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Fragments of Sappho, circa 630 - 580 BC. Translated by Anne Carson.

Follow my instagram for more: instagram.com/ancient_archives 

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after 3 hours of burning, this candle begins to melt through the eyes, making the statue appear to cry. she weeps for 2 hours.

#I WANT ONE #odds and ends

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EMMA 2020 + SCENERY

#emma #period drama

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A Gust of Wind by Lucien Lévy-Dhurmer

#art #queue

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Frederick H. Evans - Canterbury: Angel Tower and Dark Entry, n.d.

#photography #queue

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“Le temps viendra. Je, Anne Boleyn”

The time will come. I, Anne Boleyn.

Anne Boleyn’s actual handwriting <3

#typography #anne boleyn #tudor era #queue

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#photography #queue

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Four Studies of a Dog, 19, Museum of the Netherlands

Vier studies van een hond, zittend en liggend.

#art #queue #dogs

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Shipboard sets of The Terror

#the terror #period drama #photography #queue

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Vessel in the Shape of a Bear, Metropolitan Museum of Art: Medieval Art

Edith Perry Chapman Fund, 1966 Metropolitan Museum of Art, New York, NY Medium: Copper alloy, cast

#sculpture #medieval #queue

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‘’The unplaiting of the hair’’ 1997, 100x100, oil on canvas - #AndreyRemnev #Russia

#art #illustration #queue

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Alphabet Book, late 14th century, by Giovannino de Grassi (1350-1398)

#14th century #medieval #Illustration #typography #queuety and vice

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‘Artemis’ (stained glass). Design by Géza Maróti (1875-1941).

Budapest Museum of Applied Arts. Photograph by Szilas. Wikimedia

#stained glass #art #queue

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Day and Night stained glass windows (1897–1900). Designer and executant: William Glasby (1863–1941) Henry Holiday Studio, Hampstead.

Images and text courtesy The Metropolitan Museum of Art.     

http://www.metmuseum.org/collection/the-collection-online/search/207692?rpp=30&pg=16&ao=on&ft=stained+glass&pos=468

#stained glass #art #turn of the century #19th century #queue

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Alexandra Khudyakova

#sculpture #photography #queue

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The unfinished portraits of Sir Thomas Lawrence (1769-1830):

Lawrence was famed for the length of time he took to finish some of his paintings (Isabella Wolff waited twelve years for her portrait to be completed) and, at his death, his studio contained a large number of unfinished works. Some were completed by his assistants and other artists, some were sold as they were.

Maria, Lady Callcott, 1819, oil on canvas Lady Elizabeth Lowther, delivered unfinished 1830, oil and black chalk on canvas  Field Marshal Arthur Wellesley, commissioned 1829, oil on canvas Emilia, Lady Cahir, Later Countess of Glengall, c. 1803-5, oil and graphite on canvas

#art #18th century #queue

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Front cover, title page and a few of the illustrations taken from ‘A Floral Fantasy in an Old English Garden’ by Walter Crane ( 1845-1915 ). Published 1899 by Harper.

Internet Archive

#Illustration #art #1800's #arts and crafts #queue