I think some people forget that some literature and some media is meant to be deeply uncomfortable and unsettling. It's meant to make you have a very visceral reaction to it. If you genuinely can't handle these stories then you are under no obligation to consume them but acting as if they have no purpose or as if people don't have a right to tell these stories, stories that often relate to the darkest or most disturbing parts of life, then you should do some introspection.
Illustrations for the 50th anniversary edition of Colombian author Gabriel García Márquez’ Cien años de soledad (One Hundred Years of Solitude). Art by Chilean illustrator Luisa Rivera.
"people show their true colours in life threatening situations" no, they show you what they act like when they're mortally terrified, an emotion notorious for literally turning your entire brain off to the point where people who go into those situations as a profession need to be literally trained on how to not have that happen
they are the same person and they're bonding over shared infatuation and their own love for one another but also resent each other because patrick got the career and tashi got art, the only two things they've ever cared about
“But at the same time, they are really tense. And I think it's about being jealous of one another, but at the same time wanting one another that we are trying to to play out, and that Josh and Mike do in a beautiful way in the sequence.”
Also why are we not talking about how Patrick walks into the gym like he fucking owned the place, disrupted practice and chased Art around like no one else mattered??? Laughing and yelling and jumping over nets??? While everyone else watched perplexed because the quiet, shy Art was suddenly this rambunctious teen coaxed out of his shell by the force of nature that was Patrick???
(If anyone is willing to give me the clip of this scene i will literally propose to you on the spot im on my knees plsspls)
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