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Introducing myself

I decided to post here instead of doing my work!!!😅😅

I am not new to tumblr, but new to posting. Don’t even know what this account is going to be about... (😝someone should see me tag followings!😝) 

I am too much of a fiction fan... Might see where this goes.

#newpost firstpost can ask question need someone who shares my love for fiction

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This always makes me cry... His death is forever going to be something that I won't be completely over with.

Everybody wants a happy ending. Right? But it doesn’t always roll that way. Maybe this time. I’m hoping if you play this back, it’s in celebration. I hope families are reunited, I hope we get it back and something like a normal version of the planet has been restored, if there ever was such a thing. God, what a world. Universe, now. If you told me ten years ago that we weren’t alone, let alone, you know, to this extent, I mean, I wouldn’t have been surprised, but come on. The epic forces of dark and light that have come in to play. And for better or worse, that’s the reality Morgan’s gonna have to find a way to grow up in. So I thought I better record a little greeting, in the case of an untimely death, on my part. I mean, not that death at any time isn’t untimely. This time travel thing we’re gonna try and pull off tomorrow, it’s got me scratching my head about the survivability of it all. Then again that’s the hero gig. Part of the journey is the end. What am I even tripping for? Everything’s gonna workout exactly the way it’s supposed to.

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As if I don't always think about their deaths all the time!😭😭

The moment they chose their fate. 

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If people said “it’s okay to be nervous” instead of “don’t be nervous”, it might make things a little easier

Source: reddit.com/r/Showerthoughts

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Fanfiction Club: The Rules

This idea came to me when I woke up first thing this morning.

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Reblog if you are reading fanfiction instead of doing literally anything productive

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Well I reblogged(?) twice

Proving a point to my boyfriend.

PLEASE REBLOG if you (male or female) believe it is perfectly okay and natural for a guy of any age to cry

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Proving a point to my boyfriend.

PLEASE REBLOG if you (male or female) believe it is perfectly okay and natural for a guy of any age to cry

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Recently, I have fallen out of love with the Stony or Steve Rogers/Tony Stark pairing.

The MCU introduced me to this pairing; it is a very fun and complicated pairing which I held dear. However, in light of recent events, MCU has also disillusioned me. No, rather, it pulled the veiled right off my eyes. It has always been at the back of my mind, but I ignored it. It kept nagging but I didn’t listen. I am ashamed to admit that it took watching my favourite character lied to and get beaten up as he was drowning in a pit of rage and grief by the same character I always thought—I always imagined would protect him, would choose him, would hold him more important above others.

The truth is: none of the original founding members of the MCU Avengers treated Tony Stark right.

The truth is, next to James Fucking Buchaman Barnes, Tony is the LAST choice. He is fucking COLLATERAL DAMAGE.

He is at the very bottom of the priority list of everyone else in that fucking team.

He is their doormat.

He is their scapegoat.

He is their source of everything but they don’t appreciate him.

This man cares so much, gives so much, yet no one can seem to see that and show him the same fucking courtesy.

I guess that’s the reason why I love Peter Parker so much. He looks at Tony like Tony hung the Moon, the Sun and the Stars in a purely platonic-son-to-potential-father-figure way. NO, I do not ship Starker nor will I ever. You cannot convince me. And the fact that pairing always seems to show up on my PINTREST dashboard is fucking frightening and annoying—mostly annoying. Peter looks at Tony’s beat and battered defensive asshole self and sees the best of him. He doesn’t take advantage of Tony’s love and kindness. He doesn’t expect, demand or take.

I ship Tony with Stephen Strange, not just because Stephen gave up the Time Stone to save his life, though I won’t lie, that’s one of them. They have similar backgrounds. They’ve been through similar experiences. I really believe they’d be able to understand each other. Stephen’s a narcissist like Tony, but he isn’t like the rest of the Avengers with their holier-than-thou crap. The view must be pretty nice all the way up their white horses, huh. Stephen is a narcissist but he knows he is flawed. He has been on top and knocked down to the bottom but he stood up again. Just like Tony. For all of their narcissism, their asshole-ness, their sass and snark, these two would be so good for each other. Tony can be his defensive- asshole-but-secretly-goes-beyond-what-is-sane-to-protect-his-loved-ones-self and Stephen would understand, hell Stephen would treat him the same. Stephen would give back as much as he is given. Stephen would call out all of Tony’s bullshit without the Avenger’s brand of superiority.

On an intellectual level, I understand the reason why Stephen gave up the Stone. But the fact that he DID, that he bet on Tony, that he put his fate in Tony, a person he has officially met for a couple of hours just overwhelms me; that much fate, with the entire universe hanging in the balance. He was able to trust Tony with those lives, the Avengers wouldn’t even trust Tony with their lives/freedom.

The Avengers are quick to turn on Tony when it best suits them.

Like in a fic I’ve read:

‘Natasha would sell me out for a pack of cigarettes and she doesn’t even smoke,’ – Tony Stark

That shit is one of the most accurate fanfic lines I have ever read.

The Avengers are quick to place the blame on him.

The Avengers are quick to use violence on him.

They choose to trust a Hydra agent with clear vendetta against Tony over him when she has showed disregard over lives, even theirs, if it suits her motives right. The fact that so much sympathy is given to this vindictive psychopath is beyond me.

They’ve blamed Tony over every mistake. They keep holding Tony’s mistake over him, yet they never acknowledge their own shit.

They claim Tony is arrogant, yet “The Best Hands Are Our Own” is not? Bitch that is some Hitler level Bullshit right there and people don’t seem to see it. I guess Steve didn’t just punch Hitler; he shared tea, cookies and similar ideals with him.

The Best Hands Are Never Our Own. NO ONE CAN CLAIM TO KNOW BEST. NO ONE. Simply because we are human. We are fallible. We have our own agenda. We have people/ideals we hold above others. Right, Rogers? “Till the end of the line”, right?

Even Thanos, a fucking Titan is a sane!nutcase.

Steve Rogers, no matter how much hype, how much people put him in a pedestal can’t claim to have the “Best Hands”. He has his own priorities; he has shown his own arrogance. He has shown that he would put his Bucky above others and if you have watched CA:CW and not see it, then go watch it again.

Steve Rogers knew the truth about the Starks’ death but he kept it from Tony. Not because he cared about Tony’s well being, but because he was scared Tony would go after his Bucky. That’s it. There is no other reason. Because he wanted to keep his Bucky safe. And he had the gall to talk about keeping secret to Tony when he was seating on the biggest one of all.

That Rogers, is obstruction of Justice, one of the ideals you ‘uphold’ so much, done by you in order to protect one man.

Wanda assisted and joined Ultron, and only switched sides when it became clear that everyone else, including theirs, and not only the Avengers were getting their asses killed. She sent the Hulk loose in a populated area. You might have been too blinded by the scene of Tony fighting the Hulk to see that but, that’s the truth. SHE SET THE HULK LOOSE ON A POPULATED AREA, WITHOUT REGARDS TO INNOCENT LIVES. You think Ultron got his psychopathic tendency from Tony? Who was it that was hell bent on murdering Tony and by extension the Avengers? Ultron was the collective of Tony, Bruce, the sceptre and Wanda. And we all know who is all MURDER!!!!! Between those four.

Every last ones of these characters are arrogant in their own way, have mistakes, have ‘blood on their ledgers’, and are pretty much flawed/fallible.

Then why is Tony Stark the only one hated? Why is he the only one made to suffer? To pay for his mistakes?

Well, Tony Haters, Steve Stans, Wanda Stans, Team Cap Stans…

Fuck you.

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122 Prompts

Hey everyone! So I want to do prompt requests. Below is a list of prompts that you can request from! You can choose up to five per one-shot and you can request as many one-shots as you want. You can give me as much as little detail about the fic as you. There’s a whole mix of prompts in here but there's definitely a lot of Angst. I do any Supernatural ship (but Wincest it makes me uncomfortable sorry) and character x reader.

1. “You scared me!” “Well, I am naturally terrifying.”

2. “I’m fine.” “You don’t look fine.” “Then stop looking.”

3. “Where is Death when you need her?”

4. “You are all remarkably well behaved tonight. What did you do?”

5. “You look…” “Beautiful, I know. Can we move on?”

6. “Ohh so you think I’m cute when I’m angry? Well, get ready because I’m about to be GORGEOUS!!!”

7. “I don’t give a damn.” “You give so many damns they’re visible from SPACE.”

8. “Tell I’m going to die, tell me the sun is going to explode, tell me the world is ending and there’s nothing I can do about it because if I hear it’s going to be okay one more time I. Will. Scream.”

9. “I hate you.” “Why? I’m lovely.”

10. “Who are you?” “Demon to some. Angel to others.”

11. “Yeah, I have a plan.” “Is it a good one?” “I have a plan.”

12. “You love her don’t you?” “Was it that obvious?”

13. “I hate the sight of blood.” “Then maybe you shouldn’t kill for a living.”

14. “Are you sober?” “I’m moderately functional.” “I’ll take that as a no.”

15.“I’m trying to have a serious conversation with you!” “And I’m trying to subtly avoid it.”

16. “On a scale from one to ten, how bad do think it would be if-” “At least a twenty.”

17. “Well, aren’t you a little ray of pitch black.”

18. “So… I just realized … that I’ve been shot.”

19. “Did you hear that scream?” “Yes, I’m the one who screamed.”

20. “Only a fool would fall in love with someone as deadly as me.”

21. “Excuse me I have to go make a scene.”

22. “I warned you not to hurt his sister.”

23. “How does it feel, my dear? Losing the best thing that has ever happened to you.”

24. “Oh darling, you are so very broken and no cares to notice.”

25. “All that blood looks good on you. It really brings out your eyes.”

26. “I have to go … iron … my cat.”

27. “If I go through with this, I die. If I don’t go through with this, we all die.”

28. “I’m trying my best to be polite, but if you move that knife a centimeter closer to me I will tear you apart.”

29. “I can’t keep kissing strangers and pretending that they’re you.”

30. “I’m not completely human anymore. Remember that next time you want to punch me in the face.”

Keep reading

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“Show, Don’t Tell!”: Using the Five Senses in Writing

This is an extended piece to my ‘Show, Don’t tell’ post. When writing the senses, I like to imagine the scene as if I were watching a movie. It’s the simplest way for me to picture and write when it comes to descriptions. You don’t want to overload the reader, but you do want to paint the picture instead of telling them. Staying aware of the five senses in your writing will dramatically improve your skill. It not only helps the reader be a part of the story but helps the writer set important scenes, without having to outright state what is happening. In this post, I will explain how I use the five senses in my writing. As always, my advice is subjective and only to show what I personally do. Whether you keep the senses in mind as you write, or you edit them in later, making sure you pay attention to keywords will help eliminate the stress of going back later to figure out what (maybe!) went wrong. 

SEE: On Sight

One of the easiest ways to go about elaborating sight is to eliminate words related to vision (look, saw, gazed, peek, etc). It also helps to stay aware of items, colors, sizes, etc. Do the same thing you’d do with words related to sight, eliminate them. Of course, don’t erase every word or phrase, but being proactive, keeping them in mind, and avoiding them will help you avoid overloading your reader with too much purple prose. (Granted, I would die for purple prose, but I understand that’s not everyone’s thing). 

Examples:

Jill saw Jack running. He carried a silver pail. He tripped and fell down the hill. 

 There are a lot of sight-words in this example. As the writer, it is your decision to choose what you want to elaborate on, whether it is one thing, or all of them. How much of the story you want to paint is up to you—

Jack’s feet blurred against the green grass as his toe caught his ankle. He rolled on his side, his silver pail flying into the air and reaching Jill first.

Jill craned her neck to find Jack staggering down the hill. Water sloshed from the sides of the bucket, swinging and glistening in the sunlight. He stumbled and grabbed for the handle with his second hand as the pail threatened to leave his grasp, and then he slipped, toppling down the hill.

In both of these scenarios, the reader can “see” that Jack is running and tripped without specifically stating that Jill saw it. They also “see” he had a silver pail and dropped it. 

Being more visually descriptive is also very important for facial expressions. It takes a simple mood and elevates it. Describing the expression also gives the reader the chance to “feel” that way too, almost like a mimic, which helps them visualize and empathize with the character.

Example:

Maxine made a disgusted face.

Think of what a disgusted reaction looks like; usually, it involves frowning, pinching your nose, sticking out your tongue, etc. Sometimes, it can help to look in a mirror and write what you’re seeing, too.

Maxine flared her nostrils and stuck out her tongue.

In the latter example, the reader is able to infer that Maxine is disgusted by how the writer described her reaction.

HEAR: On Sound

Describing sound can be tricky. It’s also hard to remember when to use it. We tend to think of sound in terms of music or voices—okay, okay, sometimes we sprinkle in animals howling or the wind blowing, too!—but sound can be incredibly important in setting a scene and is often under-utilized. Sounds let the reader know their surroundings without pulling from what is going on and adds intensity!

Examples:

Manuel sat nervously at the coffee table.

Again, as the writer, you can decide where to incorporate the use of sound. Here are a couple of suggestions, based on the above example:

Manuel’s fingers drummed against the table and drowned out the low whistle escaping from between his teeth as he exhaled. All around him, there was cheerful chatter, through which the barista’s loud voice occasionally sliced.

Manuel’s thoughts whirred and hummed, a dull grinding and the clinking of glass broke through the constant thump of his knee against the underside of the table.

In both of these examples, the reader was able to gather that Manuel was nervous (tapping knee, drumming fingers, low whistle). They are also able to gather he is in a coffee shop (or a restaurant of sorts) without explicitly saying so.

TOUCH: On Sensation

The best way to handle touch is by imagining whatever it is you are describing and what it feels like. If you don’t know how something feels, google it. Don’t describe a snake as slimy just because its scales are shiny and gives it a slime-like effect. That said, touch doesn’t just deal with what your character is physically touching. It can also deal with emotions and help to express them without saying outright how your character feels. 

Example:

Opal touched the silk blanket. She felt sleepy and closed her eyes.

Here we can elaborate on what the blanket feels like when Opal touches it and how she feels to indicate she is tired: 

The supple fabric slid between Opal’s fingers like water. Her tired muscles sagged and sharp, tiny pinpricks pressed against her heavy eyelids as she lay back.

The reader knows the blanket was very soft and also that she is tired without specifically stating she was sleepy. 

TASTE: On Flavor

Taste is a fun sense to mess with. It can show the reader so much more than how delicious the bread is (or how gross dirt is). I like to play around with taste in the weather/air, the taste of fear, the taste of cat hair in your mouth because there is always cat hair in your mouth… all right, maybe that’s a personal thing.

Example: 

The sun rose over the city.

What do you use for taste here? A city can’t taste, the sun doesn’t taste, but your character does!

Yellow light spilled over the streets, soaking the grit from the rainbow puddles into the air. The bitter grease lingered and settled in his mouth, strengthening every time he scraped his teeth against his tongue. 

Experiment with taste in your writing. Describe things you wouldn’t normally think to taste, like crude oil*. The internet is a good resource when it’s something you don’t want to try yourself, like crude oil**. Chances are, someone out there has already tried it and explained what it tastes like online.

SCENT: On Smell

Ahhh, smell. Smell lets the reader know so much: they can figure out where a character is, what they’re doing, where they are, etc., just from a few scent-related descriptors thrown around. Smell is also useful in triggering memories or past events.

Danny walked through the forest.

You can use so many of the five senses here! But since we’re focusing on scent, let’s zero in on that:

A crisp hint of pine lingered in the air and blended with the pungent decay of the brown needles underfoot.

Without stating anything about a forest, the reader has an idea of where Danny is. You can also use smell to show emotion! 

Danny was in love.

How do you smell love, K? Well, you’ve got me there: you can’t. But as a writer, you can think of what love means to you and of things you associate with love, and work from there. Personally, I imagine it would have a sweet smell, maybe too sweet.

A rush of flowery sweetness filled his nostrils as the handsome young man walked by.

There you have it. Of course, there’s a lot more to writing the five senses, as there is with anything, but this is to give you a basic idea of what I do when I’m writing. Being proactive and keeping the senses in mind while writing can be tough and exhausting, but the more you do it, the easier it becomes. And you don’t leave it all for editing! Remember: the most important thing is to keep practicing. 

Happy writing!

* Please do not taste crude oil. I can’t believe I have to type this, but some people want to eat Tide Pods, so here I am.

** Do not taste crude oil. You will die.

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Someone please give me energy I need to sigh! *Sighs one time* one energy gone... #hogwartsmystery #hogwarts #energyproblems #harrypotter #potions

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I logged in on wattpad after a long time and… Why is creepypasta a genre in wattpad? What is this genre? Explain someone please!!

#wattpad #creepypasta #wattpadgenre #pastaisgenre #creepypastaisathing

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Disney vs. 7 early fairytales 

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My character in Hogwarts Mystery is “Yess Queen” and I feel so proud when professors go like “Yess Queen!”

#hogwartsmystery #harrypotter #hogwartsgame #professorflitwick #myhmcharacter