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bitehand · 7 hours
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I CAN SEE WHO YOU ARE NOW THE WINDOWS BROKE
caroline + darian lawrence  —  broken glass,  lizzy mcalpine
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bitehand · 12 hours
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i live
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bitehand · 16 hours
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DO REVENGE (2022) dir. Jennifer Kaytin Robinson
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bitehand · 21 hours
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— Benjamin Alire Sáenz, “To the Desert” from Dark and Perfect (El Paso: Cinco Puntos Press, 1995) (via lunamonchtuna)
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bitehand · 2 days
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"A Shirt Made of Fire", Vardges Petrosyan (translated by metamorphesque)
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bitehand · 2 days
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Julia de Burgos, tr. by Jack Agüeros, from Song of the Simple Truth: The Complete Poems of Julia de Burgos; "Pentachrome"
[Text ID: "My longings burn me"]
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bitehand · 2 days
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Dylan O’Brien as Colin NOT OKAY (2022) dir. Quinn Shephard
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bitehand · 3 days
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bitehand · 3 days
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dis/cord :      rejanis
          *  mutuals  only  please!   and  lmk  who  you  are.  :)
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bitehand · 3 days
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Lilian across the East THE SWEET EAST (2023)
[+] TALIA RYDER [GIF Collection] 🌼 [+] ..more on the film! 🎬
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bitehand · 3 days
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couple? i think you mean a couple of besties
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bitehand · 3 days
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Do you buckle under pressure? Go tumbling, tumbling, tumbling down-
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bitehand · 3 days
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Hugh Laughton-Scott by Daniyel Lowden (2022)
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bitehand · 3 days
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"𝘪𝘯 𝘢𝘯 𝘩𝘰𝘶𝘳 𝘰𝘧 𝘯𝘦𝘦𝘥" 𝘱𝘳𝘰𝘮𝘱𝘵𝘴.
i'm a sucker for that scene where one person is injured and alone and ends up knocking on another person's door in their hour of need, and i'm an even bigger sucker for the tending to the injuries and the quiet emotional content that follows, and i'm here to make it everyone else's problem! as always, to reverse the actions, just add "+ REVERSE" to the end! i made these prompts on @soulprompts , DO NOT ADD TO THIS LIST OR REPOST OR CLAIM AS YOUR OWN.
from the injured.
" i didn't know where else to go... "
" whatever you've been told about me, whatever you've heard or seen or listened to... none of it's true. "
" at least i have you to look after me, eh? "
" would you believe me if i said i got all these injuries by slipping in the rain? "
" i'm sorry... i know this isn't what you signed up for. "
" you're the only one i can trust. "
" do you believe what they're saying about me? "
" aren't you going to say i told you so? "
" i am grateful, you know. for everything you've ever done for me... i notice. and i see you. and i've never thanked you properly before, so... thank you. "
" i know i must be the last person you expected to see tonight, but... i'm afraid i have nowhere else to turn to. "
" thank you for not asking questions. "
" i know you have no reason to believe me, much less to trust me, but... i promise you. i swear to you, i am being set up. "
" you know, you'd make a nice profit if you turned this place into a safehouse. "
" why are you helping me? "
" why the hell did you open your door for me if you're so angry at me?! "
to the injured.
" quickly, get in before anyone sees you... "
" you came to the right place. hurry, get in... "
" what the hell happened to you!? "
" are you going to tell me what happened to you tonight? "
" i assume that the rumors surrounding you are all false and unrelated to why you're bleeding out on my sofa? "
" do you honestly expect me to just forget about the past so i can bandage you up? "
" you don't need to thank me. you'd fix me up if i came to your door with this much trouble, too. "
" regardless of everything you've said and done in the past, there isn't a single part of me that wouldn't open the door when you're knocking on it. "
" we can talk in the morning. for now, you need to rest. "
" i found you unconscious on my doorstep. "
" oh, i get it. i can stitch you up and let you get blood all over my bed sheets until the cows come home, but heaven forbid i start to ask questions about why you're bleeding in the first place. "
" things must be really bad if you're trying to say i was your best chance at being helped. "
" don't be stupid. you're not going anywhere. come on, back into bed... "
" i called in sick. we have the whole day to figure out what your next moves are going to be. "
" good! you're awake. i was beginning to worry... "
" you're not allowed to die in my bedroom. the rumours would never stop... "
" perhaps we ought to let bygones be bygones. until i'm confident that you're not going to die on my sofa, that is. "
" it's a bit late to worry about dragging me into your mess, don't you think? "
" you know why i opened that door... "
ACTIONS.
[ BANDAGE ]: sender gently begins to bandage receiver's wounds.
[ BED ]: sender guides receiver into bed, tucking them in and taking a seat by their bedside.
[ FEVER ]: having noticed the receiver beginning to spike a fever, sender presses a cool cloth to their forehead to try and bring it down.
[ CLOTHES ]: after tending to the receiver's wounds, sender brings them fresh clean clothes to change into.
[ FOOD ]: after ensuring the receiver is safe and stable, sender brings them out a plate of food.
[ BATH ]: sender runs the recently-cared-for receiver a hot bath.
[ WAIT ]: aftering tending to the receiver's injuries, sender takes a seat across for them, and patiently waits for them to start explaining what happened.
[ CATCH ]: noticing the receiver beginning to collapse on their doorstep, sender hastily catches them and brings them inside.
[ KISS ]: sender, after being cared for by the receiver, breaks the tension that's been building since they walked through the door, and pulls them in for a kiss.
[ HOLD ]: having been bandaged and cared for by the receiver, sender unexpectedly reaches out to take their hand and hold it in a quiet, sincere gesture of gratitude.
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bitehand · 3 days
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NATALIA DYER Chestnut (2023) dir. Jac Cron
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bitehand · 3 days
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ㅤ   they  had  seen  a  couple  alarming  posts  on  friends  instagram  stories  about  a  party  that  was  happening  a  couple  streets  over,   and  who  did  gabbi  see  pop  up  on  one  of  those  stories?   rachel  amber.   GABBI  WASN'T  USUALLY  ONE  TO  PARTY,   unless  the  party  was  somewhere  inescapable  like  their  home,   BUT  AN  INVITE  WOULD'VE  BEEN  NICE.   the  other  half  of  their  situationship  looked  too  far  gone  on  gabbi  doesn't  even  know  what  for  them  to  be  able  to  get  a  good  nights  sleep,   so  they  felt  they  had  to  intervene  in  some  way.
ㅤ   the  idea  of  all  that  leading  them  into  getting  in  their  brothers  range  rover   ---   they'll  ask  for  forgiveness  later,   if  anything  happens  to  it.   gabbi's  totally  unlicensed,   mind  you,   but  has  driven  plenty  of  golf  carts  and  knows  the  most  basic  rules  of  the  road  well  enough  to  make  it  a  few  streets  over  and  they  do.
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ㅤ   WHICH  ALL  LEAD  THEM  HERE.   without  elaborating  further,    ❝  rachel,   get  in  the  car.  ❞
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“Are you here to save me?”
▐        REQUESTED STARTER    *    @bitehand.
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bitehand · 3 days
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DAISY JONES & THE SIX 1.01 | Track 1: Come and Get It
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