darkanachronism

[darkanachronism]

sry i've just abandoned this blog. have a quick griffin doodle

#him! #the invisible man #i love his nose #top tier nose shape

[darkanachronism]

[darkanachronism]

I need people to stop blaming the death of movies on “quips”. A quip is just a funny line of dialogue. That’s all. Like I just saw a post talking about quips and the death of movies and brought up Pirates of the Caribbean as an example of a better movie and yes it is but also that movie is FULL OF QUIPS. I just rewatched The Princess Bride. It’s all quips. Every single line. And it’s a masterpiece.

Movies suck when people don’t care about the art they’re making. That includes them not caring about their quips. Which is why a lot of comic relief dialogue ALSO sucks now. But the problem isn’t that funny dialogue exists.

[darkanachronism]

[darkanachronism]

just a few posts i’ve tagged gideon and harrow

[darkanachronism]

i love the phrase "cruel and unusual." not only is what you're doing mean but it's also quite frankly fucking bizarre

[darkanachronism]

I know "60s housewives who invented slash fanfiction" has taken on a life of its own as a phrase, but Kirk/Spock didn't really exist until the 70s and THOSE WOMEN HAD JOBS. They were teachers and librarians and bookkeepers and scientists and they damn well spent their own money going to conventions, printing zines, buying fanart and making fandom happen. Put some respect on their names.

[darkanachronism]

Hot Take: Astarion does NOT hate flowers. You just missed a few subtle hints through Act 1 and early Act 3.

Astarion's negatively is directed toward just about everything at all pleasant as you move through early act three, starting the moment you leave Wyrm's Rock. First thing after Gortash's coronation he marvels near tears at the colors of the city in daylight. If you ask if he's alright, it pisses him off.

There's other instances I can't quite remember but he's a straight crank throughout early Act 3 and it took me several hours of gameplay to have a lightbulb moment about his newly crappier attitude.

He just spent the last two hundred years seeing everything in the overwhelmingly warm dim tones of indoor lighting via sconces, rushlights, and braziers, or the dingy blue gray of moonlight outside. Daylight colors are something he had more than a lifetime to forget and now that he has a chance to remember that vibrancy in his own home town, he knows he's going to have to forget it all over again either by death or by remaining a vampire spawn forever. The worm isn't going to live rent free in his head forever, and killing Cazador to ascend in his place likely feels like an insurmountable and impossible fight against a literal titan who could stomp him flat without a corm of effort.

He doesn't hate flowers, he hates EVERYTHING right now because it's all going away very soon and if he convinces himself he hates everything then he won't miss it when it's all gone again. He was denied this for two hundred years and he's PISSED at what was stolen from him and PISSED it's all going away again.

He behaved a similarly in Act 1 about anyone besides him enjoying physical intimacy. Some of this content was cut, to my best knowledge, but the overwhelming majority of his dialog addressing the PC romancing anyone but him are negative or backhanded. This is for two reasons, I think. A: his Simple Plan just dissolved right before his eyes when you chose someone else which in his mind means he has zero safety net, and EVERYONE gets to enjoy sex (key wording being ENJOY, not simply having) except him... And it pisses him off.

He also gleefully interrupts the bug bear and the ogress, I think for the same reason as the above paragraph, being: If he doesn't get to enjoy intimacy neither do they.

He reacts with anger and disgust at anything he's being unfairly denied. Which... That's fair. His feelings are valid, but his reaction to it is pretty shitty and meanspirited.

The other companions I tend to keep in my party, (that is Lae'zel, Halsin, Karlach, and Wyll) however, are actually appearing to behave pretty patiently with him in Act 3 which I find interesting.

In the instance with the flowers Karlach doesn't bother trying to convince him otherwise of his opinion, she just tells him how they make her feel instead and rather than getting snippy or doubling down he more or less agrees to disagree. I also don't recall anyone disagreeing with him during Gale's last quest tasks when he mentioned that he quit praying to gods who wouldn't hear him a long time ago but to be fair, I think the gods did everybody in this crew dirty and they all know it. It seems like they're consciously giving him the space to be mad about things, is what I'm saying.

Everyone I know including myself who gets out of a long-term hot garbage situation kinda went wild for a bit with freedom, spoke poorly, behaved strangely, had extreme emotional reactions to things, and made some particularly terrible choices. I think that's just a part of recalibrating yourself, healing and learning how to be okay again.

Point is, I wouldn't conflate too many of the turbo-negative things he says with how he actually feels about anything. We certainly know what he says and what he feels are two very different things.

[darkanachronism]

we clown on astarion for being SO OBVIOUSLY a vampire, even some of the companions get in on that, but you have to cut them a smidgen of slack. it's pretty normal for elves to be pale and have white hair, red is a common eyecolor in faerun, and all sorts of people have fangs without being vampires. especially if you meet him in full daylight, it's understandable that even if people are like, hey that dude seems like a vampire, the fact that it's high noon will quickly convince them that can't be the case

as for him being a snobby shit who uses outdated slang... man that's just being an out-of-touch government official from the upper city. the szarrs managed to fly under the radar for generations under the premise of "idk they're just weird rich people who party a lot, they're probably sleeping off their hangovers during the day"

[darkanachronism]

I use it for crafting and sewing. Steam Mt vl9thes if I wanna de wrinkle them.

if you don‘t personally own one but your roommates/parents do and you are allowed to use it, that counts as yes

[darkanachronism]

Some art of my OC KyaraBat!

She has been getting some attention on tumblr again, so here are my favorite outfits for her!

Get prints, t-shirts and more merch with her designs here!

Support my work on Ko-Fi!

[darkanachronism]

I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.

The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.

Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.

And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.

Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.

So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).

[darkanachronism]

The fact that Karlach calls herself “momma K” and the fact that when she finds that little hopscotch drawing in the blighted village, she sings the little song and the fact that she has a favorite teddy bear and the fact that any time one of the companions is faced with an impossible choice or adversity, her first reaction is to protect and defend - it just makes me love her more. If you recruit her before Wyll, she immediately forgives him and asks you to let him stay despite him having hunted her for so long. She’s so kind, she’s so fun and she loves with everything she has despite having her heart literally and metaphorically ripped from her chest by someone she cared for. She tells you she loves you, even if you don’t romance her. I fucking love this character and I think about her all the time - about how it’s so easy to be bad and angry and hardened and, while she is very angry, she doesn’t let that stop her from being good or doing what’s right. They didn’t break her, Karlach is indestructible because of the very thing that was stolen from her - her gigantic fucking heart. She’s also incredibly wise and insightful - hearing her opinions on anything never disappoints. She is proof that “good” characters will always be compelling and I love her.

[darkanachronism]

@kittenintheden Muahaha! I said I would and-oh no it’s 2am! Enjoy ⭐️

Inspired by https://www.tumblr.com/kittenintheden/748557718074294272/lol-i-love-forcing-him-to-interact-with-kids

[darkanachronism]

I think a lot of folks in indie RPG spaces misunderstand what's going on when people who've only ever played Dungeons & Dragons claim that indie RPGs are categorically "too complicated". Yes, it's sometimes the case that they're making the unjustified assumption that all games are as complicated as Dungeons & Dragons and shying away from the possibility of having to brave a steep learning cure a second time, but that's not the whole picture.

A big part of it is that there's a substantial chunk of the D&D fandom – not a majority by any means, but certainly a very significant minority – who are into D&D because they like its vibes or they enjoy its default setting or whatever, but they have no interest in actually playing the kind of game that D&D is... so they don't.

Oh, they'll show up at your table, and if you're very lucky they might even provide their own character sheet (though whether it adheres to the character creation guidelines is anyone's guess!), but their actual engagement with the process of play consists of dicking around until the GM tells them to roll some dice, then reporting what number they rolled and letting the GM figure out what that means.

Basically, they're putting the GM in the position of acting as their personal assistant, onto whom they can offload any parts of the process of play that they're not interested in – and for some players, that's essentially everything except the physical act of rolling the dice, made possible by the fact most of D&D's mechanics are either GM-facing or amenable to being treated as such.*

Now, let's take this player and present them with a game whose design is informed by a culture of play where mechanics are strongly player facing, often to the extent that the GM doesn't need to familiarise themselves with the players' character sheets and never rolls any dice, and... well, you can see where the wires get crossed, right?

And the worst part is that it's not these players' fault – not really. Heck, it's not even a problem with D&D as a system. The problem is D&D's marketing-decreed position as a universal entry-level game means that neither the text nor the culture of play are ever allowed to admit that it might be a bad fit for any player, so total disengagement from the processes of play has to be framed as a personal preference and not a sign of basic incompatibility between the kind of game a player wants to be playing and the kind of game they're actually playing.

(Of course, from the GM's perspective, having even one player who expects you to do all the work represents a huge increase to the GM's workload, let alone a whole group full of them – but we can't admit that, either, so we're left with a culture of play whose received wisdom holds that it's just normal for GMs to be constantly riding the ragged edge of creative burnout. Fun!)

* Which, to be clear, is not a flaw in itself; a rules-heavy game ideally needs a mechanism for introducing its processes of play gradually.

[darkanachronism]

There are two manipulators in camp, and the more successful one isn't Astarion. It's Shadowheart. I'm not saying that Shadow is a better manipulator necessarily, but that she uses more successful tactics than Astarion.

Astarion does not care about your relationship or affinity with the other companions. He only cares about your relationship and affinity with him. He may call everyone "darling" but he flirts with you. He gets in your ear and says sweet and nice things... to you. He compliments... you. He plays around... with you. He wants you to feel good about yourself which will make you feel good about him. Most of his manipulation moments happen in one on one scenarios, where it is just you and him. He is a very different man when he's with you because he's manipulating you. He acts very differently with people around you or in group settings. If anything, the person he is in group settings is closer to the real man he is cause he's not trying to manipulate everyone.

He puts on this overly flirtatious mask cause he is using you to guarantee his survival (at least at first). But, because he puts this mask on in one on one scenarios, it only takes just one second to you to see through it to fail. And if you happen to catch on to him, you can see very easily through the mask. The manipulation instantly fails and he is forced to be himself to try to maintain your approval. But if you don't see his mask early on, he could convince you to do just about anything, even the most heinous of actions. And then when he willingly lets his mask fall or feels he no longer needs it and you see the real him, it's too late. You've already fallen in love with him. Now, he can do no wrong in your eyes.

Shadow uses nearly the exact opposite approach. She does care about your relationship and affinity for others. To be precise, she wants you to have a slightly unfavorable opinion of the others so that she comes out as the favored by default. Lae'zel is a particular target of this. She avoids one on one scenarios and pushes you away every time you try to get close. Yes, it is that inner Sharran of hers in regards to keeping secrets. But also the fact that she's super easy to see through if you get close to her, so she wants to keep you away for the sole purpose that you don't see that she's manipulating you. But, even if you do, she still has the benefit of the doubt on her side.

Her manipulation mostly takes place in group scenarios. She takes advantage of things as they happen and she says very precise words to sway your opinion in the way she wants. Unfortunately, Lae'zel is a perfect example of how successful this manipulation tactic can be. Shadow doesn't not need to tell you Lae'zel is dangerous, she just reminds you that she is while Lae'zel is actively doing dangerous things. Shadow will even openly admit to this tactic and it will fly over your head that that's exactly what she's doing because she has made herself appear as someone who wouldn't do it to you. Or, admitting to it can make you doubt that she ever would as you may think, "a real manipulator wouldn't admit to manipulating me, right?" Her manipulation is all about planting just the slightest bit of doubt, and you do the rest and manipulate yourself for her. And she does it so marvelously. She makes sure that the only person you don't doubt is her.

Astarion's manipulation requires that you never see through his bullshit at any given point in time. If you do, the manipulation fails. Shadow's manipulation can survive you seeing through her bullshit because everyone, somehow, keeps proving her right anyway.

[darkanachronism]

This is the Lit Aube et Crépuscule (Dawn and Twilight bed) by Emile Gallé. It was made in 1904 and is at the Musée de l'Ecole de Nancy. The materials include Rosewood, ebony, mother of pearl and glass. The bed symbolizes dusk, dawn and life. Dusk is a butterfly at the headboard with a landscape of night. Dawn is a butterfly at the foot of the bed, illustrating the renewal of the day. The crystal part of Dawn is said to represent life as a “cosmogenic egg”. For more info see the museum’s website here.