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When I made this post just ten days ago, it was about mass graves discovered at Al Shifa hospital and now we have learned that the same had happened at Nasser hospital in Gaza. The same genocidal pattern: a hospital is put under siege, patients and medical staff are abducted, tortured and buried in mass graves.

But to build on the last point I wanted to bring attention to in the previous post, it is very crucial to also keep in mind is that the Palestinian Civil Defence have reported that Israel had deliberately concealed the identities of those it killed and buried in these mass graves. Close to 400 bodies have been buried in these mass graves, 58% of the recovered bodies have not been identified.

In a press conference, a spokesperson of the civil defence in Gaza said that Israel had intentionally disfigured the bodies postmortem in order to remove any identifying markers such as birthmarks. He also mentioned that they suspect that the bodies have been placed in body bags that expedited the decomposition process, destroying any possibility of them being identified.

One of the main and only ways families have been able to identify the bodies of their loved ones is through the clothes they remember them wearing the last time they saw them. I saw a video of a mother identifying her son by his striped jacket. You can see the grief mixed with relief that she will be able to give her son proper burial.

Remember when months ago I said that to be identified and buried in Gaza has become a luxury? This is very much still the case.

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Immediate international action must be taken to investigate the hundreds of mass and random graves in the Gaza Strip containing the bodies of thousands of Palestinian victims since the start of Israel’s genocide, ongoing since 7 October 2023. Euro-Med Human Rights Monitor field teams have closely observed the recovery of hundreds of dead bodies from these mass graves, some of which were found in the courtyards of different Gaza Strip hospitals. The significant number of graves and bodies is concerning and calls for rapid international action, which should include the immediate creation of an independent international investigation committee to look into the circumstances surrounding the creation of these graves and the deaths of the victims buried in them. This is especially important given that a large number of the victims were directly subjected to premeditated murder and arbitrary and extrajudicial executions while handcuffed. A technical committee of experts is needed to investigate the burial circumstances and determine the cause of death of the victims that have been recovered. Additionally, a system for future identification ofdeceased victims’ identities must be developed.

The Euro-Med Monitor field teams previously documented the recovery of dozens of bodies from the mass graves in Al-Shifa Medical Complex’s courtyards, belonging to handcuffed victims, otherindividuals who were wounded but not provided withmedical care, and those who were executed despite their health conditions. The victims’ decomposing bodies were found in several places, with some having been run over by Israeli bulldozers which left their bodies torn into pieces. The presence of urinary catheters or splints, whichwere found to be still attached to some of the dead patients’ bodies during the exhumation process, as well as medical files that were buried with them in Al-Shifa Medical Complex, confirm the execution of ill and injured people. Due to the extended period of time in which the bodies were left in the mass graves—as Israeli forces had impeded their recovery for the past few months—most of the bodies were in a state of decomposition when recovered. Some of the corpses had also evidently been mauled by cats and dogs. Dr Moatasem Saeed Salah, a member of the Ministry of Health’s emergency committee, told Euro-MedMonitor that after the withdrawal of Israeli forces, 30 bodies were found to have been buried in two makeshift cemeteries in Al-Shifa Medical Complexduring the Israeli siege of the medical facility. One of these cemeteries was in front of the reception and emergency department, and the second was in front of the industrial department. Salah said that only 14 of the victims had been successfully identified, with the rest being patients or injured individuals who had been receiving treatment in the hospital.

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Thinking how the only book of the three Aramis acts under his true name is Vingt Ans Après, and subsequently how that goes to shows that he is only ever being his true self when he's with Athos.

#The three Musketeers

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Bob Dylan & Joan Baez “The Wild Mountain Thyme” Savoy Hotel, May 4, 1965.

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the thing about the three musketeers (book) is that there are three musketeers (guys) and also a fourth dude who's always hanging out with them and is part of the friend group. yet he is not one of the three musketeers

#Prev and he's not even a Musketeer anymore. And he bears YET ANOTHER false name #Okay im normal now

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Lmao how is this real, "the ambient sounds of the world were wrong, sir"

#i had so much faith starting this tweet and then. how do you miss the point that is glaringly obvious? #reading list

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my lord i fear i must inform you that you have reblogged a post made by the general whose forces encircle my fortress. please delete it posthaste

#getting mutuals to block a certain delulu person on here even if they never crossed paths with her

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'Nina, have you ever practiced fencing? Because you have the vibe.'

#compliment of all time. to me. #also i wonder what kidn of vibe that is

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Look into your heart! Look into your heart!

What heart?

MILLER’S CROSSING (1991) DIR. JOEL & ETHAN COEN

#miller's crossing

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Dagmara Binkowska, Niepublikowane utwory prozatorskie gdańskiego okresu twórczości Stanisławy Przybyszewskiej, s. 9

"Without going into the artistic evaluation of Fons iuventutis it is worth noting taht themes presented by Przybyszewska therein, like being openly homosexual or male prostitution belong to the earliest depictions of such motif in Polish literature."

I mean, Fons iuventitus was written in 1928, and was not published ever, while Lato leśnych ludzi was published in 1920, but I guess a story about orgies will have more people analysing them than a semi-patriotic YA book.

#and just to be clear i love Lato... and i think writing it was a very brave thing to so ESPECIALLY since it was modeled after #Rodziewiczówna's own lesbian adventures in the forests. all she did was genderswap the characters #dagmara binkowska #stanisława przybyszewska #niepublikowane utwory prozatorskie gdańskiego okresu twórczości Stanisławy Przybyszewskiej

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 Dagmara Binkowska, Niepublikowane utwory prozatorskie gdańskiego okresu twórczości Stanisławy Przybyszewskiej, s. 7

Was anybody going to tell me Przybyszewska wrote a whole ass novel where two female characters who start out as love interests to the male characters end up being together and having a baby, or was I supposed to learn about it myself, because I'm a self-proclaimed researcher of hers?

#the novel is unpublished of course and i don't love her prose BUT it's shameful i'm only learning about it now #dagmara binkowska #niepublikowane utwory prozatorskie gdańskiego okresu twórczości Stanisławy Przybyszewskiej

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Ruby Sky Stiler—New Patterns, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 2023 [Art: © Ruby Sky Stiler]

Contributors: Ian Berry, Jennifer Higgie, Mellissa Huber Design: Beverly Joel / pulp, ink.

Exhibition: Curated by Dayton Director Ian Berry in collaboration with the artist, Tang Teaching Museum, Saratoga Springs, NY, January 29 – May 15, 2022 [The exhibition was on view at the Fairfield University Art Museum, Fairfield, CT, from September 11, 2020 to December 19, 2020]

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Barbara Tatar, Forma jako ideał dzieła sztuki. Witkacy i jego formistyczna teoria jako odpowiedź na problemy niewyrażalności języka, s. 15

#witkacy #stanisław ignacy witkiewicz #barbara tatar #Forma jako ideał dzieła sztuki. Witkacy i jego formistyczna teoria jako odpowiedź na problemy niewyrażalności języka

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Barbara Tatar, Forma jako ideał dzieła sztuki. Witkacy i jego formistyczna teoria jako odpowiedź na problemy niewyrażalności języka, s. 15

#barbara tatar #Forma jako ideał dzieła sztuki. Witkacy i jego formistyczna teoria jako odpowiedź na problemy niewyrażalności języka

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Gaza's municipality is trying to raise money to fix and restore Gaza's water system. Please support them by boosting and/or donating

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#i don't know how to convey to israelis committing a genocide is bad #i've lost all of my israeli former friends in october. they are delusional