences & their readability
Comments on believability of the plot points/progression
For Betas, these are what have been most helpful to me:
Comments on grammar, especially if repetitive
Stylistic comments, particularly for over-used words or noticeably repetitive sentence structures
Comments on pacing
Comments on plot initiation point and buildup/execution of the climax
Not questioning my worldbuilding/plot and trusting that what I have written is intentional. Only pointing out areas that have on-page evidence of inconsistencies.
Everything above is simply personal preference. You might find other comments to be better for alphas/betas. However, being upfront about which comments you want or don't want can drastically change which people want to read for you!
Some readers are obsessed with in-depth inline grammar/style comments, some aren't at all. Some writers LOVE these in-depth grammar comments, and some don't. Being clear about what you want is the best way to make sure you and your readers are compatible for the stage of editing you're at.
4. Swapping / Compensation
So this one I might have a bit of an unpopular opinion, but I wanted to cover it because so many people talk about it on here and other sites.
Again, based on my personal experience, swapping and compensation does not mean you're going to get better feedback or have a better experience or relationship with readers.
For the record, for everyone who beta reads for me—and finishes—I always offer to read theirs, even if it's a genre I don't like.
Personally, I have never tried compensation (re: money) for beta readers. However, there are a few issues I've come across with swapping:
Mine was beta ready and theirs was unpolished first draft
Our types of feedback didn't align
Our genre preferences didn't align
Their feedback was nowhere near as high quality or constructive as mine
In these cases, one or both of us burnt out on reading the others' work, and then we'd both bail. Especially with #4, it was very disheartening for me to spend hours finding their plot holes, helping them come up with ways to fix them, for them to then write 1 paragraph about what they thought of my story that was extremely surface level. To me, that wasn't even a swap, and was practically worthless. There was even one who got sensitive about the feedback I was providing (which was a queer sensitivity read) and then left almost identical comments on my story, which weren't even relevant. It was like revenge-commenting.
All this to say: I have had positive experiences with swaps. My alpha for twtr was a swap and I really enjoy her work and she enjoys mine, and we will probably continue to swap forever.
This goes back to #2 above: be picky & choose your readers well. Your story is your baby, and it deserves to be critiqued by people who value you and your story, and want to help you make it the best possible version of itself.
To summarize, I have had two good swapping experiences. I have had 10+ good uncompensated betas—with an offer for me to read their stuff when it's ready. Do with that what you will.
5. Writing Community / Groups
On to a more positive note! I have had the best experience here on writeblr, and this is coming from someone who has tried multiple other communities (which I discuss in the last section below). Having my own discord server from tumblr, joining a few other writers' discord servers, has completely changed the game regarding finding consistent betas, more resources, and just having an overall much more positive time writing and editing.
Writeblr keeps me grounded, keeps me hopeful, and even if I share something that doesn't get tons of notes, it's so nice to have interaction. It's so nice to give and get back, consistently.
I do want to emphasize the importance of giving to get back. If no one is liking/interacting with your excerpts, tag/ask games, etc. then that's probably because you're not interacting with them! It's very important to show interest in other people's work!!
I'm not saying you need to jump onto everyone's taglists for all their wips, but join the ones that genuinely interest you the most. Play in ask/tag games consistently. Follow writers back who follow you (if they post things you're interested in, ofc).
I have the same amount of followers as the people I follow right now, and I think that goes to show that people reciprocate here on writeblr! It's a lovely community and don't be afraid to reach out ❤️
I have found almost ALL my recent betas from my tumblr and discord groups. They have been lovely so far and I would highly recommend building up community here if you are interested in finding betas.
6. Websites/Resources for Finding Betas
Alright, last section. Thanks for bearing with me. I'm going to go through the sites I have used, and why I still use them, or why I dropped them.
Scribophile
So, for starters, this is one I don't use anymore. This was the site I first used when I had a polished draft in 2020 and had no idea how to get feedback. Essentially, they have a point-system. The more comments you make, the more points you get, and then when you have 3 points, you can post a chapter. It continues in a cycle.
Pros: Personally, I think the site helped me a lot in realizing what a bad critique looks like (which is helpful!) and also helped me learn which comments/feedback types work for me, and which don't. I don't regret my time there by any means, and I found one life-long friend and beta reader there I wouldn't trade for the world. It also allows you to post/remove your story and the readers don't have direct access to it—meaning if they want to download/steal/plagiarize, they'd have to copy and paste or screenshot chapter by chapter. It's a little safety precaution.
Cons: It's not the best place to get constructive feedback. The issue with their system is it encourages quantity over quality in critiques. Because of that, you'll get strangers rewriting your entire chapter in their own style so they get 2-3 points for one critique, but... was any of it actually helpful to you? Maybe, maybe not. It's also random, so you can't control who comments on your stuff, and they might just comment to get points even if they hate your genre. I also don't think it's fair to have to do 3-5 chapter critiques in order to save up enough points to post ONE chapter of your own. And if you want to post your story for full beta reads and control who reads it and who doesn't, you have to subscribe monthly.
So I keep an eye on it occasionally to look through their forums on writing, agents, publishing, etc. But most of the forums gets nasty, because there are a lot of really pretentious writers who think they know all the rules. If you join small groups (e.g. sub-groups based on diversity, etc) they tend to have better and more meaningful discussions.
Personally, I would never use it for beta/alpha/feedback ever again. This is the site where most of my bad swaps came from. But you might find it useful! So I thought I would share it.
Nanowrimo Forums
This is another one I don't use anymore, but might consider reusing in the future. The biggest issue I have with nanowrimo is that a lot, and I mean A LOT, of these participants are first-time writers and have no concept of what polished vs. unpolished even means. I did find two really good swaps there (actually the only two good full swaps I've had) but those were very hard to find.
There is also the issue that a good chunk of them only write during November, not year round. So for finding consistent, year-long partners, this is not the best option. I'm a member of 2 discords that have all fallen silent as soon as Nano actually ended.
Also, in my experience, asking questions about anything related to "controversial" topics (especially trans and minority ethnic groups) becomes toxic very quick, which is unfortunate. There are even a few moderators who seem to be contributing to the toxic/immature discussions rather than fixing them/shutting them down, which is the main reason I stopped using it.
However, it's a GREAT place to get free, simple covers! Their artisan section is fantastic and there are a lot of people there willing to make basic covers/banners for you for free.
BetaBooks
I've only been using this one about a month so far, but I'm really liking it. It's set up that you can invite betas to your story specifically, or you can look through a beta reader library, read their profiles, and invite them to see if they're interested.
This is essentially an alternative to Scribophile. It allows you to post your story online and find betas and become a beta.
Why I like it better than Scribophile: it's not a point-based system, meaning it's uncompensated so the readers have nothing to gain other than enjoying/helping your story. There's no hard feelings if someone bails. It allows you to see all comments in one place (which Scrib can't do). (And with discount codes found through google, it's cheaper, too. Message me if you need help with this 👀)
It also is all online, easily removable, so readers would have to copy/paste or screenshot chapter-by-chapter to steal it. So again, just a little safety net that makes me feel better.
Writeblr
Yep, that's right. Right here. Actually right here on tumblr has been where I have found the most beta readers and in the shortest time. I talked about this in the section before so I won't regurgitate. But there's a reason why this community is so long-lasting. It really is the best one out there I've found.
TL;DR / IN CONCLUSION:
Know where your book is in terms of reader-readiness. Know the difference between alphas/betas and polished/unpolished. Know the types of feedback that work for you and specifically request it when recruiting betas.
Interact with a community. Give interaction in order to receive, and don't expect people to reblog/like your content if you don't reach out first. Join small, niche writing community discords. Find like-minded writers.
Decide to swap or not, but this won't make or break you.
There are many writing communities out there designed to help you not only find betas, to provide beta-reading feedback forms and commentary. Try them out and see what works best for you.
And above all, thank Writeblr for being such a lovely community ❤️
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leave-her-a-tome · 19 hours
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You know what? Fuck it.
The amount of notes that this post gets by the end of April is the amount of words I'll write for one of my books.
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leave-her-a-tome · 19 hours
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leave-her-a-tome · 19 hours
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leave-her-a-tome · 19 hours
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all my advice about using real athletes to learn drawing bodies beyond hard abs, and my particular pref being wrestlers, also applies to women btw. you can draw women who r strong and not an hourglass shape. fucking do it.
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kris statlander, rhea ripley (look at her SHAPE), willow nightingale, ruby soho, these r just four off the top of my head that have obvious musculature and different body types. skye blue and julia hart have more slim cheerleader style bodies as well, i REALLY wanted to put emi sakura who is fucking STOUT (adoring) in this post but i couldn't find a good demonstrative pic, the list goes on
DRAW DIFFERENT BODIESSSSSSSS
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leave-her-a-tome · 19 hours
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What's everyone's favourite flowers that aren't like. The normal ones. Like everyone's a fan of roses and sunflowers what's a more niche one. One you don't get in gift sets. Mine's sweet peas
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leave-her-a-tome · 19 hours
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[Hanfu · 漢服]Chinese Tang Dynasty(618–907AD)Traditional Clothing Hanfu Based On Female figurines of Tang Dynasty
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【Historical Artifacts Reference 】:
▶China Tang Dynasty Standing Female Figure,Collection of the Guimet Museum
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▶China Tang Dynasty Painted double-bun female figurine,Collection of Xi'an Museum,China
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📸Photo:@佳期阁
🧚🏻‍Model :Owner of 佳期阁
👗Hanfu: @佳期阁
🔗Weibo:https://weibo.com/6614078088/ObZKG5Cu8
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leave-her-a-tome · 19 hours
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leave-her-a-tome · 2 days
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youtube
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read the full article here
help fight book censorship
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leave-her-a-tome · 2 days
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I have learned many important things from my librarian spouse, and I will now share six of them with my fellow non-librarians
Public libraries are not the perfectly silent buttoned down places of scholarship movies make them out to be. They're a place for everyone to access everything, from Minecraft to garbage romance novels to picture books. And everyone includes people who make noise. And that is okay and good actually.
They are also for buttoned down scholarship and they can help you with that. They actually really like helping you find information.
Libraries often have way, WAY more than just books. Movies, of course, but also telescopes and tools and 3D printers and board games and I heard of one that even has an apple press!
Being a librarian is pretty much never "sitting around reading books until you're needed." Maybe if you're at a niche private collection that happens? But no, not for public librarians. There is so much that has to be done every day. Sorry to everyone who thought that was a thing.
Put the books you pick up on the return carts if you don't check them out, this has some kind of positive effect on the collection. I don't know why, but do it or else
The best way to support your library is to use your library! And vote for library funding whenever you can. But mostly just use the dang library!
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