cassandralie

[cassandralie]

happy lesbian visibility week ;)

[cassandralie]

crazy that Crowley kept the now burnt statue and book that was used to show Aziraphale realizing he had Fallen in love with Crowley after a literal bomb (a weapon of War very similar to a certain Halo trick) was dropped on them.

Moments where they both protected each other

The now blackened statue sitting in his flat of memories - living with him and apart of his life

except well, maybe

oh….

maybe not too crazy

[cassandralie]

I personally head cannon the shax set furfur up.

Like the intel about Crowley lining up so well with her offer is suspicious. Especially with their desks right beside each other.

[cassandralie]

What’s your favourite line from Good Omens? The invisible and unbreakable one that joins Crowley and Aziraphale. part 3/3 || insp.

[cassandralie]

good omens fans all think that uriel deserves a hug.

[cassandralie]

Discworld/Good Omens parallels ramble

Exactly what it says on the tin! These are some fun little Discworld/Good Omens parallels that my brain picked up on at various times (usually 3 a.m. or thereabouts... Thanks, mum, for the persistent insomnia...)

Mild-to-moderate spoilers for Wyrd Sisters, Lords And Ladies, Men At Arms and Carpe Jugulum below the cut.

In A Life With Footnotes, the official biography of Terry Pratchett, Rob Wilkins mentions that when he was in school, a young Pterry wrote for English class a story (sadly lost to the mists of time) about orcs attacking a vicarage in full Jane-Austen-spoof fashion. Now, given how the Whickber Street Shopkeepers' Ball turned out, it seems reasonable to assume one of two things: a) Neil Gaiman did not know about this story when writing S2 and the parallel is an ineffably delightful coincidence (a bit unlikely) b) Neil Gaiman *did* know about this story when writing S2, and the nod to Pterry happened to work really well with the plot (seems a bit more likely). Either way, the parallel is there and giving me all of the warm fuzzies <3

There's an idea in Discworld, forming a significant part of the moral backbone of the series, that's very succinctly summed up by Granny Weatherwax in Carpe Jugulum: "[S]in [...] is when you treat people like things. Including yourself." This is absolutely at the core of what's wrong with Heaven and Hell and God and Satan in Good Omens; the leadership and culture of both organisations/cults treat everyone -- angels, demons and humans alike -- as disposable things to be used and toyed with and discarded or destroyed if they start having the temerity to be imperfect or form opinions or thoughts of their own.

There're two characters in Discworld who parallel Aziraphale surprisingly strongly: Magrat Garlick (of the Lancre witches) and Captain Carrot Ironfoundersson of the Ankh-Morpork City Watch. -*Magrat is viewed as a bit of a soft, soppy 'wet hen' by the other witches, but she is still a witch, with all that that implies. She also has at least one scene in every book in which she appears where she does something extremely badass and witchy; for example, turning an ancient wooden door back into a tree, or (very pertinently to GO) delivering a literally iron-clad punch to the face of a villain who's mentally torturing her with her own insecurities. Likewise, Aziraphale seems to mostly be viewed as a bit dull and wimpy by the other angels we see (though Magrat still has the genuine respect of her witchy peers) but he is still an angel -- a Principality -- with all the powers, steadfast guardianship and bloody-minded stubbornness of that rank. The Metatrash might not be vulnerable to iron in the same way as Discworld elves, but you can bet that his attempt to break Aziraphale and bring him into line is going to backfire just as spectacularly! *For the parallel between Aziraphale and Captain (well, Corporal, at this point in the Discworld timeline) Carrot, the novel I have in mind is Men At Arms. At one point, Vimes is being held at crossbow-point by a villain, and has a bout of internal monologuing about how, if someone has you at their mercy, you'd better hope they're evil, because that way they'll take time to gloat and mock you so you'll have an opportunity to think of a way out; a good man will kill you with barely a word. Carrot does exactly that at the climax of the plot, putting his sword through the villain and the stone pillar behind said villain without saying a thing. Now, Aziraphale might not quite have Carrot's 'incorruptible pure pureness' tendencies, but he is -- for all his flaws -- a good person. If he knows that something needs to be done to prevent an evil outcome, he will DO it without hesitation. He knows how to use a sword, too, and if That Frickin' Elevator Smile Of Tranquil Fury is any indication, the Metatrash is in far deeper doodoo than he realises! Related to the above, The Smile also reminds me of the old adage, "beware the fury of a patient man." (Well, man-shaped being in this case...) Very appropriate for our careful, thoughtful angel -- it would not surprise me (much) if Metatron were to depart the plot of S3 with a flaming sword pinning him to one of Heaven's columns (probably won't happen, but I can dream, eh?)

Hope you enjoyed reading all that :D

[cassandralie]

January request for a patr0n who wanted ineffables with kitties, since they'll be getting one of their own soon! :D That's wonderful news and good luck on the newest family member!

[Patreon]

[cassandralie]

snakehandling (or NagaMan and The Snake Toucher) --- --- ---

Painted for the delightful @trebol-negro for an art trade! Naga for naga.

If I aroused a new kink in any of you, I'm not sorry at all.

--- --- ---

If you like my art and want to keep seeing more of it, support me!

ko-fi | prints | commission

@goodomensafterdark

[cassandralie]

He's gonna flail out of that chair eventually, sitting like that...

[cassandralie]

her gay ass is NOT listening

(probably only I notice but on some days the lines are just not flowing. ill let this one rest and try again another time)

[cassandralie]

[cassandralie]

I bought Aziraphale's Bible so you don't have to.

Am I insane? Yes. Was it worth it? Maybe. In most* of both season 1 and season 2 of GO, there's a very specific Bible on a bookstand next to Aziraphale's desk. It's a vintage illustrated plate book by Harold Copping, known as the Harold Copping Bible, published by the religious tract society in London in 1910. It features some of the most well known Old Testament stories, summarized and annotated by the Bishop of Durham at the time, and illustrated by Copping, who was freshly returned from a sojourn in the middle east. Ironically, It was meant as a lay-person's version of a comic book, short, exciting by use of exotic illustrations, and easy to read.

But my (expensive) gain is now your gain! As I've collected here every visible page in both seasons for your reading and viewing pleasure.

Season 1: All episodes Adam & Eve Genesis iii (1:3) / HCB page 10

Season 2: Episode 1 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28

S2E1 14:21, S2E1 17:41, S2E1 39:45

Season 2: Episode 2 Jacob's vow Genesis xxviii (1:28) / HCB Page 22

S2E2 5:49

Season 2: Episode 2 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28

S2E2 13:38 (see S2E1 above)

Season 2: Episode 2 The Brazen Serpent Numbers xxi (4:21) / HCB page 36

S2E2 16:12, 43:40

Season 2: Episode 2* Bible on the desk, Magazine on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)

S2E2 22:10

The French L'art pour tous industrial design periodical will have to be a story for another post. For now, just enjoy this 1880 edition copperplate of cherubs discovering a microscope...

Season 2: Episode 2 Imaginary page from HCB, Job KJV Job (18:1) / HCB N/A

S2E2 22:29, S2E2 40:05 Obviously, the plate illustrations and text look different here than in the real bible, because they were created for the show. But there are a few more particularities here. For one, this layout with the thin grid around the text, as well as the paragraph symbol next to the first title, indicate that this would have been a printer's proof copy, not a finished book. It shows you the layout grid and can be annotated for changes. Second, there seems to be a war going on between fonts. Where the "chapter" of Job begins, we get a font and a style similar to the original bible, which gets rudely interrupted by a dropped capital (from the real book) and a Gothic-style font/verse numbers like in the original King James version of the printed Bible.

Season 2: Episode 3 The Brazen Serpent NUMBERS xxi (4:21) / HCB page 36

S2E3 1:18 (see episode 2)

Season 2: Episode 5 By the Rivers of Babylon Pslam cxxxvii (19:137) / HCB page 52

S2E5 21:20

Season 2: Episode 6 Bible missing, L'art pour Tous on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)

S2E6 10:21, 17:21, 18:15, 34:28 (see episode 2)

Season 2: Episode 6 Closed HCB, L'art pour Tous on the stand behind HCB page 0

S2E6 37:58, 44:20, 48:08

[cassandralie]

Posting the tiniest teaser ✨

[cassandralie]

Crowley’s priorities are perfectly in order lol

[cassandralie]

So, in the book Good Omens Crowley doesn't really like shape shifting. He says "I hate having to do that, I'm always afraid I'll forget how to change back" after changing into something 'dreadful' with maggots to scare a guy who was gonna hit them with a paint ball gun. Now with that information, don't imagine Crowley shape shifting into things because he doesn't care if he forgets how to change back after s2 s6.

[cassandralie]

Crowley pretends not to like the flower crowns

[cassandralie]

😂😂😂😂