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Ugo Zovetti - Gli sfaccendati Tre uomini seduti su un muretto

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“I mean I get used to myself at night, it takes that long sometimes. The first thing in the morning I feel sort of undefined, but by midnight you’ve done all the things you have to do, I mean all the things like meeting people and, you know, and paying bills, and by night those things are done because by then there’s nothing you can do about them if they aren’t done, so there you are alone and you have the things that matter, after the whole day you can sort of take everything that’s happened and go over it alone. I mean I’m never really sure who I am until night…”

— William Gaddis, The Recognitions

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Interior  -    Edwin Aafjes

Dutch, b.1951 -

Oil on panel, 70 x 39 cm.

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Isabelle Huppert, Albane Navizet

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#the way this one pic conveys their characters so perfectly

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Brett Bigbee (American, 1954) - Meteorite (2017)

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Le Téléphone from the Périphérique series, Mohamed Bourouissa, 2005-2009. Digital c-print.

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Marcus Aurelius by Bianca Stone

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“Dancers. Lima, Peru. 2023.”

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Ethiopian Orthodox icon of Saint Michael the Archangel.

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Alison Watt, British, born 1965

'Marat and the Fishes", 1990, oil on canvas, 152 x 122 cm

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'Fables' from a series of ten drypoints by Ana Maria Pacheco

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#I’m always saying “’it’s ok to make a bad movie”’

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Faith Ringgold

Black Light Series #12: Party Time, 1969

Oil on canvas

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Thelonious Monk and Nina Simone.

photo by Nina de Koenigswater

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Harry Price waiting to confirm if a goat can turn into a handsome young man, through a maiden pure in heart, during a full moon night, Brocken, Germany, 1932 Bundesarchiv, Bild 102-13579 / CC-BY-SA 3.0