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curlewsteph · 3 years

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COVID THERAPY VIEWING

It’s been a year indeed and a struggle, but when I’ve needed an escape I’ve found solace in some brilliant tv series this year that I want to take a moment to remember. Immersing myself in characters, online discussion, podcasts and more, has kept me going and allowed me to block out everything that 2020 has been when I’ve needed to. This is my first and possibly only Tumblr post but here, the place where I’ve found so much great conversation, fan fic, gif sets and more to add to my enjoyment of my favourite things to watch, seems the best place to leave my own thoughts. So here goes from the year’s beginning to its welcome ending:

TURN - Washington’s Spies

I’ve got a thing for moody Jamie Bell (The Eagle 😍) and discovered TURN last New Year looking for other historical dramas he’d appeared in. These characters completely captured me and drew me into a historical period I’d done my best to avoid since flunking it during A Level history. Abe made quite the most useless spy but his passion and compassion sold him to me. The Culper Ring story is fascinating and the show brought to life the real lives and conflicts of those involved. Intriguing portrayals of morally corrupt characters (Simcoe, Andre etc) who surprise you at every turn kept me gripped and props to some extremely fine acting and characterisation. The found family dynamic of the Culper Ring was a real joy and Brewster will forever be one of my most favourite characters. I wanted more personal development and not really being able to ship Abe with anyone especially was a let down but it was a fine series that really kept me company.

PEAKY BLINDERS

I’ve no idea why it took me so incredibly long to watch this series but having eventually succumbed I was hooked from the very first episode. Brooding, oppressive, threatening yet full of charm and humour with characters that jump out of the screen and take your heart without asking, made it addictive viewing for me this year. The next series is light years away but I’m waiting for you Tommy.

THE 100

Thank all the stars that we had good weather during lockdown because the final series of this post-apocalyptic drama almost ruined my summer. I’ve followed every twist and turn over the past six years, had my Bellarke heart broken time over time, shared the pain and angst of an array of brilliant characters and watched through my fingers when the creators treated legions of fans of all factions, worse than mortal enemies. But the end was coming and I stuck with it - despite my misgivings since the overturning of the Writers Room - buoyed by some hopeful S6 content, but I should have listened harder to my guts. Despite some flickers of promise in S6, it was beyond clear to me that the new writing team simply didn’t have the same connection to the characters and history of the show. Instead of wanting to resolve arcs and reunite characters we’d become inexorably entwined with, the lure of the new and an opportunity to reinvent and take a detour sparkled more brightly to them - something I will never ever be able to fathom. Fans forgotten, long running storylines dropped and characters - including our leads - essentially abandoned and made for a horror show of a final act. S7 broke my heart and I should have seen it coming. When I’ll feel ready to rewatch The 100 again I don’t know, but I’ll end my run when the show should have at the S5 finale and save the CPR scene for an occasional treat. Farewell and May We Meet Again.

THE MUSKETEERS

Salvation comes in leather and 18thC lace. I ADORED this so much! Again I was incredibly late to the party because it seemed such a frivolous show but a Youtube fan vid drew me in and I’m so thankful for it. The plots are mostly light but tackle some important issues, the tension is chest heavingly dramatic and everyone looks astonishing and oh my was this the antidote to an anti-climactic apocalyptic obsession that I needed. There’s humour, kindness, compassion, daring do and a huge dollop of care and an emphasis on the value of friendship too. Clever dialogue, confident female characters, wry humour and some seriously good acting healed my heart. And yes the outfits helped. I loved it all and was transfixed by Tom Burke’s Athos.

STRIKE

...which led me to Strike. I don’t do whodunnits and crime fiction as a rule is just not my thing, usually because the core cast is always too small and I miss the found-family dynamic and they often feel claustrophobic, plus the predictable focus on difficult but supposedly fascinating men in the lead can be dull. In some regards, Strike is no different but Tom Burke’s performance and more significantly Holiday Grainger’s skill in playing Robin and how she transforms the usual “gritty detective with attractive sidekick” dynamic on its head, is really superb. I’ve read the books now too - my first JKRs. Honestly, parts are overwritten and a little indulgent but elements are breathtaking and as she’s so involved in the series too it’s a tie up I became incredibly invested in and the actors on screen are the characters on the page for me too. One does not lose out to the other, which is often the case with dramatisations. I can’t wait for the next instalment.

THE LAST KINGDOM

#TeamUhtred #TeamUhtred #TeamUhtred that’s it, that’s all there is to say, although it’s not obviously. TLK has been a slow burn for me and I began it several times when it was first aired by the BBC. The early series felt small, focussed on a pretty hateful hero who I failed to connect with, but I loved Aethelflaed and her story with Erik and Uhtred’s growing maturity was intriguing too. And then Netflix came in and the show exploded! Better scripts, more than the same 3 locations, impressive costumes and set-piece battles with characters that grew and grew. I rewatched S3 in preparation for S4’s release which I binged in style in lockdown 1 and cried when it ended. Utterly brilliant and a cast of characters that came closest to replicating the joy of my first fandom experience with the outlaws of Robin of Sherwood. Uthred has become a leader, has had to reckon with his responsibilities and shows a tenderness as he’s aged that the young callous warrior lacked. But if it weren’t for his bunch of faithful arselings I wouldn’t be watching at all. Without Finan there is no TLK for me. He’s my favourite character to have emerged in years. It’s the humour, the humanity of him that makes me cheer for him every time - as well as the arms 😍 Long live TLK. Or a final season at least.

VIKINGS (*spoilers for S6b)

2020 ended another long standing favourite series that I’ve followed for years. Unlike The 100 I’m not as deeply invested in this saga but Vikings has kept me company for so long now that the show feels part of me. It’s certainly lost it’s way over time but my favourite characters still shone brightly and those we lost were sent off triumphantly. I’ll forever miss Ragnar and the show lost a lot of its appeal with his passing, but the homage paid to such a talisman of a character was always done well. Later series did feel repetitive and the drama between the Ragnarsson brothers diluted. But Ubbe - my love - stayed true and the ending for him and Hvitserk (I always felt so heart sick for him) both felt fitting. And Bjorn’s final climax was awe inspiring (I do wish the tomb had stayed closed though). I’d have absolutely loved more time to have been spent on Ubbe’s future adventures instead of the endless hours in barren wastelands and storm lashed ships, but what we got was good. As for Ivar... an utterly unforgettable character (performed superbly) who became human again was a journey to behold. I’m glad it went that way but honestly I lost touch with him with all the time spent on the Rus storyline that repeatedly ate its own tail. Getting back to Wessex brought the show full circle and I loved it for that. Farewell Vikings. I hope Ubbe and Torvi are still doing ok in their new Valhalla.

#bbc strike #the 100 #vikings #turn: washington's spies #last kingdom #peaky blinders #the musketeers

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