DEMETER
āI begin to sing of rich-haired Demeter, awful goddess āof her and her trim-ankled daughter whom Aidoneus (Hades) rapt away, given to him by all-seeing Zeus the loud-thunderer.āĀ Ā
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā (-Homeric Hymn, translated by H.G. Evelyn white)
DEMETER (duh-MEET-er), is the goddess of harvest, agriculture, fertility, and grains. She is the central figure in the mystery Cult of Eleusis,where citizens made a pilgrimage to Eleusis to partake in a festival and initiation ritual tied to the myth of Demeter and her daughter Persephoneās abduction by Hades into the underworld. This ceremony would initiate a citizen, provide some spiritual insight, thereby guaranteeing a better position in the afterlife. In my depiction, Demeter holds out her torch, in search of her abducted daughter, and an ear of wheat grain to symbolize her role in agriculture. Tto the left we have the main players of the missing daughter myth. A misty Hades behind, and Persephone in front, with triple-bodied Hekatebeside, who helped Demeter find her daughter, and became Persephone's attendant in the underworld. On the right we have a woman pouring libations to help the wheat grow, then Demeter holding the cut grain, symbolizing the cyclical nature, and transience of life.
Unfortunately, as the crime of revealing the inner secret ceremony was punishable by death, we can't know for sure what took place in the inner sanctum during the main ritual. What we do know is that something was ādrunkā andĀ something was "seen". Many believe that the Kykeon drink offered to initiates would produce a psychotropic, hallucinatory effect. Perhaps the drink was tainted with ergot (rotten barley fungi), or maybe mushrooms. Apparently, the ritual had three stages, (mirroring Persephoneās underworld journey); the descent, the search, and the ascent. Some believe the final act shown to the initiate was the cutting of an ear of grain, to symbolize the cyclical death and rebirth of nature.Ā
Want to own my Illustrated Greek myth book jam packed with over 130 illustrations like this? Support my book kickstarter "Lockett Illustrated: Greek Gods and Heroes" coming in early 2024. check my bio LINKTREE
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Naomi Shihab Nye,Ā āRed Brocadeā
[Text ID:Ā āThe Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where heās come from,
where heās headed.
That way, heāll have strength
enough to answer.
Or, by then yourāll be
such good friends
you donāt care.ā]
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demeter protecting persephone sketch
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Diomedes
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that holy leash
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everyone be quiet iām thinking of the letter mozart sent his sister when he found out his dad had died
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demeter protecting persephone sketch
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(words from Bird by Bird: Some Instructions on Writing and Life by Anne Lamott) + ariadne and asterius, the thread and the minotaur
im sorry that it took me this long to find you, brother - let me show you the sunlight
š§¶ kofi link in bio if youāre feeling generous š§¶
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Dionysus design!
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THEM. // agamemnon and clytemnestra
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schemin
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Klytemnestra in Mycenae, Casey J. King
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Ogden Nash, from the poem āDragons Are Too Seldomā
Ocean Vuong, A Letter To My Mother That She Will Never Read
Mary Shelley, Frankenstein
Leigh Bardugo,Ā Six of Crows
Sarah Elaine Smith,Ā Marilou Is Everywhere
Samantha J. E. Riches,Ā Encountering the Monstrous: Saints and Dragons in Medieval Thought
Victoria Schwab, Vicious
Amie Kaufman & Jay Kristoff,Ā Obsidio
Leigh Bardugo,Ā Six of Crows
Alexandra Christo, To Kill a Kingdom
Mary Shelley,Ā Frankenstein
Ocean Vuong,Ā On Earth Weāre Briefly Gorgeous,
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anne boyer āthe harm will come: it never doesnļæ½ļæ½tā / julia armfield āto watch a horror movie is to know that something bad is going to happen. to have a body is really the same thingā / hilary mantel āwe donāt have to invite pain in, itās waiting for us: sooner rather than laterā / marie howe āyou know how weāve been waiting for the big pain to come? I think itās here. I think this is it. I think itās been here all alongā / gregory orrĀ āI want to go back to the beginning. we all do. I think: hurt wonāt be there. but Iām wrongā / toni morrison āthe hurt was always thereā / torrey petersĀ āpain that had to be endured, withstood, pain that was the same as being alive, and so without endā
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