chasesthelight

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ANYA TAYLOR-JOY in THE MENU (2022)

#c: ariadne soll #hrghr i am thinking about Her

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jenny holzer's plaques; cast bronze, 1980-1982. "YOU'RE HOME FREE AS SOON AS NO ONE KNOWS WHERE TO FIND YOU."

#c: luke sokolov

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only comment on this page

#c: cressida vyshaan

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March 9th, 1989. Photographed by Ron Galella.

#c: laurie belgrave

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Because you don’t know a man you’ve only known one day. He doesn’t know you either. That way you start even. All fair and even. RITA HAYWORTH in Gilda (1946) dir. Charles Vidor

#c: cressida vyshaan

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Bitch “I’m” On 12 Ego Deaths

#c: laurie belgrave

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René Magritte, The Survivor, 1950

#p: blue sky

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*rising up from loosely packed grave soil* who the fuck buried me. This is atrocious. Do a better job next time

#c: laurie belgrave

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her genuinely repulsive personality and complete lack of remorse have bewitched me

#c: cressida vyshaan #but i love that for her

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#c: rory wickham

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i love the term "unwell"... theres something very very wrong with you. not saying what tho

#c: lukas henshall

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a woman is a type of undead creature. women are said to be drawn to graves dug in unconsecrated ground. they may be recognized by their empty stares and the black dirt underneath their fingernails.

#c: laurie belgrave

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ELLIOT FLETCHER as Sam Jordan Y: THE LAST MAN | 1.02 “Would the World Be Kind”

#c: luke sokolov #my darling............

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the genre is anya taylor-joy playing a witch

#c: ariadne soll #baby banshee energy <3333

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#it’s giving #c: ellison cross

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"whatever I'm fucking balling" is such a healing coping phrase

#c: casper sterling

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#c: casper sterling