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okay its higher resolution now 

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Meeting the Man: James Baldwin in Paris (Terence Dixon, 1970)

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Source

PSA

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Listen/download: 2000 and 3 (instrumental) by Catherine Stanley

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Zoo Magazine

Stylist: Thomas Davis

Grooming: Suzi Lichteneger

Models: Shen & Oliver

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Gillian Anderson

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Bjork the Illustrated Story, 1996

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One thing about me? I’m gonna smoke some weed

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it's "though i can't recall your face, i still got love for you" and it's "i don't know know what to do with it. with all i love i have, i don't know where to put it now" and it's "the grief is never ending but so is the love" and it's "if you love me you don't love me in a way i understand" bc it's "i know my love should be celebrated, but you tolerate it" and it's "i miss you more than i remember you" because it's also "i have to remember you longer than i have known you" and it's "does it still hurt? yes. i think it always will" so yeah it's "i care for you still. and i will forever. that was my part of the deal." because it's "it's too late to turn you out of my heart. part of you lives here." and most importantly it's "i am haunted with hope. there is love despite the pain" because "isn't it all about old friends? like everything? all of it?" and because of that it's "i don't know if i will ever feel love without feeling doubt" and it's "i don't know anything, but i know i miss you" and bc of that, it's "the back door will always be unlocked if you ever feel like coming home" bc it's begging "please don't become a stranger whose laugh i could recognize anywhere" even though now it's "i wonder how many things you think about before you get to me" but it's "do you ever stop and think about me?" because it's "people are people and sometimes it doesn't work out, nothing we say is gonna save us from the fall out" and it's -

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For old times sake is actually such a heartbreaking and beautiful sentiment. Like, let’s do it for the love that used to be here. It is reason enough.

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The Doom Generation (1995), dir. Gregg Araki

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Carl Phillips, from Rock Harbor; “The Silver Age”

[Text ID: What’s to / stay for, in a slow / drama whose end we know / already?]

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naomi campbell for vogue españa 1995