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evenings-last-light · 4 hours
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evenings-last-light · 10 hours
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Always obsessed with stories where the main character undergoes a painfully slow but unstoppable physical transformation that causes those around them to reject them out of fear and disgust, even as their new perspective forces the mc to become a better person.
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evenings-last-light · 12 hours
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evenings-last-light · 12 hours
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Being a young adult is so strange. You enter a coffee shop. The 20 year old girl waiting behind you cried all night because she just came to a new city for university and she feels so alone. That 27 year old guy over there works a job he is overqualified for, he lives with his parents and wants to move out but doesn't know what to do about it. That one 24 year old dude already has a car, a house, and a job waiting for him once he graduates thanks to his dad's connections. The 26 year old barista couldn't complete his higher education because he has to work and take care of his family. The 28 year old girl sitting next to you has no friends to go out with so she is texting her mother. That couple (both 25 years old) are married and the girl is pregnant. The 29 year old writing something on her laptop has realized that she chose the wrong major so she is trying to start all over. We are not alone in this, but we are actually so alone. Do you feel me
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At some point in your life, you were taught that being slightly annoying is an unforgivable sin. Maybe it was by your parents or a teacher or a friend or a bully or an older sibling. But someone taught you that being slightly annoying is a crime punishable by death.
You must unlearn this.
You must accept that all people will be annoying at some point or another in their lives, maybe all of their lives, and that this is okay. It is okay for strangers on the bus, it is okay for children in the grocery store, it is okay for people on social media, and it is okay for you.
If you ever want to truly love your fellow humans, if you ever want to truly love yourself, you must have forgiveness for being annoying.
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I’ll kill all the vampuires myself.
They’ll be no more problems then, right?
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Android Girl by DECO*27 is, in a weird way, kinda the definitive Miku song for me. That might be controversial given like... World is Mine and Melt and Miku Miku Ni Shite Ageru and Miku Anamanaguchi exist, but I feel like Miku has absolutely grown into something beyond what those songs alone convey.
For starters, just on an aesthetic level, Android Girl is about an android girl. Obviously there's symbolism to that and whatnot but it immediately touches on the fact that Miku is a software; herself, an "android girl" in a way.
But obviously the song isn't really about an android girl as much as Tokyo Teddy Bear isn't about a literal plush toy. Android Girl seems to be depicting some type of troubled relationship dynamic, and this is kinda one of the things I personally associate with Miku as a comparative newcomer to the fandom: dark meaning hidden beneath a cute anime aesthetic. What Android Girl does is manage to balance the appeal of "dark undertones" and "cute anime aesthetics" all tied with a very Vocaloid-adjacent software-flavored bow of sorts. The MV displays this balance expertly, in my opinion:
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It's cute and expressive while still having a muted color palette (notably punctuated by jarring pinks and reds which only further evoke that feeling of passionate emotion in a bleak situation) and soulless, suffocating backgrounds; you could simultaneously believe this was just a cute song about a robot girl, which is evocative of older depictions of Miku, AND that there's something a bit darker beneath this. The key here is also that it doesn't swing too far in either direction: "this song is about a troubled relationship" isn't as dark as something you'd find in an average Kikuo song but it's also a few steps beyond Miku singing about vegetable juice or being the princess of Earth.
Sonically, it's a fairly typical DECO*27 song, but one has to remember that DECO*27 is an absolute titan of a vocaloid producer whose sound may as well be synonymous with Miku herself.
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Now I definitely wouldn't say it's my favorite Miku song by any means, hell I don't think it even makes my top 50 and it's not even my favorite DECO*27 song, but it's definitely a song I find extremely synonymous with the appeal of Hatsune Miku in the current day, and it fills all of the Miku-shaped holes in my heart all at once. Android Girl may not be the greatest or most influential Vocaloid song, but I definitely find it to be a fascinating product of so many different aspects of Vocaloid simultaneously that I think it's always gonna be one of the first songs I personally think of when I think about Vocaloid.
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One of these things is not like the others
(via)
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SELENE, Moon Incarnate Hades 2 (TBA) dev. Supergiant Games — for @onewingedangels
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the circus was in town that day 🤡
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Remember this joke?
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Well, I am going to do something similar only with photography. This is a photo someone took for an Amazon review of their Clinique products.
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Honestly, it is not a terrible photo. They did some staging. They have an interesting background. All of the labels are legible. It is properly exposed. This would be a perfectly acceptable product photo for an Etsy page.
I've been taking these advanced photography courses in preparation for whenever I am able to create a new studio in the house. And my teacher is a photography badass. I just watched a 6 hour class on how to recreate a professional Clinique ad. And at first glance it looks deceptively simple. It's just some skin care products being splashed with a little water.
Which is why I wanted you to see an average person for reference.
This is what Karl Taylor came up with.
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And I don't think I've learned so much about photography in one tutorial before.
Product photography is just loads and loads of problem solving. You have to light the chrome caps with a gradient. Which requires giant diffusion scrims.
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Those big white panels are literally only there for the two chrome caps.
You need a pure white background, but you can't let light spill all over the studio, so you put up giant black light blockers.
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And you have to add another light just for the orange bottle on the right.
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Oh, and if you want the bottles to glow, well, you have to hide a silver reflector behind them.
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But you still want the edges of the bottles to be darker so they have some contrast. So you add some black tape to the sides.
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And in order for the reflective labels to have bold black lettering, you have to reflect black cards into them.
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Ack! Karl's beautiful bald head is showing up in the chrome caps! He must put on the naughty blanket.
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And once you get every aspect of every bottle perfectly lit, you finally get to yeet some water at it all.
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I don't love product photography because I have a weird obsession to help greedy corporations make their wares look more beautiful. I love it because it is a complicated and challenging new puzzle every time. Every product is a different shape and requires a different technique to make it look its best.
I don't know if I will be able to live up to Karl's standards.
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This is about the level I was at in 2017 before I quit photography.
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I have so much more knowledge in my brain now. I'm really hoping I can surpass that.
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Photographers all know about polarizing filters. They remove reflections off the surfaces of objects. We use them to see into water or windows that are obscured by those reflections. But anything with an even slightly glossy surface has a layer of reflection on top. So if you have a shiny green plant, it can remove the shiny and reveal a very saturated green underneath. Polarizers also remove a lot of scattered and reflected light from the sky. Which reveals a deep blue color you didn't even know was there.
Here is a photo I took of my circular polarizer.
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And the first thing I noticed when walking outside during the eclipse was the color of everything was more saturated, just like in that circle. Apparently, an eclipse significantly reduces polarized light and I got this creepy feeling because I was only ever used to seeing the world like that through the viewfinder of my camera.
The other thing I noticed was my outdoor lights. I leave them on all the time because I never remember to turn them on at night. And usually the sun will render them barely visible during the day. On a very sunny day they almost look like they are off.
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But you can clearly see they are shining and even flaring the camera during the eclipse.
Our eyes adjust to lighting changes very well so it was hard to tell how much dimmer things were, but that is a good indication. I took this photo a few minutes ago and you can see how dim the lights appear after the moon has fucked off.
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I did a calculation using the exposure settings between these two photos. The non-eclipse photo has 7 f-stops more light. That is 128 times or 12,700% more light.
A partial Pringle eclipse cut the sun's light by 99.2% and somehow our eyes adjusted to make it seem like a normal sunny day (with weird ass saturated colors).
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i know there are definitely more but i am trying to make a poll of some of the most popular, just pick your favourite from these(and if you want reblog or reply w/ your actual favourite synthesizer)!
EDIT: im so sorry i forgot gackpo, i also dont know whats up with the face being the last option but for now pretend it gackpo!!!
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so over the past couple months ive been solidly finding more and more evidence that kirito is in fact a trans girl, but yesterday i learned i was limiting myself in my search for evidence
because so far ive been looking at the light novels, the anime, and the mainline pc games
but not *the fucking mobile games*
which um... *what the fuck?!*
stuff like this:
or the fact these are all just official art for a real game from 2016
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like *what*
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^pet the girlthing
like im sorry there's a limit to how blatant you can go before it's just canon
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evenings-last-light · 22 days
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★ 【orie】 「 まちがいだらけ // 実はね、夢を見るのが得意なんだよ 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me! insta • x • bsky
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