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Retro 90's style wedding dress. Credit to Chụp hình, ăn kem.

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Lê dynasty style with viên lĩnh (round collar robe) and đối khâm. Credit to Thuỷ Trung Nguyệt.

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【アンサング・デュエット】

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Áo ngũ thân & áo tấc. Credit to Cẩm.

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🌺 ĐỊCH Y (PHEASANT ATTIRE)- The Most Solemn Attire of a Female Consort

- Tiếng Việt bên dưới -

An excerpt from the chapter Pheasant Robe in the book Weaving a Realm:

“The empress’s dress was called Huy Địch.

The dress was originally called Địch Y [翟衣], but was called Huy Địch [褘翟] in Vietnam because it was a term from a record that Nguyễn Trãi composed for a consort dowager. The record, so far, has been the only one that mentioned the possibility of this attire’ existence in Vietnam. This valuable information was in Tang thương ngẫu lục, Lê Công Trãi and Ức trai di tập sections, which wrote:

“...Follow Eastern Zhōu’s rites to honor the new Consort Dowager’s coronation, in order to display the utmost appreciation of her services and to perfect the great ceremony. As for Địch Y dress, the shining glories stay in the fine-grained texture, and this shall be continuously succeeded. The imperial cemetery and bureaucracy, could glow even in the most remote and darkest of places!”

Phạm Đình Hổ and Nguyễn Án, “Random Records of Great Changes”,Vietnam, 1806. Trần Quang Đức - original Vietnamese translation

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📚 ORDER WEAVING A REALM at http://bit.ly/orderweavingarealm

📷 Please see the credit of the photoshoot at the end of this post.

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🌺 ĐỊCH Y - Trang Phục Tối Cao Của Bậc Hậu Phi

Trích đoạn trong chương Địch Y của ấn phẩm Dệt Nên Triều Đại:

“...Trang phục hậu phi được gọi là Huy Địch.

Áo này vốn nên gọi là Địch Y [翟衣], nhưng sở dĩ gọi là Huy Địch [褘翟] cũng vì đây là cụm từ xuất phát từ tế văn của Nguyễn Trãi soạn cho hoàng thái phi. Tế văn ấy là tài liệu duy nhất cho đến nay đề cập đến khả năng có sự tồn tại của loại trang phục cổ đại này tại Việt Nam. Thông tin quý giá này ở trong “Tang thương ngẫu lục”, phần Lê Công Trãi và Ức Trai di tập viết:

“... Vậy xét theo phép của nhà Thành Chu, tôn phong bà làm bực Thái phi, để tỏ công phù trì, để hợp lễ thương kính. Chao ôi, áo xiêm (Hán tự: Huy Địch) dâng tiến vinh quang chẳng cứ khi mất còn; nấm đất vun bồi, rực rỡ đến tận cõi minh mạc!”

Phạm Đình Hổ và Nguyễn Án, “Tang thương ngẫu lục”, Việt Nam, 1806. Trần Quang Đức - dịch

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📚 ĐẶT SÁCH DỆT NÊN TRIỀU ĐẠI tại http://bit.ly/datsachdetnentrieudai

📷 Vui lòng xem danh đề của bộ ảnh ở cuối bài.

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🎙 DANH ĐỀ | CREDIT

• Người mẫu | Model: Vân Moon

• Chụp ảnh | Photographer: Ares Photography

• Hoá trang | M.U.A: Mai Khánh Hương

• Hoạ sĩ | Artist: Hải Bình

• Trình bày | Layout: Đoan Hạ

• Thiết kế trang phục | Costume Designer: Tuấn Anh - Bạch Dương

• Phụ kiện | Accessories: Đỗ Vân Trí - Nam Ngọc Hiên - Lini

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Sudden terrible epiphany about Shigaraki Tomura’s scars. (For me, anyways. Someone has prob noticed and I’m late to the party; if so, sorry!) Warning for a bit of a graphic description and implication of abuse.

We all know and seen the scars on Shigaraki’s right eye and left side of his face, they’re very noticeable. We also know the injuries that form them already happened before All For One found him.

Why hadn’t I realize before? It’s so obvious. Shigaraki wears a hand over his face, fingers clutching firmly at his head. Both those scars are vertical, from top stretching down. They look similar, from the same type of injury.

Isn’t it super likely that those scars would come about if someone had clawed at his face?

Someone hurt him, might have dragged their fingers down his face, easily damaging the soft skin of the eyes and lip. I used to wonder if maybe the wounds were self-inflicted, but no, a child doesn’t have that kind of strength or nails big and hard enough to do that.

Isn’t it entirely possible, what with that hand in that position and the location of those scars? Someone put their hand on little Shimura Tenko’s face and scratched hard and deeply enough to disfigure, had cut open skin and left visible, indented scars.

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This may seem like a sort of vague question, but what exactly is that type of thin scarf/cloth you see wrapped around the arms and behind the back called? And what is the history of it?

Hi, thanks for the question - it’s not vague at all!

The thin, long scarf that you see worn with hanfu, wrapped around the arms and behind the back, is called pibo/披帛.

Sources state that pibo first appeared sometime around the Qin dynasty (221– 206 BC). It was originally used to protect against wind and cold air, and gradually became an important fashion accessory. There were two types of pibo: one was wider and shorter, used mostly by married women. The other type could be more than two meters in length, and was used mostly by unmarried women. Below - art of historical outfits with pibo from the Tang (1-3), Sui (4), and Song (5) dynasties:

Pibo really came into vogue during the Sui and Tang dynasties. The open, confident culture of the Tang meant that women were eager to utilize accessories to make their appearance and outfits more glamorous. Initially, it was worn by performers and those residing in the palace. After the rise of the Kaiyuan era, it became popular among the common people. Below - historical art depicting pibo from the Sui, Tang, and Five dynasties periods (581–960):

There were many ways of wearing pibo, and each time period had its own popular styles. For example, during the early Tang dynasty, women put pibo directly on their shoulders. During the middle Tang, one end was fixed to the chest, and the other end was draped around the shoulder:

After the Tang dynasty, the pibo gradually became less popular. It fell out of common use during the time of the Song dynasty. Recently, however, with the hanfu revival movement, pibo has been making a comeback as an essential accessory of hanfu. It comes in all sorts of fabrics, styles, and designs:

Pibo is generally only worn with ruqun, and wearing it with other hanfu styles such as quju or aoqun is seen as incongruous (see this post for definitions of hanfu terms). Of course, nowadays people can wear it however they want. For more references, please see my Pibo tag.

Hope this helps!

Sources: 1, 2, 3, 4, 5

Edit: Here’s a cute illustration showing some of the different ways in which pibo was worn during the Tang dynasty (Via):

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Why do modern Han Chinese couples nowadays wear Manchurian style wedding attires instead of supposedly Han Chinese?

For the same reason that modern Chinese people are more likely to wear Manchu-inspired Qipao/Tangzhuang rather than Hanfu as traditional attire - because Hanfu disappeared from mainstream fashion for over three centuries, and is only recently making a comeback. Nowadays, due to the Hanfu revival movement, more and more couples are choosing to wear Hanfu for their wedding. For comparison:

- Modern wedding attire based on Qing dynasty/Manchu fashion:

- Modern wedding attire based on Ming dynasty Hanfu:

(Photos via 临溪摄影)

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EXACTLY 🗣 (trans cr. minimoniT_T)

bonus:

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TAEHYUNG BTS ROOM LIVE (210611)

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So, back to my fandom, I miss PuccaGaru

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Yes, it’s 2020 and I’m still a big fan of Pucca. Anyone?

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To be honest, I don't really hate Ring Ring. Yeah she's a bit mean, but in some episodes, I still see the good side of her

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Isn't love funny?

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Happy lunar year !!!

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Pucca quick sketch

Sorry I'm unable to answer all your questions and messages but I will try to answer them little by little every day. So ask me important or necessary things. But besides that, the words of praise, comfort, ... encouraged me every day. Sorry about my bad grammar.

Thank you so much 💖❤️