islndgurl777

[islndgurl777]

Do you know this queer character?

Perry is Asexual and uses he/him pronouns!

[islndgurl777]

im trying to go to sleep but i cannotttttt stop thinking about this and laughing

[islndgurl777]

I need Clint Barton to meet Dick Grayson.

I need Clint to roll into a SHIELD ops assignment meeting having absolutely not read the briefing materials before the meeting. I need Phil Coulson to explain that there has been a serious threat against the life of Dick Grayson. Wayne Corp is about to announce some new initiatives. Intelligence confirms a criminal syndicate plans to kidnap Dick Grayson to force Bruce Wayne to call off the plans. SHIELD needs Wayne Corp to go through with it (and kidnapped sons of billionaires are always a headache) so Clint, we've created an identity for you as a Wayne Corp employee to keep an on things.

And Clint has to be like, "Yeah that won't work."

The analysts immediately take offense. "It's an airtight identity, you've done worse undercover work than babysitting a billionaire's kid."

Clint interrupts. "I can't pretend to be someone else around Dick Grayson. I know him. Me. Clint Barton. We were friends when we were kids."

Everyone at the meeting is losing it and Clint stares at them all. "How many circus kids do you think there are? Haley's and Carson's didn't tour together but our paths crossed in the offseason."

That explains why during his afternoon walk home, Dick Grayson comes across his childhood friend, Clint Barton, wearing jeans and a purple tank top, juggling and doing tricks for cash on the street. SHIELD has adjusted Clint Barton's identity so he's down on his luck, busking for spare change because it's hard to get a job when you're a deaf former circus performer with barely a GED.

Of course Dick wants to help and they reconnect. Dick asks Clint to perform at a Wayne gala. The same gala where the goons attempt to grab Dick Grayson. Dick keeps trying to slip out and change into Nightwing but? Somehow? Clint is always behind him? They're both trying to fight off the goons, still in their civvies, each trying to rescue each other while also not giving away their secret idecities,

"Where did you learn to fight like that?"

"I used to be a cop. Where did you learn to fight like that?"

"Would you believe me if I said bar fights?"

When it's all over, there's some disagreement about who is walking who home but Clint insists since Dick was almost kidnapped. Clint gets into his Hawkeye gear and plans to spend the night watching Dick's building for trouble when he sees Nightwing go swinging away from it.

Naturally he follows. Nightwing is meeting with the bats to report on the kidnapping attempt when there's a wild bit of confusion and mistaken identity as one of the bats slams Hawkeye to the ground and demands to know why he's following Nightwing.

Clint's lying there partially stunned at being nearly splattered by one of the robins or something when Nightwing leans over him.

"Clint?"

"Hey, Dick."

Clint and Dick were already friends but that's the story of how Hawkeye meets Nightwing.

(In the sequel, Clint turns up outside Dick's apartment months later. He's wearing multiple bandages, drinking a coffee with the name on the cup horribly misspelled with a K and holding Lucky's leash. He looks at Dick and says, "The Tracksuit Mafia has moved to Bludhaven, you got any plans tonight?")

[islndgurl777]

Catnip tea for the birthday babies. Malice is so normal about catnip but Vice--unsurprisingly--has a drug problem.

[islndgurl777]

just because someone can articulate their point better doesn’t make them right, it makes them articulated. 

[islndgurl777]

THE LOST BOYS (1987) dir. Joel Schumacher 

#the lost boys

[islndgurl777]

[islndgurl777]

the way erik looks at charles (intensely) - for @jerottblyth

#charles x erik

[islndgurl777]

I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw, a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

[islndgurl777]

A pleasant surprise.

[islndgurl777]

If the story between Charles and Erik is, on some level, this tragic romance, you gotta arrange the other elements that way, too. You have Hank and Raven who end up as kind of the B-story version of the same thing you're seeing play out with Charles and Erik. — Ashley Miller and Zack Stentz, screenwriters of X-Men: First Class

#x men first class

[islndgurl777]

Hugh Jackman as Wolverine in X-Men First Class (#mood)

#x-men first class #teehee

[islndgurl777]

having sex with your friends is so very normal please stop poisoning the youths minds with shame surrounding hooking up with your friends. especially if you’re gay

[islndgurl777]

[islndgurl777]

wrath of khan no context

[islndgurl777]

No none of the above this is for the wine enjoyers

#moscato babeyyyyyy

[islndgurl777]

November 2, 2020- April 8, 2024

I couldn't help sneaking in one final party portrait for the end of our campaign. I tried my best to recreate the first campaign art I ever shared, back when I was trying very hard to make a good first impression. Now I draw whatever I want with confidence that my friends will hype me up about it 😂

3 years, 5 months, and 6 days later, I am endlessly grateful for the story we told together. Happy 182 sessions of Nobody's Heroes. May there be many adventures more 💜💚💙❤

#nobody’s heroes