funerealmind

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“BELLADONNA, n. In Italian a beautiful lady; in English a deadly poison. A striking example of the essential identity of the two tongues.”

— Ambrose Bierce, The Devil’s Dictionary  (via ardeea)

#lit

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kiss me until my lips fall off, kiss me until i start to rot

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Gertrud Kolmar, from Dark Soliloquy: The Selected Poems; "The Angel In The Forest,"

#lit

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#behind the blog

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— William Carlos Williams, from “Paterson.”

[Text ID: “We sit and talk, quietly, with long lapses of silence and I am aware of the stream that has no language, coursing beneath the quiet heaven of your eyes.”]

#lit

[funerealmind]

Mary Shelley’s Frankenstein; or, The Modern Prometheus Illustrated by Bernie Wrightson (American, 1948-2017)

#bernie wrightson #illustration #black and white #dark academia #mary shelley #frankenstein

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Something in me wants more. I can't rest.

— Sylvia Plath, from “The Unabridged Journals of Sylvia Plath.”

#lit

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🫀🩸

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Anne Sexton, from The Complete Poems of Anne Sexton; “The Little Peasant,”

#lit

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Alfonsina Storni, tr. by Dorothy Scott Loos, from Selected Poems; "Sweet Vision,"

#lit

[funerealmind]

Mary Shelley, from "Mathilda," originally published posthumously in 1959

#lit

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Late 19th Century Anatomical Plates from an Encyclopaedia c1880

The Backbone

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“The Phantom Of The Opera” (1925)

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st. colman's cathedral

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Vladimir Nabokov, from a letter featured in Letters to Vera published in 2014

#lit