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John-Roe Luna.- Demolition of Pruitt-Igoe housing complex, St. Louis, March 16, 1972
Guillem Aloy.- Toba Khedoori, Untitled (Table & Chairs), 1999
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GUILLEM ALOY.– ENSEMBLE Just things together, columns and tables, MANIERA 05, architecten de vylder vinck taillieu
JAUME MAYOL.– Kahn & Lewerentz’s free arrangement or “siau qui sou”
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ORIOL VILANOVA.- L'AQUILA - Fontana delle 99 Cannelle. (Tancredi da Pentina)
GUILLEM ALOY.- Edward Ruscha, Standard Station, 1966
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GUILLEM ALOY.– Jørn Utzon, Can Lis, 1973. Frame detail. Photo by Lise Juel, 2012
JOHN-ROE LUNA.– Installation view MoDERNISM MACHINE, Henie Onstad Kunstsenter, Oslo 2012, Bjarne Bare, 94 Pictures as Black Square, 124x124cm Silver Gelatin print, 2011-2012
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GUILLEM ALOY.– Ettore Sottsass, Design of a floor on which your steps will be uncertain, 1972/4
ARCHIDOSE.– Superstudio, Supersuperficie, 1971
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​GUILLEM ALOY.– Carl-Viggo Hølmebakk, House for a man and a woman, 1985
ORIOL VILANOVA.– Racetrack. On this lonely dry lake in the north end of the Monument, rocks mysteriously move across the surface. No one has seen them move, but they leave well-defined tracks like this one. The best theory is that wind pushes them when the surface is wet and slick. Photograph by Bill Bullard
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ARCHIDOSE.– Nils-Ole Lund, First the building then the site, Collage, 1982
GUILLEM ALOY.– Bas Princen, Superior Court, 2005. Almost everything is site
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GUILLEM ALOY.- 9min 43s, the Louvre’s scene from The Dreamers by Bertolucci. video 1, video 2, link
ROKKO MIYOSHI.- Turkey's 'standing man' by Erdem Gunduz
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Pietro Perugino, Entrega de las llaves a San Pedro, Capilla Sixtina, Roma, 1481-82
Superstudio, Endless Grid, 1969
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Sebastiano Serlio, Portique de 100 columnes, Terzo Libro delle Antichita, 1663
OMA, Convention Center, 1990, Agadir, Morocco
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GUILLEM ALOY.- Rotor, Grindbakken in Ghent, 2012
SIMONE VALERIO.- Andrea Pirisi, Cimitero di San Cataldo by aldo Rossi
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MARINA BERBEL.- Illustration de François Schuiten and Benoît Peeters (2006) représentant l’ancienne Maison du Peuple de Bruxelles réalisée en style “Art Nouveau” par l’architecte Victor Horta, inaugurée en 1899 et démolie en 1965.
GUILLEM ALOY.- Elia Zenghelis, Hotel Sphinx in Times Square, New York, 1975, axonometric view (painting by Zoe Zenghelis)
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GUILLEM ALOY.- Ines-table, Enric Miralles. “Le Magasin” – CNAC (Centre National d’Art Contemporain), Grenoble, France
MARINA BERBEL.- Benedetta Tagliabue and Albert Om en ‘El convidat’ de Tv3
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Gran plato renacentista de cerámica maiolica (Italia) atribuído al “Pintor del Apollo Basin” Con inscripción borrosa 'B/ 1[5]33' Estimado 40,000 — 50,000 € VENDIDO 336.000 € en Sotheby’s Londres (19/01/2016)
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Toni Catany. Ceràmiques de Miquel Barceló Exposición de cerámicas del pintor y fotografiadas por el fotógrafo Toni Catany, se pudo visitar en el Claustre de Sant Bonaventura de Llucmajor. Mallorca 
                                             -  “Pensar que el arte ha avanzado mucho desde Altamira a Cézanne es una pretensión occidental, vana: la pulsión, la necesidad del artista es casi la misma. El formato no tiene mucho interés, lo importante es la intensidad de la obra, el resultado. La modernidad está en el interior, no en el pellejo”.  Miquel Barceló
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Bernard Tschumi, Joyce Garden
&
László Moholy-Nagy
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ANNA DEKKER.- Aleksandr Malin - Changing
GUILLEM ALOY.- Luigi Ghirri. Milano, Studio di Aldo Rossi, 1989-1990
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GUILLEM ALOY.- “House Taken Over”, by Julio Cortazar, (1944) illustrated by Juan Fresan (1969)
ANNA DEKKER.- Aisha Zeijpveld and Aukje Dekker, from a series called ‘Feest der Vernietiging’
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