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I Recreated 9 Oscar-Nominated Movies With Moomins
I’m a cinema blogger living in Warsaw, Poland. Last year I recreated Oscar-Nominated movies with Winnie The Pooh.
This time I did the same but with Moomins.
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Taking Him Under His Wing: After The Oscars Ceremony Last Night, Daniel Day-Lewis Pulled Timothe Chalamet Aside And Counted To 1,000
Timothee Chalamet may have walked away empty-handed at long last night’s Oscars, but his incredible performance in Call Me By Your Epithet has already got some of the world’s greatest performers taking him under their wing. After the Oscars ceremony last nighttime, Daniel Day-Lewis pulled Timothee Chalamet aside and counted to 1,000.
Goosebumps. It’s so awesome to see a retiring legend like Day-Lewis taking the time to mentor a younger performer like Chalamet!
At last night’s Vanity Fair Oscar Party, Day-Lewis drew Chalamet aside, threw his arm on his shoulder, and told the budding superstar, “Your performance was spectacular. You have the potential to be a generational talent. Listen to me: One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, twenty, twenty one, twenty two, twenty three, twenty four, twenty five, twenty six, twenty seven, twenty eight, twenty nine, thirty, thirty one, thirty two, thirty three, thirty four, thirty five, thirty six, thirty seven, thirty eight, thirty nine, forty, forty one, forty two, forty three, forty four, forty five, forty six, forty seven, forty eight, forty nine, fifty, fifty one, fifty two, fifty three, fifty four, fifty five, fifty six, fifty seven, fifty eight, fifty nine, sixty, sixty one, sixty two, sixty three, sixty four, sixty five, sixty six, sixty seven, sixty eight, sixty nine, seventy, seventy one, seventy two, seventy three, seventy four, seventy five, seventy six, seventy seven, seventy eight, seventy nine, eighty, eighty one, eighty two, eighty three, eighty four, eighty five, eighty six, eighty seven, eighty eight, eighty nine, ninety, ninety two, and ninety three, ninety four, ninety five, ninety six, ninety seven, ninety eight, ninety nine, one hundred, one hundred two, one hundred two, one hundred three, one hundred four, one hundred five, one hundred six, one hundred seven, one hundred eight, one hundred nine, one hundred ten, one hundred eleven, one hundred twelve, one hundred thirteen, one hundred fourteen, one hundred fifteen, one hundred sixteen, one hundred seventeen, one hundred eighteen, one hundred nineteen, one hundred twenty, one hundred twenty, one hundred twenty one, one hundred twenty two, one hundred twenty three, one hundred twenty four, one hundred twenty five, one hundred twenty six, one hundred twenty seven, one hundred twenty eight, one hundred twenty nine, one hundred thirty, one hundred thirty one, one hundred thirty two, one hundred thirty three, one hundred thirty four, one hundred thirty five, one hundred thirty six, one hundred thirty seven, one hundred thirty eight, one hundred thirty nine, one hundred forty, one hundred forty one, one hundred forty two, one hundred forty three, one hundred forty four, one hundred forty five, one hundred forty six, one hundred forty seven, one hundred forty eight, one hundred forty nine, one hundred fifty, one hundred fifty one, one hundred fifty two, one hundred fifty three, one hundred fifty four, one hundred fifty five, one hundred fifty six, one hundred fifty seven, one hundred fifty eight, one hundred fifty nine, one hundred sixty, one hundred sixty one, one hundred sixty two, one hundred sixty three, one hundred sixty four, one hundred sixty five, one hundred sixty six, one hundred sixty seven, one hundred sixty eight, one hundred sixty nine, one hundred seventy, one hundred seventy one, one hundred seventy two, one hundred seventy three, one hundred seventy four, one hundred seventy five, one hundred seventy six, one hundred seventy seven, one hundred seventy eight, one hundred seventy nine, one hundred eighty, one hundred eighty one, one hundred eighty two, one hundred eighty three, one hundred eighty four, one hundred eighty five, one hundred eighty six, one hundred eighty seven, one hundred eighty eight, one hundred eighty nine, one hundred ninety, one hundred ninety one, one hundred ninety two, one hundred ninety three, one hundred ninety four, one hundred ninety five, one hundred ninety six, one hundred ninety seven, one hundred ninety eight, one hundred ninety nine, two hundred, and two hundred one, two hundred two, two hundred three, two hundred four, two hundred five, two hundred six, two hundred seven, two hundred eight, two hundred nine, two hundred ten, two hundred eleven, two hundred twelve, two hundred thirteen, two hundred fourteen, two hundred fifteen, two hundred sixteen, two hundred seventeen, two hundred eighteen, two hundred nineteen, two hundred twenty, two hundred twenty one, two hundred twenty two, two hundred twenty three, two hundred twenty four, two hundred twenty five, two hundred twenty six, two hundred twenty seven, two hundred twenty eight, two hundred twenty nine, two hundred thirty, two hundred thirty one, two hundred thirty two, two hundred thirty three, two hundred thirty four, two hundred thirty five, two hundred thirty six, two hundred thirty seven, two hundred thirty eight, two hundred thirty nine, two hundred forty, two hundred forty one, two hundred forty two, two hundred forty three, two hundred forty four, two hundred forty five, two hundred forty six, two hundred forty seven, two hundred forty eight, two hundred forty nine, two hundred fifty, two hundred fifty one, two hundred fifty two, two hundred fifty three, two hundred fifty four, two hundred fifty five, two hundred fifty six, two hundred fifty seven, two hundred fifty eight, two hundred fifty nine, two hundred sixty, two hundred sixty one, two hundred sixty two, two hundred sixty three, two hundred sixty four, two hundred sixty five, two hundred sixty six, two hundred sixty seven, two hundred sixty eight, two hundred sixty nine, two hundred seventy, two hundred seventy one, two hundred seventy two, two hundred seventy three, two hundred seventy four, two hundred seventy five, two hundred seventy six, two hundred seventy seven, two hundred seventy eight, two hundred seventy nine, two hundred eighty, two hundred eighty one, two hundred eighty two, two hundred eighty three, two hundred eighty four, two hundred eighty five, two hundred eighty six, two hundred eighty seven, two hundred eighty eight, two hundred eighty nine, two hundred ninety, two hundred ninety one, two hundred ninety two, two hundred ninety three, two hundred ninety four, two hundred ninety five, two hundred ninety six, two hundred ninety seven, two hundred ninety eight, two hundred ninety nine, three hundred, three hundred one, three hundred two, three hundred three, three hundred four, three hundred five, three hundred six, three hundred seven, three hundred eight, three hundred nine, ” the Phantom Thread sun continued as Chalamet nodded and soaked it all in.
Chalamet then proposed the two move to a table where Day-Lewis continued doling out the hard-earned wise that he’s accrued in the course of his four decades in the movie business. “As I was saying, three hundred ten, three hundred eleven, three hundred twelve, three hundred thirteen, three hundred fourteen, three hundred fifteen, three hundred sixteen, three hundred seventeen, three hundred eighteen, three hundred nineteen, three hundred twenty, three hundred twenty one, three hundred twenty two, three hundred twenty three, three hundred twenty four, three hundred twenty five, three hundred twenty six, three hundred twenty seven, three hundred twenty eight, three hundred twenty nine, three hundred thirty, three hundred thirty one, three hundred thirty two, three hundred thirty three, three hundred thirty four, three hundred thirty five, three hundred thirty six, three hundred thirty seven, three hundred thirty eight, three hundred thirty nine, three hundred forty, three hundred forty one, three hundred forty two, three hundred forty three, three hundred forty four, three hundred forty five, three hundred forty six, three hundred forty seven, three hundred forty eight, three hundred forty nine, three hundred fifty, three hundred fifty one, three hundred fifty two, three hundred fifty three, three hundred fifty four, three hundred fifty five, three hundred fifty six, three hundred fifty seven, three hundred fifty eight, three hundred fifty nine, three hundred sixty, three hundred sixty one, three hundred sixty two, three hundred sixty three, three hundred sixty four, three hundred sixty five, three hundred sixty six, three hundred sixty seven, three hundred sixty eight, three hundred sixty nine, three hundred seventy, three hundred seventy one, three hundred seventy two, three hundred seventy three, three hundred seventy four, three hundred seventy five, three hundred seventy six, three hundred seventy seven, three hundred seventy eight, three hundred seventy nine, three hundred eighty, three hundred eighty one, three hundred eighty two, three hundred eighty three, three hundred eighty four, three hundred eighty five, three hundred eighty six, three hundred eighty seven, three hundred eighty eight, three hundred eighty nine, three hundred ninety, three hundred ninety one, three hundred ninety two, three hundred ninety three, three hundred ninety four, three hundred ninety five, three hundred ninety six, three hundred ninety seven, three hundred ninety eight, three hundred ninety nine, four hundred, four hundred one, four hundred two, four hundred three, four hundred four, four hundred five, four hundred six, four hundred seven, four hundred eight, four hundred nine, four hundred ten, four hundred eleven, four hundred twelve, four hundred thirteen, four hundred fourteen, four hundred fifteen, four hundred sixteen, four hundred seventeen, four hundred eighteen, four hundred nineteen, four hundred twenty, four hundred twenty one, four hundred twenty two, four hundred twenty three, four hundred twenty four, four hundred twenty five, four hundred twenty six, four hundred twenty seven, four hundred twenty eight, four hundred twenty nine, four hundred thirty, four hundred thirty one, four hundred thirty two, four hundred thirty three, four hundred thirty four, four hundred thirty five, four hundred thirty six, four hundred thirty seven, four hundred thirty eight, four hundred thirty nine, four hundred forty, four hundred forty one, four hundred forty two, four hundred forty three, four hundred forty four, four hundred forty five, four hundred forty six, four hundred forty seven, four hundred forty eight, four hundred forty nine, four hundred fifty, four hundred fifty one, four hundred fifty two, four hundred fifty three, four hundred fifty four, four hundred fifty five, four hundred fifty six, four hundred fifty seven, four hundred fifty eight, four hundred fifty nine, four hundred sixty, four hundred sixty one, four hundred sixty two, four hundred sixty three, four hundred sixty four, four hundred sixty five, four hundred sixty six, four hundred sixty seven, four hundred sixty eight, four hundred sixty nine, four hundred seventy, four hundred seventy one, four hundred seventy two, four hundred seventy three, four hundred seventy four, four hundred seventy five, four hundred seventy six, four hundred seventy seven, four hundred seventy eight, four hundred seventy nine, four hundred eighty, four hundred eighty one, four hundred eighty two, four hundred eighty three, four hundred eighty four, four hundred eighty five, four hundred eighty six, four hundred eighty seven, four hundred eighty eight, four hundred eighty nine, four hundred ninety, four hundred ninety one, four hundred ninety two, four hundred ninety three, four hundred ninety four, four hundred ninety five, four hundred ninety six, four hundred ninety seven, four hundred ninety eight, four hundred ninety nine, five hundred, five hundred one, five hundred two, five hundred three, five hundred four, five hundred five, five hundred six, five hundred seven, five hundred eight, five hundred nine, five hundred ten, five hundred eleven, five hundred twelve, five hundred thirteen, five hundred fourteen, five hundred fifteen, five hundred sixteen, five hundred seventeen, five hundred eighteen, five hundred nineteen, five hundred twenty, five hundred twenty one, five hundred twenty two, five hundred twenty three, five hundred twenty four, five hundred twenty five, five hundred twenty six, five hundred twenty seven, five hundred twenty eight, five hundred twenty nine, five hundred thirty, five hundred thirty one, five hundred thirty two, five hundred thirty three, five hundred thirty four, five hundred thirty five, five hundred thirty six, five hundred thirty seven, five hundred thirty eight, five hundred thirty nine, five hundred forty, five hundred forty one, five hundred forty two, five hundred forty three, five hundred forty four, five hundred forty five, five hundred forty six, five hundred forty seven, five hundred forty eight. Five hundred forty nine, five hundred fifty, five hundred fifty one, five hundred fifty two, five hundred fifty three, five hundred fifty four, five hundred fifty five, five hundred fifty six, five hundred fifty seven, five hundred fifty eight, five hundred fifty nine, five hundred sixty, five hundred sixty one, five hundred sixty two, five hundred sixty three, five hundred sixty four, five hundred sixty five, five hundred sixty six, five hundred sixty seven, five hundred sixty eight, five hundred sixty nine, five hundred seventy, five hundred seventy one, five hundred seventy two, five hundred seventy three, five hundred seventy four, five hundred seventy five, five hundred seventy six, five hundred seventy seven, five hundred seventy eight, five hundred seventy nine, five hundred eighty, five hundred eighty one, five hundred eighty two, five hundred eighty three, five hundred eighty four, five hundred eighty five, five hundred eighty six, five hundred eighty seven, five hundred eighty eight, five hundred eighty nine, five hundred ninety, five hundred ninety one, five hundred ninety two, five hundred ninety three, five hundred ninety four, five hundred ninety five, five hundred ninety six, five hundred ninety seven, five hundred ninety eight, five hundred ninety nine, six hundred, six hundred one, six hundred two, six hundred three, six hundred four, six hundred five, six hundred six, six hundred seven, six hundred eight, six hundred nine, six hundred ten, six hundred eleven, six hundred twelve, six hundred thirteen, six hundred fourteen, six hundred fifteen, six hundred sixteen, six hundred seventeen, six hundred eighteen, six hundred nineteen, six hundred twenty, six hundred twenty one, six hundred twenty two, six hundred twenty three, six hundred twenty four, six hundred twenty five, six hundred twenty six, six hundred twenty seven, six hundred twenty eight, six hundred twenty nine, six hundred thirty, six hundred thirty one, six hundred thirty two, six hundred thirty three, six hundred thirty four, six hundred thirty five, six hundred thirty six, six hundred thirty seven, six hundred thirty eight, six hundred thirty nine, six hundred forty, six hundred forty one, six hundred forty two, six hundred forty three, six hundred forty four, six hundred forty five, six hundred forty six, six hundred forty seven, six hundred forty eight, six hundred forty nine, six hundred fifty, six hundred fifty one, six hundred fifty two, six hundred fifty three, six hundred fifty four, six hundred fifty five, six hundred fifty six, six hundred fifty seven, six hundred fifty eight, six hundred fifty nine, six hundred sixty, six hundred sixty one, six hundred sixty two, six hundred sixty three, six hundred sixty four, six hundred sixty five, six hundred sixty six, six hundred sixty seven, six hundred sixty eight, six hundred sixty nine, six hundred seventy, six hundred seventy one, six hundred seventy two, six hundred seventy three, six hundred seventy four, six hundred seventy five, six hundred seventy six, six hundred seventy seven, six hundred seventy eight, six hundred seventy nine, six hundred eighty, six hundred eighty one, six hundred eighty two, six hundred eighty three, six hundred eighty four, six hundred eighty five, six hundred eighty six, six hundred eighty seven, six hundred eighty eight, six hundred eighty nine, six hundred ninety, six hundred ninety one, six hundred ninety two, six hundred ninety three, six hundred ninety four, six hundred ninety five, six hundred ninety six, six hundred ninety seven, six hundred ninety eight, six hundred ninety nine, seven hundred, seven hundred one, seven hundred two, seven hundred three, seven hundred four, seven hundred five, seven hundred six, seven hundred seven, seven hundred eight, seven hundred nine, seven hundred ten, seven hundred eleven, seven hundred twelve, seven hundred thirteen, seven hundred fourteen, seven hundred fifteen, seven hundred sixteen, seven hundred seventeen, seven hundred eighteen, seven hundred nineteen, seven hundred twenty, seven hundred twenty one, seven hundred twenty two, seven hundred twenty three, seven hundred twenty four, seven hundred twenty five, seven hundred twenty six, seven hundred twenty seven, seven hundred twenty eight, seven hundred twenty nine, seven hundred thirty, seven hundred thirty one, seven hundred thirty two, seven hundred thirty three, seven hundred thirty four, seven hundred thirty five, seven hundred thirty six, seven hundred thirty seven, seven hundred thirty eight, seven hundred thirty nine, seven hundred forty, seven hundred forty one, seven hundred forty two, seven hundred forty three, seven hundred forty four, seven hundred forty five, seven hundred forty six, seven hundred forty seven, seven hundred forty eight, seven hundred forty nine, seven hundred fifty, seven hundred fifty one, seven hundred fifty two, seven hundred fifty three, seven hundred fifty four, seven hundred fifty five, seven hundred fifty six, seven hundred fifty seven, seven hundred fifty eight, seven hundred fifty nine, seven hundred sixty, seven hundred sixty one, seven hundred sixty two, seven hundred sixty three, seven hundred sixty four, seven hundred sixty five, seven hundred sixty six, seven hundred sixty seven, seven hundred sixty eight, seven hundred sixty nine, seven hundred seventy, seven hundred seventy one, seven hundred seventy two, seven hundred seventy three, seven hundred seventy four, seven hundred seventy five, seven hundred seventy six, seven hundred seventy seven, seven hundred seventy eight, seven hundred seventy nine, seven hundred eighty, seven hundred eighty one, seven hundred eighty two, seven hundred eighty three, seven hundred eighty four, seven hundred eighty five, seven hundred eighty six, seven hundred eighty seven, seven hundred eighty eight, seven hundred eighty nine, seven hundred ninety, seven hundred ninety one, seven hundred ninety two, seven hundred ninety three, seven hundred ninety four, seven hundred ninety five, seven hundred ninety six, seven hundred ninety seven, seven hundred ninety eight, seven hundred ninety nine, eight hundred, eight hundred one, eight hundred two, eight hundred three, eight hundred four, eight hundred five, eight hundred six, eight hundred seven, eight hundred eight, eight hundred nine, eight hundred ten, eight hundred eleven, eight hundred twelve, eight hundred thirteen, eight hundred fourteen, eight hundred fifteen, eight hundred sixteen, eight hundred seventeen, eight hundred eighteen, eight hundred nineteen, eight hundred twenty, eight hundred twenty one, eight hundred twenty two, eight hundred twenty three, eight hundred twenty four, eight hundred twenty five, eight hundred twenty six, eight hundred twenty seven, eight hundred twenty eight, eight hundred twenty nine, eight hundred thirty, eight hundred thirty one, eight hundred thirty two, eight hundred thirty three, eight hundred thirty four, eight hundred thirty five, eight hundred thirty six, eight hundred thirty seven, eight hundred thirty eight, eight hundred thirty nine, eight hundred forty, eight hundred forty one, eight hundred forty two, eight hundred forty three, eight hundred forty four, eight hundred forty five, eight hundred forty six, eight hundred forty seven, eight hundred forty eight, eight hundred forty nine, eight hundred fifty, eight hundred fifty one, eight hundred fifty two, eight hundred fifty three, eight hundred fifty four, eight hundred fifty five, eight hundred fifty six, eight hundred fifty seven, eight hundred fifty eight, eight hundred fifty nine, eight hundred sixty, eight hundred sixty one, eight hundred sixty two, eight hundred sixty three, eight hundred sixty four, eight hundred sixty five, eight hundred sixty six, eight hundred sixty seven, and eight hundred sixty eight, and finally, Timothee, and this is very important, there’s eight hundred sixty nine, eight hundred seventy, eight hundred seventy one, eight hundred seventy two, eight hundred seventy three, eight hundred seventy four, eight hundred seventy five, eight hundred seventy six, eight hundred seventy seven, eight hundred seventy eight, eight hundred seventy nine, eight hundred eighty, eight hundred eighty one, eight hundred eighty two, eight hundred eighty three, eight hundred eighty four, eight hundred eighty five, eight hundred eighty six, eight hundred eighty seven, eight hundred eighty eight, eight hundred eighty nine, eight hundred ninety, eight hundred ninety one, eight hundred ninety two, eight hundred ninety three, eight hundred ninety four, eight hundred ninety five, eight hundred ninety six, eight hundred ninety seven, eight hundred ninety eight, eight hundred ninety nine, nine hundred, nine hundred one, nine hundred two, nine hundred three, nine hundred four, nine hundred five, nine hundred six, nine hundred seven, nine hundred eight, nine hundred nine, nine hundred ten, nine hundred eleven, nine hundred twelve, nine hundred thirteen, nine hundred fourteen, nine hundred fifteen, nine hundred sixteen, nine hundred seventeen, nine hundred eighteen, nine hundred nineteen, nine hundred twenty, nine hundred twenty one, nine hundred twenty two, nine hundred twenty three, nine hundred twenty four, nine hundred twenty five, nine hundred twenty six, nine hundred twenty seven, nine hundred twenty eight, nine hundred twenty nine, nine hundred thirty, nine hundred thirty one, nine hundred thirty two, nine hundred thirty three, nine hundred thirty four, nine hundred thirty five, nine hundred thirty six, nine hundred thirty seven, nine hundred thirty eight, nine hundred thirty nine, nine hundred forty, nine hundred forty one, nine hundred forty two, nine hundred forty three, nine hundred forty four, nine hundred forty five, nine hundred forty six, nine hundred forty seven, nine hundred forty eight, nine hundred forty nine, nine hundred fifty, nine hundred fifty one, nine hundred fifty two, nine hundred fifty three, nine hundred fifty four, nine hundred fifty five, nine hundred fifty six, nine hundred fifty seven, nine hundred fifty eight, nine hundred fifty nine, nine hundred sixty, nine hundred sixty one, nine hundred sixty two, nine hundred sixty three, nine hundred sixty four, nine hundred sixty five, nine hundred sixty six, nine hundred sixty seven, nine hundred sixty eight, nine hundred sixty nine, nine hundred seventy, nine hundred seventy one, nine hundred seventy two, nine hundred seventy three, nine hundred seventy four, nine hundred seventy five, nine hundred seventy six, nine hundred seventy seven, nine hundred seventy eight, nine hundred seventy nine, nine hundred eighty, nine hundred eighty one, nine hundred eighty two, nine hundred eighty three, nine hundred eighty four, nine hundred eighty five, nine hundred eighty six, nine hundred eighty seven, nine hundred eighty eight, nine hundred eighty nine, nine hundred ninety, nine hundred ninety one, nine hundred ninety two, nine hundred ninety three, nine hundred ninety four, nine hundred ninety five, nine hundred ninety six, nine hundred ninety seven, nine hundred ninety eight, nine hundred ninety nine, one thousand. That’s it. Remember what I’ve merely “ve told you”, and I believe you’ll go on to have a brilliant job, ” Day-Lewis concluded before patting Chalamet on the shoulder and leaving the awestruck young performer alone to contemplate his terms of guidance.
Seriously, this is the coolest thing ever. Timothee Chalamet must have been on cloud nine to get face-to-face recommendations from one of the greatest performers of all time! With these wise and solemn words, Day-Lewis has officially passed the torch to the next generation’s most promising young actor. Chalamet is already incredibly talented, and with a legend as brilliant as Daniel Day-Lewis mentoring him, there’s no doubt we can expect to be seeing him on the Oscars red carpet for years to come!
Read more: http :// www.clickhole.com/ article/ taking-him-under-his-wing-after-oscars-ceremony-la-7 506
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Genius Photographer Uses Drones To Capture Mountain Halos, And The Result Is Out Of This World
Check out these incredible shootings by Liverpool-born and Chigaco-based musician and photographer Reuben Wu. Reuben is known for his pioneering methods of using drone-mounted lights to illuminate sceneries, giving them an otherworldly quality reminiscent of a sci-fi movie. These images are part of an ongoing programme called Lux Noctis, which he has been working on since 2016.
“I got my first drone in 2014, ” Reuben told Bored Panda. “ My childhood dreaming was to have a flying camera- being able to see sceneries from impossible perspectives, so it was an important step in my photography to start using a remote moving camera. I began to shoot photos and music videos with it while experimenting with using projectors to shine graphical patterns at night onto rock spires. The Lux Noctis concept developed from that, applying the droning as an aerial light source instead of a camera.”
Reuben is naturally drawn to the remote landscapes of the mountains and desert, as the solitude and rich natural wonder that they offer makes him both inspiration and opportunity to focus on his project. Investigating these contexts at night merely add to this, as well as creating an extra challenge. “The photographs are long exposures and have to be well considered and put in, ” he told us. “To me, there is more craftsmanship in creating night photos, and the use of remote aerial sunlights is just part of that( quite complex) workflow.” He has employed many types of camera during the project, but says that the most recent is a Fujifilm GFX5 0S, while the drone is a modified DJI Phantom.
The remote locations that he visits means that Reuben must be well-prepared for his hits. “There is a lot of prior research that goes into these illustrations, ” he said. “Poring over maps, moon cycles, seasons and tourist flowing. I invest the day of the kill planning compositions, places, hiking tracks and GPS markers and then wait until sunlights down before I start shooting. I retain my entire kit portable so I can hike to very remote places. I never wing when there are other visitors present, it’s important to me that the place is very remote and I am alone to create these pictures.”
“One of the shootings inadvertently caught the final burn of Falcon Heavy as it exited the Earth’s atmosphere. This was in the Vermilion Cliffs National Monument in Arizona.” Can you guess which one it is?
While applying his drone to light up the majestic mountain scenes, he began capturing the light routes of the droning with a long exposure, and discovered that this added another factor to his images. “The first part of the series intentionally removes any sign of the light source to leave just the illuminated scenery, ” Reuben explained to Bored Panda . strong> “This second series makes a feature of the light track of the drone as it lightings the landscape, and one of the features the droning has is a circular orbit mode around a’ point of interest’. It was an intentional move, but the whole process for me is experimental.” This’ halo’ result is especially impressive!
Scroll down below to check out Reuben’s award-winning images for yourself, and check out his Instagram to check out the motion elements that he has recently been working into his programme. After 10 years of being a full day musician in the band Ladytron, doing visual art is basically Reuben’s solo project, and we are so glad he’s doing it!
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Silicon Valley Team Says T.J. Miller’s Messy Exit Was ‘A Long Time Coming’!
Silicon Valley may have lost a beloved character following the departure of series star T.J. Miller, but the brilliant thinkers behind the HBO series aren’t too worried about it.
In fact, series creator Mike Judge told The Hollywood Reporter that Miller’s exit came as a huge succor to the production team, as he was apparently about as professional as the stoner he played on the Emmy-nominated comedy.
Related: T.J.’s The Gorburger Show D-O-N-E At Comedy Central !
Sources tell THR that the decision to cut ties with the comedian was “a long time coming” and that his use of drugs and alcohol would get in the way of his job.
On some periods, insiders claim, The Emoji Movie star would show up seemingly under the influence — others he wouldn’t show up at all.
Judge echoed these claims in his interview, telling the publication:
“There are a lot of different ways you can find out person doesn’t want to do the reveal anymore … And it’s not fun working in cooperation with someone who doesn’t want to be there,[ especially when] they’re one of the most important people and you’ve got nonetheless many crewmembers and extras and people who are[ not paid as well] and they’re all proving up before 7 a. m ., and then are just like,’ Oh, OK, we’re not hitting today.'”
The report goes on to claim that Miller would show up late to table reads, usually without having ever read the script in advance, and would fall asleep between takes on decide, “leaving the cast and crew to nudge him awake.”
This led to an inevitable exit at the end of Season 4, which( now tellingly) indicated Miller’s character Erlich passing out in a Tibetan opium den TAGEND
But Judge says that wasn’t the lane the writers wanted to say goodbye to the fan-favorite character, disclosing that HBO and the producers offered Miller an opportunity to return for three episodes in the upcoming fifth season for a proper send-off.
Miller, however, declined the offering( which would have likely been a story line involving Erlich on a road journey across China ), and decided to make a clean transgres to dive into his then-burgeoning cinema career — which had now been been expended by recently surfaced sexual-assault allegations.
Related: T.J. Sent Transphobic Email To Trans Movie Critic
In response to the creative team’s asserts detailed in THR’s story, the actor defended himself by saying he never came to work high — he was just tired from doing stand-up all the time. He professed TAGEND
“In real life, I’m not ever high like Erlich is. And this will blow your readers’ minds, but I’m not high when I work because it gets in accordance with the rules of the slapstick. I likewise am not a guy who’s blackout drunk, bumping into things on fixed . … What was arising was I was out doing stand-up all the time, even if it meant I only got three hours of sleep. So, the thing I have a problem with? It’s pushing myself to do too much.”
Disagreements aside, inventor Alec Berg is confident that the prove will live without its breakout starring, explaining TAGEND
“These guys are the Golden state Warriors of slapstick. It’s like, yeah, we’ve lost Andre Iguodala but we still have Steph Curry and Kevin Durant and Klay Thompson and some other guy on the Warriors whose epithet I don’t know. But I don’t feel like we can’t win championships anymore … T.J. wasn’t LeBron.”
When Miller was told about that NBA analogy, he replied TAGEND
“Oh, that’s great … And it constructs me like him more[ because] he’s so good at being an asshole.”
Ha! Voices like all’s good between these assholes?
[ Image via HBO .]
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Watch O.J. Simpson Discuss How He ‘Hypothetically’ Killed His Ex Wife In A Teaser For This Lost Interview
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Ava DuVernay’s A Wrinkle In Time Is A Beautiful, Intergalactic Mess! See The MIXED Reviews!
There’s no doubt that A Wrinkle In Time is historic as director Ava DuVernay be the first time that black woman to aim a cinema with a budget of over $100 million.
That said, is the Disney space odyssey any good?
Most critics say “yes, ” if you take the blockbuster for what it is: a bright, beautiful children’s movie that( for the most component) captured the magic of its source material.
Photos: Mindy Kaling, Oprah,& Reese Witherspoon Hit A Wrinkle In Time’s Premiere
While every critic applauded DuVernay’s colorful world — including the colorblind casting of lead actresses Storm Reid, Oprah Winfrey, and Mindy Kaling — they also agreed that the movie is flawed.
Most reviewers felt that the plot was uneven, over-explained, and tonally in multiple galaxies at once. One critic even moved as far to say the cinema felt more like a New Age self help book than an adaptation of Madeleine L’Engle’s beloved sci-fi novel. Snap!
See the reviews — which ranged from “not so bad” to “not so good” — below!
The Not-So-Bad: Angie Han, Mashable: “A Wrinkle in Time is for all the girls- and boys, and non-binary kids, and teens and adults and the elderly- who’ve ever been a Meg. It’s a flawed film that entreats us to enjoy flawed things, up to and including our very own egoes. Maybe that sounds like a hoary cliche now. It didn’t feel like one when I was watching the movie, which is so disarming[ ly] earnest that I fell completely under its spell.”
A.O. Scott, The New York Times: “This is, unapologetically, a children’s movie, by turns gentle, thrilling and didactic, but missing the extra dimension of terror and ponder that would have transcended the genre. Thankfully, though, Ms. DuVernay has dispensed with the winking and cutesiness that are Hollywood’s opted ways of pandering and condescending to grown-ups.”
Kevin Fallon, The Daily Beast: “It’s the rare live-action family cinema to feel like a bonafide kids’ movie, with all the trappings of a screenplay catered to that demographic — albeit one that can at times seem on-the-nose, or more didactic than wondrous. It’s a film with a lot of Disney-sparkled bells and whistles. It’s also a film that is so pure, to the extent it’s almost jarring to take in given all that’s going on in the world and how fatigued we’ve allowed entertainment to become.
The Not-So-Good:
Scott Mendelson
, Fobes: “Its splashy casting all seem to be acting in somewhat different movies, with few of them( among the children and adults) reaching the right tone for the admittedly challenging source material. Even with strong imagery and its value beyond earnings or IP extension, it barely comprises together as a stand-alone 109 -minute feature.”
Darren Franich, Entertainment Weekly: “You feel some indecision in the storytelling here. The three Mrs. W’s overexplain every ponder with PowerPoint precision. Anything they don’t explain gets are covered under Pine, trapped in a series of dreadful flashbacks, including one where he delivers an actual PowerPoint lecture about the film’s psycho-spiritual cosmology.”
Todd McCarthy, The Hollywood Reporter: “Only the faintest glimmerings of genuine, earned emotion penetrate through the layers of intense calculation that encumber Ava DuVernay’s A Wrinkle in Time … All the same, DuVernay’s first big-budget studio studio extravaganza after breaking through with Selma and the great documentary 13 th seems cobbled together with many diverse components instead that coalesced into an engaging whole. Even if this is widely consumed by the target audience, it doesn’t appeal or disarm.”
Peter Bebruge, Variety: “Despite such bold choices as casting Oprah Winfrey as an all-wise celestial being and rejecting the antiquated assumption that the lead characters ought to be white, A Wrinkle in Time is wildly uneven, weirdly suspenseless, and tonally all over the place, relying on wall-to-wall music to render the missing emotional linkage and trowel over huge plot holes.”
Justin Chang, Los Angeles Times: “Whisked alongside the characters through one space-time wormhole after the other, I procured myself wishing that this Wrinkle were more focused, more disciplined — that its ceaseless flow of fantastical images cohered into a revelatory new application of L’Engle’s themes and insights, rather than an earnest, sometimes awkward repetition of them.
Matt Singer, ScreenCrush: “One scene hemorrhages into the next with little flowing or tension; the kids are told they can’t jump( or’ tesser’) to a specific location and then they immediately do it anyway; characters go missing and then return without interpretation. And the whole period Calvin, Charles Wallace, and Mrs. Which constantly pepper Meg with praises, reminding her that she is talented and brilliant and beautiful … They’re not wrong, and as a young lady of colouring,[ Storm Reid] ‘s Meg is a refreshingly unusual protagonist for a studio blockbuster. Still, the affirmations are so heavy and so lingering (‘ Love is the frequency! ‘) that it sometimes feels like A Wrinkle in Time is accommodated from a New Age self-help book instead of a classic science-fiction novel.”
A Wrinkle in Time explosion into theaters Friday.
[ Image via Disney .]
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DARPA Wants To Slow Down The Human Body To Save Lives On The Battlefield
DARPA is well known for its ‘out there’ notions that push the boundaries of existing science and tech. Its latest program is no exception. Inspired by some of nature’s hardiest beasts, it plans to develop a technique of “slowing biological time” to give soldiers wounded on the battleground more time to wait for medical attention.
Yes, like most things DARPA does, it sounds like something out of a video game or sci-fi movie. But it’s not quite as mad as it voices, and you can’t argue with the reasoning behind it.
“When a Service member suffers a traumatic hurt or acute infection, the time from event to first medical treatment is typically the single most significant factor in determining the outcome between saving a life or not, ” the agency said in a statement announcing the program.
Describing that initial window as the “Golden Hour”, DARPA- the Defense Advanced Research Programme Agency, tasked with developing new technologies for the military- has looked towards nature to buy that critical time. Its program: to “slow life to save life”.
Biostasis aims to prevent fatality following traumatic injury by slowing biochemical reactions inside cells. DARPA
“Our goal with Biostasis is to control those molecular machines[ that transform chemical and kinetic energy into biological processes] and get them to all slow their rolling at about the same rate so that we can slow down the entire system gracefully and avoid adverse consequences when the intervention is reversed or wears off, ” explained Biostasis program director Tristan McClure-Begley.
Despite sounding suspiciously like cryonics, the Biostasis program is actually inspired by process that already occur in nature.
Some organisms can use proteins to control and slow down cellular roles in extreme circumstances. Tardigrades, for example, are famous for their capacity to induce a country of cryptobiosis to survive freezing conditions, hot, dehydration, and even radiation. Wood frogs do it too, living being frozen solid for days on end despite all indications that metabolic processes have stopped and they find themselves, for all intents and purposes, dead.
“Nature is a source of inspiration, ” said McClure-Begley. “If we can figure out the best ways to bolster other biological systems and attain them less likely to enter a runaway downward spiral after being damaged, then we will have made a significant addition to the biology toolbox.”
However, despite their lofty desires, actually preserving bodies on the battlefield akin to perhaps the brain-protecting Alpha-Gel from Kingsman: The Golden Circle is a long way off.
The Biostasis program is currently striving proof-of-concept ways to slow down the body’s biochemical process, the most difficult hurdle being ensuring no permanent damage to the cells when the process is overruled. Similar techniques could also be applied to exploring expand the shelf-life of blood products and drugs to reduce the reaction times- all critical in that initial golden hour, which DARPA readily admits is often much less than 60 minutes.
Read more: http :// www.iflscience.com/ health-and-medicine/ darpa-wants-to-slow-down-the-human-body-to-save-lives-on-the-battlefield /
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How ‘Black Panther’ changed everything for Sandra Bullock and her kids.
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As a Hollywood -Alister who’s been in the film industry for years, you’d guess Sandra Bullock would be unflappable. But there’s still something that can bring her to tears — “Black Panther.”
Bullock couldn’t help but rave about the film when she met the cast backstage at the Academy Awards on March 4.
“I started to cry backstage when I was telling[ the casting of “Black Panther”] how much the movie meant to me as a woman, but how much it meant to me as a mother, ” Bullock said in a red carpet interview with “Access Hollywood.”
Left: Sandra Bullock photo by Matt Winkelmeyer/ Getty Images. Right: Lupita Nyong’o( L) and Danai Gurira. Photo by Christopher Polk/ Getty Images.
Bullock is the mother of two black children, Louis, 8, and Laila, 5, through adoption. The movie’s all-black cast, dynamic female characters, and Afro-futuristic specifying are a refreshing change of speed for adult filmgoers. But for children , particularly children of coloring, ensure a black king, and the intelligent, fierce black ladies presidents is downright inspiring.
Photo by Tony Karumba/ AFP/ Getty Images.
And for children of coloring this type of visibility is long overdue.
Children of color are still underrepresentedwhen it comes to toys, books, Tv proves, apps, and plays. Seeing entertainment options with visible, dynamic, leading characters of color requires a little extra time, patience, or in a number of cases, getting creative.
“I’m so grateful to Marvel because about five years ago, my son asked me if there were any brown Legos. And I said,’ Yes, there are, ’ and I got a Sharpie and I became Spider-Man brown, I turned the Legos brown … ”
But with the success of films like “Black Panther” there is a glimmer of hope . b>
The film is already breaking records at the box office, earning more than $500 milliondomestically since its freeing 18 weeks ago.
Now, industry insiders indicate “Black Panther” could make nearly $250 millionin merchandise sales this year alone. With masks, act figures, clothes, Lego, and even a vehicle, Bullock and other parents of children of color will eventually get the opportunity to celebrate and support a hero of color on the big screen.
Photo by Yasuyoshi Chiba/ AFP/ Getty Images.
It’s a moment many think would never come.
Parents, including Bullock, are rejoicing.
“I don’t have to turn[ the Lego] brown anymore, ” Bullock said.
Happy tears, indeed.
Read more: http :// www.upworthy.com/ how-black-panther-changed-everything-for-sandra-bullock-and-her-kids
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Kumail Nanjiani hilariously reassures anyone fearing change in Hollywood.
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Kumail Nanjiani is an ambassador we need.
The 40 -year-old actor, novelist, and proud nerd has been making audiences laugh for years in displays like “Silicon Valley, ” and he’s currently reaching a wider audience with his critically acclaimed movie, “The Big Sick.”
During a segment of the 90 th Academy Awards, Nanjiani likewise offered a hilariously reassuring message to about why increased representation isn’t just the best thing to do — it’s good business.
“There’s so many movies from different points of view that are making a ton of fund, ” he said. “Don’t do it because it’s better for society and representation, even though it is. Do it because you’ll get rich. You’ll get that advertising, right? ”
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It’s not about picking wins and losers. It’s about representation and diversity.
There was a serious tone to much of this year’s Oscars ceremony — and understandably so.
That’s what stimulated Nanjiani’s comment so refreshing: He managed to address the need for greater diversity in pop culture by cleverly pointing out that cinemas made by women and people of color — including “Black Panther, ” “Wonder Woman, ” and “Get Out” — have been huge hittings over the past year.
Audiences, including the “straight white dudes” Nanjiani mentioned, are hungry for diverse tales and characters.
“Some of my favorite movies are by straight white dudes about straight white dudes, ” he said. ” Now, straight white dudes can watch movies starring me and you relate to that. It’s not that hard. I’ve done it my whole life.”
There’s nothing to fear about greater inclusion.
As with any social movement, there are those who continue to withstand progression. Some critics are trying to tie the Oscars’ declining audience to an increased focus on social question, but that wane has been happening for years. In an increasingly fractured media scenery, events like the Oscars only aren’t the monolithic emblems of culture they once were, even if they’re still a big deal.
As Sarah Silverman said in her own segment of the video, “Some people, genuinely, in their hearts they are threatened, or they are scared. And there’s nothing to be scared of. It’s merely equality.”
Nanjiani’s not afraid to speak out about the narratives and recognition that are sometimes overlooked.
Nanjiani, an immigrant from Pakistan, hasn’t only had to grapple with his own identity in Hollywood. While critics lavished attention on him for his work in “The Big Sick”, he often discovered himself forced to bring attention to his wife Emily V. Gordon, who co-wrote the cinema. During the montage, he jokingly brought up another of his wife’s ideas
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“Emily, my spouse, had this idea where she wanted to start a website called ‘Muslims having fun, ‘ which is just, like, Muslims eating ice cream and journeying roller coasters and giggling and having fun. Because she gets to see that, and the majority of members of America doesn’t.”
Emily V. Gordon and Kumail Nanjiani. Photo by Punk Toad/ Flickr.
Audiences are speaking up with their billfolds and it turns out they love diversity.
Moviegoers are backing up what Nanjiani had to say about the monetary gains of greater representation in Hollywood. “Black Panther” has been so successful that it’s devoting the most recent “Star Wars” film a run for its fund. “Wonder Woman” was so beloved by devotees and critics alike it helped pump life back into a struggling DC Comics film franchise. Meanwhile, “Get Out” turned the thriller genre on its head, making a huge amount of money and winning an Oscar for Jordan Peele’s original screenplay.
As Nanjiani so wisely explained, these aren’t threats to anyone, including “straight white guys.” They are precisely the kind of range audiences crave when they go to the movies for a compelling plot and characters they connect with.
Sometimes doing the right thing also happens to be very good for business.
Read more: http :// www.upworthy.com/ kumail-nanjiani-hilariously-reassures-anyone-fearing-change-in-hollywood
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The Oscars’ Biggest Win? Acknowledging the Power of Genre Movies.
Of all the faces that smiled from the screen during the 90 th Academy Awards’ “In Memoriam” segment on Sunday night, the one that induced me sigh the loudest is the question of George Romero. The director of such fright classics as Night of the Living Dead died last summertime at the age of 77, but I wish he could have stayed around long enough to see the Oscars corroborate what Romero knew for decades: If you want to dig deep into viewers’ brains, you’re best off doing it through genre.
Consider two of Sunday night’s biggest wins: Jordan Peele’s Get Out–a meticulously constructed sci-fi-horror-comedy hybrid- was awarded Best Original Screenplay, while Guillermo del Toro’s creature-feature fantasia The Shape of Water earned 4 statues, including Best Director and Best Picture. Both filmmakers are major Dead–heads, and like Romero, they discovered allegorical power in the kinds of movies that many moviegoers( and Academy voters) once refused to take seriously. Get by employed the innate shocks and tension-easing humor of horror to uncover the depths of 21 st century racism; The Shape of Water, meanwhile, utilized the monster-movie format to tell a multi-tiered, multi-species romance that espouses a adoration for love itself , no matter what form it takes.
Because both movies have been part of the ambient accolades dialogue for so long now, it’s important to point out: These wins are not normal. The Oscars hardly ever give the keys to genre filmmakers, especially in the publish, aiming, or Best Picture realms. There are exceptions, of course, including The Silence of the Lambs’ sweep in 1991, and Peter Jackson’s trophy-trifecta for The Lord of Resounds: The Return of the King in 2003. But for much of the past ninety times, horror, fantasy, and sci-fi cinemas have been confined to the Oscars’ technical departments, while occasionally earning an acting trophy( let’s pause to hail Kathy Bates in Misery, and not just because she’ll sledgehammer our ankles if we don’t ). Jaws, The Exorcist, Star Wars: A New Hope, E.T ., The Sixth sense, Avatar, District 9, Black Swan, Inception, Mad Max: Fury Road–all earned Best Picture and/ or screenplay nominations, yet no such wins.
The genius of Get Out is that it feels like it was attained five minutes ago; its biggest scare lies in the fear that its relevance might never wear away.
But even in a movie time rich with great cinemas- at one point, Lady Bird, Call Me By Your Name, and Phantom Thread were all playing in the same weekend–both Get by and The Shape of Water been impossible to dismis. As Peele noted out in his acceptance speech, he’d worked on about 20 drafts of Get out, the story of a young African-American photographer who realise his white girlfriend and her family are planning to literally take control of his torso. The movie’s arrival last February couldn’t have been more perfectly timed: Liberated just a few months into the Trump administration–and not long before the white-supremacist marches in Charlottesville–Get Out laid bare the systemic, hereditary racism that many white Americans choose to ignore( or claim to never visualize at all ). The genius of Get Out is that it feels like it was stimulated five minutes ago; its biggest intimidate lies in the fear that its relevance might never wear away.
The Shape of Water takes a slightly more deft approach: It’s a fairy tale about a mute government worker who falls for an egg-chomping ocean creature, their unlikely( and unlawful) union threatened by the individuals who don’t understand their connect. “It’s not even human, ” one character notes after learning the beast is in peril. To which our heroine replies: “If we do nothing, neither are we.” It’s a call to action that, in the film, is remarkably specific–but in 2018, seems a much-needed, highly egalitarian call to empathy. In the last few weeks before the Oscars, there were more than a few excavations at The Shape of Water’s squareness, especially as it solidified its front-runner status. But are aware of: This is a Best Picture winner in which a mute woman has sex with a sea-beast, Michael Shannon gets his thumb bitten off, and an adorable feline get gorily devoured. It may not be del Toro’s most satisfyingly gnarly or tripped-out work, but it ain’t The King’s Speech, either.
That these films’ messages were transmitted without mawkishness or dull self-aggrandizement are due, in part, to the genres to which the latter are confined. When Romero released 1968 ’s Night of the Living Dead–about a black humankind who contributes a battle against hordes of zombies, merely to be slaughtered by a posse of white gunmen–audiences didn’t realise they were watching a film that reflected the tense country of race in America( and in fact, Romero might not have even realized he was making one ). But horror audiences are willing to follow filmmakers anywhere, as long as the body count remains high, making administrators like Romero the leeway to sneak in bigger ideas–even if they sometimes get buried under all the blood.
Peele and del Toro work in that same tradition. And the fact that both Get by and The Shape of Water enraptured not only mainstream audiences, but also awards voters, is further proof that genre movies, had now become, in 2018, the ideal medium for examining the genuinely scaring world around us. I wish Romero could have lived long enough to see Peele and del Toro carry on his legacy straight to the Oscar stage. But I think he’d get a kick out of discovering the stigma against genre movies get out for good.
Oscars Overdrive
How Mudbound’s Rachel Morrison, the first wife to be nominated for the Academy Award for cinematography, took the world by blizzard with the stunning Black Panther.
Dive deep behind the scenes of Blade Runner 2049, as told in our October 2016 cover story.
Can a fish-man be emotionally appealing? The Shape of Water dares to find out.
Catch up on reviews of Get Out, Logan, and Mudbound.
from https://bestmovies.fun/2018/03/07/the-oscars-biggest-win-acknowledging-the-power-of-genre-movies/
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The Shape Of Water & Call Me By Your Name Are Up For Oscars And They’re Both Among The Most BIZARRE Movie Sex Scenes Of All Time!
The Best Picture race is full of dark horses this year at the Oscars.
The Shape Of Water and Call Me By Your Name are both up for biggest awarding of the night, and both are completely fearless in their faces of adoration — and of sex.
While they’re very, VERY different movies, they both dip their toes — and more — into some fairly memorable sexual behavior.
Ch-ch-check out our list( below) to read what other, NON-award-winning cinemas have the craziest, most bizarre sex scenes of all time!
CLICK HERE to view “Most Bizarre Movie Sex Scenes Of All Time! “
CLICK HERE to view “Most Bizarre Movie Sex Scenes Of All Time! “
CLICK HERE to view “Most Bizarre Movie Sex Scenes Of All Time! “
CLICK HERE to view “Most Bizarre Movie Sex Scenes Of All Time! “
CLICK HERE to view “Most Bizarre Movie Sex Scenes Of All Time! “
[ Image via Fox Searchlight/ Sony Video Classics .]
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How prevalent is mental illness in mass shootings?
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Why so many missed warning signs in the Florida shooting ?
Questions emerge over whether bureaucrats missed warning signs about Nikolas Cruz; reaction on ‘Journal Editorial Report.SSSS
Nikolas Cruz, who methodically ran up and down the hallways of his former Florida high school on Valentine’s Day, killing 17 people, had a history of threatening others. Adam Lanza, who killed almost two dozen children in a Connecticut school in 2012, struggled with developmental disorders and was on psychiatric drug, which he had stopped taking. Jiverly Wong was suspected of suffering from paranoia before he strolled into the American Civics Association in New York in 2009 and murdered 13 people.
The most recent mass destroy in Florida last month has reignited the discussion about the extent to which mental illness play-acts a role in this violence, and even about what is signify by mental illness. The horror at Marjory Stoneman Douglas High also is glittering a light on the contradictory positions among prominent criminology and mental health experts about mental illness as a risk factor in mass shootings.
In a study of 185 public mass shootings- defined as an accident in which four or more people are killed at a public locating- from 1900 through 2017 criminologist Grant Duwe found that 59 percent implemented by people who had been diagnosed as mentally ill or proved signs of having a serious mental disturbance before the attack.
“Typically what we ascertain with those who carry out a mass public hitting is because they do suffer from a mental disorder, in some cases it’s diagnosable, or there’s some information from friends and family that indicates they suffered from mental illness, ” said Duwe, who is the research director for the Minnesota Department of Corrections and author of “Mass Murder in the United States: A History.”
James Holmes convicted of the murder of 12 people and the attempted slaying of 70 others in the 2012 Aurora shooting at a Century movie theater in Aurora, Colorado. ( AP/ Denver Post)
“Paranoid schizophrenia is what is more common among these individuals, ” Duwe told Fox News. “They feel like large groups of people are out to get them, and that they are responsible for making their life miserable. We also see that individuals who do this are individualists, they’re not trusting, so they don’t have close friendships of social relationships.”
Mother Jones, the left-leaning book, compiled a database of mass shootings going back to 1982, and found that about half involved some form of “mental health issue.” They included people who had been diagnosed with serious conditions, but likewise those who had family violence and work conflict histories.
An analysis by Everytown for Gun Safety liberated last year showed that in mass murders between January 2009 and December 2016, the shooter displayed at least one red flag, or troubling behaviour, in 42 percent of cases.
At the same time, many studies on mass shootings and mental illness indicate a smaller link.
Dylan Roof killed nine people at a Charleston, South Carolina church on June 17, 2015 ( AP)
Many widely quoth examines, including some conducted by the National Institutes of Health, on gun violence show that anywhere between 4 and 20 percentage of the incidents is a result of people with a serious mental illness.
Jeffrey Swanson, a professor in psychiatry and behavioral sciences at Duke University who specializes in gun violence and mental illness, conducted a study funded in part by the National Institutes of Health that found that 4 percent of handgun and other violence is traceable to schizophrenia, bipolar disorder and depression- the three mental health conditions most frequently found in violent incidents.
Swanson says the role of mental illness is overplayed after a shooting that grips at the country.
A mass killing is so disturbing, so irrational, and horrifying, people want to know why is happened, and mental illness is the perfect master explanation.
– Jeffrey Swanson, professor in psychiatry at Duke University
“A mass hitting is so disturbing, so irrational, and horrifying, people want to know why it happened, and mental illness is the perfect lord reason, ” said Swanson to Fox News.
What is more common among perpetrators of mass shootings, Swanson said, are potentially red flag behaviors such as festering rage, estrangement, and bitterness over being bullied, perhaps, that do not meet the threshold of a mental disturbance — and that may not be perceptible even to those close to the person — but that can lead to violence. Substance abuse is a common weave in mass shootings, found to be a factor in nearly 40 percent of shooters.
“If we were to panacea mental illness, all of it, tomorrow, how much of our violence problem would go down? It would go down about 4 percent, ” said Swanson, who has studied the issue for the National Institute of Health. “The mass shooters, with some exception, have been angry, alienated, emotionally difficulty young men who act out these incredibly deviant culture scripts and have access to firearms.”
Stephen Paddock opened fire at a Las Vegas music festival, killing 58 people. ( AP)
“There are tons of people who are risky, who are angry or suicidal, but who would pass a background check, ” Swanson said. “They don’t have a misdemeanour belief, they’ve never been involuntarily perpetrated. How do you make sure dangerous people don’t get access to firearms? ”
Duwe argues that the role of mental illness in mass shootings is underplayed.
“Part of the blowback with connecting mental illness to mass shootings is the fear that mentally ill people will be stigmatized, ” Duwe said, adding that the concern is a valid one. “That’s what we try to be careful with, most of the people with serious mental illness are not violent.”
“But we should not ignore the connection between mental illness and mass shootings that is very real, ” said Duwe, who recently co-authored an op-ed on the issue in The Los Angeles Times . “The issue has become very politicized, like tribal warfare.”
A major obstacle to a better system for predicting who might devote a mass shooting, experts say, is that it is relatively rare, and more funding is needed to study it more in-depth.
Many studies differ in their definition of mental illness, with some looking at diagnosable circumstances, others merely at serious ones such as paranoid schizophrenia, and still others taking a broad-spectrum approach, including more common things such as attention deficit hyperactivity disorder and anxiety.
“It’s an elastic boundary, a rubber ruler, ” Swanson said. “About 48 million people in the U.S. have some kind of diagnosable mental illness.”
We should not ignore the connection between mental illness and mass shootings that is very real. The issue has become very politicized, like tribal warfare.
– Grant Duwe, research director for the Minnesota Department of Corrections
What is more , not all studies or news reports look at the same categories of violence when addressing the role of mental illness, Duwe and Swanson noted.
Some look at all violence, others look at mass murders( which may or may not involve artilleries ), and still others look at mass shootings that don’t are available in a public place or that targets strangers- such as when a disgruntled fired employee perpetrates workplace violence or someone kills four or more people in a household or when a criminal kills several people within the parameters of say a robbery.
“There has not been systematic assessment of mass shooters” that would gratify scientific criteria, Swanson said. “We often are operating on the basis of sketchy information” about a perpetrators’odd behavior.
Gun rights advocates say the answer is not curbing Second Amendment rights, but acting more responsibly when behavioral “red flags” are observed, as they were in the case of Cruz in Florida. They argue that the murder likely would never have happened if law enforcement officers had simply done their chore and investigated numerous leadings indicating Cruz had mental illness issues.
One approach gaining momentum is Red Flag Laws, which let relatives and officials to seek a court order to remove artilleries from dangerous people. Five states have the laws, and Red flag measures are pending in approximately 20 others.
In a written statement, the FBI said a person close to Cruz contacted the agency’s tip line Jan. 5 to report very concerned about “Cruz’s gun ownership, desire to kill people, erratic behavior, and disturbing social media posts, as well as the potential of him conducting local schools shooting.”
Florida does not have a Red flag Law.
“Under established protocols, the information provided by the caller should have been assessed as threats to life, ” the FBI said.
In a speech at the Conservative Political Action Conference on Thursday, the leader of the National Rifle Association Wayne LaPierre said that adversaries of gun rights want to “sweep under the carpet” the failure of school safety, families “and even the unbelievable failure of the FBI” to prevented the shootings. LaPierre stimulated the occurrence that there is room for the gun foyer and gun control advocates to find common ground.
Efforts by Fox News to get a comment from the NRA were unsuccessful.
Bonnie Zampino, a behavioral health professional who qualifies educators , among others, on how to manage people with mental illness and behavioral issues, said it’s important that school bureaucrats, advisers, families and law enforcement work together and establish communication lines when a young person begins exhibiting so-called red flag that might lead to violence.
Often, she said, efforts to address such behaviors are disjointed or have no follow-up.
“This young man was exhibiting behaviors that would indicate that he had been exposed to trauma in life, he received medical care, he was evaluated, they didn’t find the need for further care, ” said Zampino of Cruz, based on published information.
“It’s our job to be the professional who can look at the behaviour, to address the needs, halting the aggressivenes, ” said Zampino, who has an autistic child. “But[ too often] we’re not paying enough attention, we’re not talking to one another.”
“Here we help teaches understand when they realize small children coming into their classroom that clearly shows such issues and they’re being aggressive, how to get ahead of that behaviour and deal with the trauma and how not to trigger the aggression, ” she said. “We teach teachers proactive approaches.”
The Associated Press contributed to this report . i>
Elizabeth Llorente is Senior Reporter for FoxNews.com, and can be reached at Elizabeth.Llorente @Foxnews. com. Follow her on Twitter @Liz_Llorente . i>
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How prevalent is mental illness in mass shootings ?
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Kings of loser comedy: how Flight of the Conchords took off
New Zealands fourth most well known folk-parody act are on a sold-out arena tour. Is there a shrewdness behind the duos laidback shtick?
Few comics ever play London’s O2 Arena and fewer still oversee three nights in a row. Those who do tend to have some things in common: a relatable observational style, limited creative desire and ruthless commercial savvy. None of which applies to Flight of the Conchords, perhaps the unlikeliest act ever to reach those airless elevations of the comic stratosphere.
I insured Flight of the Conchords last week, warming up for their forthcoming realms tour with a run at the 140 -seat Soho theatre. Watching their suite of kooky sungs about medieval romance, piano-playing seagulls and spoonful thieves, laughing at their low-key converse and minutely detailed interplay, the believed to be their imminent transfer to arena stages was supremely incongruous. Not least to the Conchords themselves.” We’ll continue that in for the O2 ,” they’d remark, after this or that improvised quip or ramshackle moment of fun.
If you first learnt Bret McKenzie and Jemaine Clement, as I did, in a dingy cellar on the Edinburgh fringe 15 years ago, you are able struggle to wrap your head around the scale of their new tour. But if you factor in a Disney film, writing an Oscar-winning song for The Muppets, a sleeper make HBO sitcom, and the fact that this musical-comedy duo is one of the funniest and most talented acts to come along in two decades- well, an explanation have started to take shape.
It’s certainly not down to any dead-eyed careerism. In my 20 years of interviewing comics, few showed as shambling and un-starry as McKenzie and Clement in 2003– the year they were nominated for Edinburgh’s Perrier award. The previous year, theirs had been the festival’s breakout present, due largely to word-of-mouth enthusiasm spread by fellow comics.
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Watch the chant Hiphopopotamus vs Rhymenoceros, from episode three of Flight of the Conchords.
Their shtick was artless banter spliced with improbable comic ballads , notable for their pernickety lyrics and eclectic musicianship. Zoological rap combat Hiphopopotamus Vs Rhymenoceros was an early favourite (” They call me the Hiphopopotamus/ My lyrics are bottomless” and” I’m not a large water-dwelling mammal/ Where did you get that absurd hypothesis ?”). The Humans Are Dead, with its” binary solo” and robo-vocal report of the cataclysm, was another, while their Space Oddity spoof Bowie’s in Space was achingly near the mark.
With merely a couple of acoustic guitars and a digital glockenspiel, they were maestros of every pop music style imaginable, although they concealed their talent with gags.” You can tell when we’ve learned a new chord ,” they told me,” because we’ll use it in our next three anthems .” On stage, they played losers who thought they were wins. Off stage, they were wins who pretended to be losers. They’d been invited to Hollywood to pitch a project, they told me- but” you needed a clearly defined suggestion of what you wanted to do, and we didn’t have any suggestion at all “. So they were sent packing.
I left that interview unsure whether I’d gratified the “real” Clement and McKenzie or an extension of the gormless act. From the off, they excelled at clambering true and fiction- as per the blissful bit of onstage talk in which they guess when the other is in character (” You’re in … now you’re out … now you’re in …”) It helped that they took deadpan to whole new tiers of blankness.
” It’s so dry and so Kiwi ,” says their compatriot and fellow comic Rose Matafeo, who is not alone in tracing much of the Conchords’ distinctiveness back to their national character.” The constant self-deprecation, the playing it straight, these are so common in New Zealand. We’re at the bottom of the world, so isolated. We’re like what the fuck is happen if “youve left” someone alone in a chamber for a day .”
Jarred Christmas, another New Zealand comic, is surprised how far this took them.” I never envisioned there’d be an international espouse of that. I’d never seen that happen, comedy-wise .” Christmas co-starred in the Conchords’ eponymous 2005 Radio 2 sitcom, as did Jimmy Carr, Daniel Kitson and Rob Brydon( the Conchords have always surrounded themselves with fast-rising flair ).” What struck me ,” Christmas says,” is that no matter how laidback they find themselves, they’ve always believed they’re good enough. You’ll notice that, on the radio demonstrate , not one of their chants was played in full. So they retained the rights, rather than those defaulting to the BBC. Clearly, they had their visions set on something bigger .”
No strife, only placid acceptance … the HBO series Flight of the Conchords. Photograph: BBC/ Paul Schiraldi/ HBO
Something bigger duly came in 2007, with the launch of the duo’s HBO sitcom, again eponymously named. They played themselves as hapless immigrants in New York, inducing zero impression as a band whose director( played by Rhys Darby) moonlights as a culture attache at the New Zealand consulate. The series feigned to taunt their homeland’s eccentricity and boringness. But, really, it celebrated those qualities. Eccentricity and boringness were the show’s touchstones, while its USP was the radical flatness of McKenzie and Clement’s performances. They took the faux-real stylings of The Office et al and ratcheted up the humdrum, but blended it with wildly incongruous flares of carol in which Bret and Jemaine’s fantasy lives paraded in all the regions of the screen.
The show ran for two series, featuring soon-to-be-illustrious co-stars( Aziz Ansari, Kristen Wiig) and winning Emmy nominations. Clement and McKenzie likewise won a 2008 Grammy for best comedy album. The series was never more than a cult hitting, in the UK at least, but its significance outperformed its ratings. It opened the world up to indie Kiwi culture and alerted American Tv to overseas flair. Where McKenzie and Clement led, the likes of Trevor Noah, John Oliver and James Corden have followed. Likewise, in its depiction of failure, in its disdain for TV conventions( it was part-improvised ), and in its uniquely hip brand of musical comedy, the present proved more influential than its modest impact at the time might suggest.
Conventionally, failing in comedy has been something to rail against: it’s the fight that builds it funny. In Flight of the Conchords, there is no battle, merely placid adoption.” It demonstrated you didn’t have to be an alpha male ,” says Christmas- and in so doing, it winged the flag for a new generation stimulating more arty and intimate, less obvious and aggressive slapstick. But it cross-fertilised that strain with the gentle surrealism of Spaced and The Mighty Boosh, to show that you could be dorky losers and rock deities, showed bachelors and lotharios.
Key to this were the hymns, two per episode, that underscore the flights of fancy that offset( or should that be overtake ?) Bret and Jemaine’s feckless real lives. The songs alter current realities, moving the plot along in unreal routes, as if singing yourself out of loser-dom genuinely were an option. Narratively, it stimulated tenuous sense, but you were enjoying the hymns too much to care.
” One of the hardest things in musical comedy is to write a number that people want to hear again ,” says Phil Nichol, of 1990 s Canadian musical comedy act Corky and the Juice Pigs.” Usually, once you’ve heard the gags at the end of each stanza, you know all you need to know. But both Jemaine and Bret are astounding musicians. They write stuff that stimulates you think,’ Wow, why didn’t I write that ?’ Their ballads are exceptionally replayable .” Many of them match or even overshadow the trails they pastiche- such as the Emmy-nominated Carol Brown( based on Paul Simon’s 50 Lane to Leave Your Lover ), or the Peter Sarstedt take-off Rambling Through the Avenues of Time.
The villainous crustacean Tamatoa voiced by Jemaine Clement in Disney’s Moana. Photograph: Allstar/ Walt Disney Productions
It’s certainly a rare accomplishment to stimulate musical comedy cool . A rarer feat still is to alumnu from writing funny sungs to winning best chant Oscars, which McKenzie did in 2012 with Man or Muppet from that year’s Muppets movie. Clement’s interim job has been even more eye-catching, with voiceover roles as Fleshlumpeater in Steven Spielberg’s The BFG, as the villainous crustacean Tamatoa in Disney’s Moana, and as intergalactic criminal Boris” the Animal” in Men in Black III.
” People who discovered them at the movies have then gone back and watched Flight of the Conchords ,” says Christmas.” And the sitcom did what The Office did: it stopped at its peak, arguably before its peak, so people have remained perpetually desperate for more .”
And now they’re get it, as McKenzie and Clement touch down for the UK leg of their world tour.” They’ve just been so consistently good over their entire job ,” says Matafeo, who credits the life she’s living today as a New Zealand comic, based in the UK and working internationally, to their example.” Everyone has their own special relationship with a stage of the Conchords’ job. Some people learnt them early, at Edinburgh. Some people- like me- recollect downloading bootlegs of their hymns from the internet. And some people came to them after the sitcom finished. It’s all been so good that, whenever you encounter them, you fall in love with them .”
Flight of the Conchords are at Portsmouth Guildhall from 5-7 March. Then touring the UK until 3 April. Phil Nichol’s tour Your Wrong starts in September . li>
Read more: https :// www.theguardian.com/ stage/ 2018/ disfigured/ 04/ flight-of-the-conchords-comedy-tour
from https://bestmovies.fun/2018/03/06/kings-of-loser-comedy-how-flight-of-the-conchords-took-off/
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bestmovies0 · 6 years
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Black Panther Tops New Jennifer Lawrence, Bruce Willis Films
“Black Panther” is maintaining its clutch on the top spot at the box office for the third-straight week, beating new movies featuring Jennifer Lawrence and Bruce Willis.
The Marvel superhero film from Walt Disney Co ., which has been transgressing sales records, accumulated $65.7 million at cinemas in the U.S. and Canada, ComScore Inc. calculated Sunday in an email. It was the third-best third weekend for any movie ever. JLaw’s” Red Sparrow” and the remake “Death Wish” featuring Willis placed second and third.
The first blockbuster with a black superhero in the leading role, “Black Panther” has become a symbol for promoting diversity in the movie industry. Issues like inclusion and sexual harassment in the entertainment industry will also be in the spotlight Sunday night when the Academy Awards are handed out in Hollywood.
Box Office Mojo was forecasting $65 million in weekend sales for “Black Panther.” For 2018, the film contributes all others with all revenues of $501.1 million, surpassing the half-billion-dollar mark two days faster than” Sun Conflicts: The Last Jedi .” Universal Pictures’ erotic series “Fifty Shades Freed” is in second-place this year with $95.6 million.
“Death Wish,” a remaking from MGM, opened with weekend sales of $13 million. Willis stars as a human who becomes a vigilante after his family is attacked, re-creating the role originally played by Charles Bronson in 1974. BoxOfficePro was forecasting $19.5 million for the picture, which was mostly panned by top critics.
21st Century Fox’s” Red Sparrow” earned an estimated $17 million, missing the $19 million predict of BoxOfficePro. Lawrence stars as a honey trap and snoop targeting a CIA agent. Top critics were mostly negative, according to aggregator RottenTomatoes.com.
Globally, “Black Panther” generated sale of $121.9 million this weekend for a total $897.7 million to date, ComScore said.
from https://bestmovies.fun/2018/03/06/black-panther-tops-new-jennifer-lawrence-bruce-willis-films/
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bestmovies0 · 6 years
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Southern Californians know: climate change is real, it is deadly and it is here
An earthly paradise is ravaged by inferno and deluge, the earth itself rising to proclaim a horrifying and deadly new normal
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When people ask me where I live and I say, “Santa Barbara,” I wait for the inevitable respond, “Paradise,” and the quizzical looking that says, how does one live there, rather than vacation. It’s as if I had responded, Disneyland.
People who visit from colder climates have been grumbling lately. Last year, when it finally rained after six years of drought, and we were practically on our knees with gratitude, a woman from New England remarked,” I didn’t come here for the rainfall .” I virtually said,” Well, then, why don’t you go back home ?” Another pestered a friend: when was her club in Montecito going to open? My pal replied,” I think it’s under eight feet of mud .” She wanted to add,” And they’re still looking for the bodies .”
It’s always been a struggle here to have a normal life, to hold on to reality.
In December, we got a mega-dose of reality when the biggest fire in California’s history burned more than 270,000 acres. Seven metropolis were evacuated.
When the air was labeled “hazardous” for three days operating, we attained plans to leave. On Sunday morning, my phone pinged a mandatory evacuation for Montecito. I called a friend who lives there. “Packing,” she said. The burn was less than a mile away. I drove through the brown air and falling ash to a gas station and when I got there, my credit card wouldn’t work; the power was out. I stood in the zombie snow as others lined up behind me. Ultimately, we drove north to a hotel on the coast, where, with evacuated pals, we hiked and strolled together along the shore.
After we’d been there a few periods, I woke up at 3am and thought of a movie I’d watched years ago. Ava Gardener and Gregory Peck waiting for the fallout from a nuclear conflict in the northern hemisphere to swim on the wind to them in Australia. They were going to die, and everyone and everything they cared about was dead or was going to be just. I remembered a lot of drinking and dancing, fruitless search by submarine along the coasts of the United States for survivors and Fred Astaire setting up his sports car so he could rev it up in his garage and is suicide.
I thought, we are On the Beach.
Like them, we were scarcely refugees. We hadn’t strolled out of our homes not knowing where we were going or who would take us in. But still, hanging over our hikes, was dread.
And what was coming toward us? Immediately, it was the fire. The fire at that point was burning so hot it was basically gas. Because of the long drought, the lack of rain this season, and Santa Ana gales in December.
But we were waiting for something else, too.
And then, the firefighters, all 8,549 of them, stopped the flame and we went home for Christmas.
In early January, a tropical storm from the south made the freshly burned mountains above Montecito between two and three in the morning, and dropped a half-inch of rainwater in five minutes. A army of water and ash and soil no longer secured by plants picked up boulders on its way down the mountain and swept into the town. My friends in Montecito were just too tired to evacuate ahead of this blizzard. A firefighter told them the day before.” If you hear a sound like a freight train, get up on the second narrative or the roof .” They woke up at three under a red sky from mansions explosion over severed gas lines and they heard it:” A terrible grind roar .” It interred houses and autoes and people. It interred the road and the qualify trails. All the way to the ocean. A torso of a human was found on the beach. Not far away from him was the body of a bear.
Broken mansions line mud-caked streets, and two people are still missing including a two-year-old. We are no longer a pretty backdrop, and our nerves aren’t pretty, either.
And we know now what the fright was we felt in December. Call it climate change or climate collapse, that was the Big Dread behind the smaller ones. Climate disciples, climate deniers, deep in our nerves we think it will happen somewhere else. Or, in some other day, in 2025 or 2040 or next year. But we are here to tell you, in this postcard from the former paradise, that it won’t happen next year, or somewhere else. It will happen right where you live and it could happen today. No one will be spared.
So, if you are driving around and flying on airliners and ordering things to be shipped by truck and making money off oil stock the way so many of us are- like there’s no tomorrow? We are here to tell you there is a tomorrow and we are living in it.
If you visit, talk to us as if our dose of mega-reality is not some singular string of bad luck or an inconvenience to you. Help tether us to the reality “weve been”- all of us- living in now and that we in southern California don’t want to forget in the face of returning to “normal”. Make us the one endowment that will help us: please, let’s not go back to business as usual.
Nora Gallagher writes memoir and fiction. She’s the author recently of the memoir Moonlight Sonata at Mayo Clinic and the novel Changing Light
from https://bestmovies.fun/2018/03/06/southern-californians-know-climate-change-is-real-it-is-deadly-and-it-is-here/
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bestmovies0 · 6 years
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Jimmy Kimmel Opens Oscars with Killer Jabs at Weinstein, Trump and Pence
Last year, the elephant in the chamber at the Academy Awards was the newly-elected President Donald Trump. This time, there were many more elephants for host Jimmy Kimmel to address, beginning with the the biggest, most disgusting one of them all: Harvey Weinstein.
In interviews leading up to his second year hosting the Oscars, Kimmel indicated that Hollywood predators would not be his focus, telling ABC News,” This show is not about reliving people’s sexual assault .” James Corden learned the hard way that jokes about rape can have unintended outcomes, but going easy on the prominent humankinds brought low by #MeToo could be just as irresponsible.
On the 90 th anniversary of the accolades, the reveal opened with an old-timey black and white newsreel version of the red carpet, including jokes about nominees, past and present.
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When Kimmel took the stage in glorious colour, he generally seemed more excited to talk about last year’s Best Picture snafu that briefly awarded La La Land the top prize before handing the honor over to its rightful recipient: Moonlight . With Warren Beatty and Faye Dunaway set for a do-over at the end of the nighttime, Kimmel couldn’t resist taking some shoots at the snafu.
” This year, when you hear your name called, don &# x27; t get up right away ,” he told nominees.” Last year, about a week before the prove, the producers asked me if I wanted to do some comedy with the accountants ,” the host exposed.” I said , no, I don &# x27; t wishes to do that. So, the accountants moved ahead and did comedy on their own .”
” We can’t ruin this one, this is a special time, this is a big one ,” Kimmel said.” Oscar is 90 years old tonight, which means he’s probably at home right now watching Fox News .”
Then, as the camera panned to the giant Oscar statuette, he said,” No question about it: Oscar is the most beloved and respected human in Hollywood. And there’s a very good reason why. Just look at him. Keeps his hands where you can see them, never says a rude word, and most importantly , no penis at all. He is a literal statue of limitations .”
” And that’s the kind of men we need more of in this town ,” he continued.” Here’s how clueless Hollywood is about women: we made a movie called What Women Crave and it starred Mel Gibson .”
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From there, Kimmel moved on to Harvey Weinstein, who was kicked out of the Academy this year for his horrendous history of( alleged) sexual abuse. He was just the second person ever to get kicked out after another man was removed for sharing screeners.” He have the same penalty as Harvey Weinstein for making his neighbour a print of Seabiscuit on VHS ,” Kimmel said to a huge chuckle from the crowd.
” But “whats happened to” Harvey, what’s happening all over was long overdue ,” he continued.” We can’t let bad behavior slide anymore. The world is watching us. We need to set an example. And the truth is, if we are successful here, if we can work together to stop sexual harassment in the workplace, if we can do that, girls will only have to deal with harassment all the time at every other place they go .”
” Over such courses of this evening, I hope you will listen to many brave and outspoken supporters of movements like #MeToo and #TimesUp and #NeverAgain, because what they’re doing is important ,” Kimmel said.” Thing are changing for the better, they’re making sure this is right. It is positive change. This is a night for positivity and our program is to glitter a light on a group of outstanding and inspiring cinemas, each and every one of which get crushed by Black Panther this weekend .”
Later, Kimmel addressed the pay inequality scandal that erupted when it was revealed that Mark Wahlberg and Michelle Williams were paid wildly different wages for reshoots on All the Money in the World despite being represented by the same agency. One of the most difficult laughs of the nighttime came when he said,” I have to admit, this story really surprised me. This one shook me, because if we can’t trust agents, who can we trust ?”
Overall, the monologue was short on political gags, though Kimmel did get in got a couple of excellent jokes about the Trump administration.” None other than President Trump called Get Out the best first three-quarters of a movie this year ,” he joked. And then this murderer:” We don’t attain movies like Call Me by Your Epithet for the money. We construct them to upset Mike Pence .”
After a banner year during which he made late-night affair again by driving real action on health care and artilleries, Kimmel was ultimately able to find the appropriate balance between condemning the industry’s abusers without diminishing the celebratory nature of the nighttime. Not an easy feat, but he pulled it off.
Read more: https :// www.thedailybeast.com/ jimmy-kimmel-opens-oscars-with-killer-jabs-at-weinstein-trump-and-pence
from https://bestmovies.fun/2018/03/06/jimmy-kimmel-opens-oscars-with-killer-jabs-at-weinstein-trump-and-pence/
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bestmovies0 · 6 years
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The U.S. Army Has Mistakenly Declared War On Wakanda 17 Times: Everything You Need To Know About Black Panther
After decades of Marvel movies without a black superhero as the star, Black Panther is already setting the new criterion for what it means to be a superhero of color in a genre that so often relegates them to the role of sidekick. From its comic book origins to its insanely talented casting, here’s everything you need to know about Black Panther before its premiere.
1. After working together on Creed , administrator Ryan Coogler and performer Michael B. Jordan teamed up again on Black Panther as an excuse to hang out without Sylvester Stallone there constantly asking them how they suppose Rocky should die.
2. The soundtrack, curated by Kendrick Lamar, has received some criticism due to Lamar mistakenly referencing on every track that the Black Panther’s only superpower is running up and down the stairs without applying the railing.
3. The U.S. Army has erroneously said conflict on Black Panther’s home, the fictional African nation of Wakanda, 17 times.
4. Marvel tapped the expertise of legendary Planet Of The Apes actor Andy Serkis for the responsibilities of the Black Panther’s archnemesis, a bigass pregnant ape who can read just enough English to navigate a mall directory.
5. Some early evaluations have blamed the film’s prominent product placement, including a $75 million scene in which T’Challa says, “This isn’t from a Keurig, ” after he kills someone with a single-use chai cartridge.
6. In ordering to maximize the post-credits sequences that audiences have come to expect from the MCU, Black Panther begins with the end credits and splices the entire movie throughout.
7. After feedback from early screenings, Ryan Coogler delayed the release of Black Panther so he could edit out the scenes of the Black Panther practising the clarinet with Woody Allen.
Read more: http :// www.clickhole.com/ article/ us-army-has-mistakenly-declared-war-wakanda-1 7-tim-7399
from https://bestmovies.fun/2018/03/06/the-u-s-army-has-mistakenly-declared-war-on-wakanda-17-times-everything-you-need-to-know-about-black-panther/
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bestmovies0 · 6 years
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Victim’s limbs were burned on BBQ pit, witnesses tell jury
Gabriel Moreno, 32, faces a murder accusation for the death of Jose Luis Menchaca.( San Antonio Police Department)
Jurors heard affidavit Friday in the assassination trial of the first of three defendants linked to a 2014 suit in which authorities say the victim’s limbs were burned on a barbecue pit.
Gabriel Moreno, 34, is the first defendant being tried in the case, the San Antonio Express-News reported. Co-defendants Daniel Moreno Lopez, 31, who is Moreno’s cousin, and Lopez’s girlfriend Candie Dominguez, 38, are likewise charged with slaughter and awaiting trial, the report said.
They are accused of killing Jose Luis Menchaca, 35, who authorities say was thumped with aluminum baseball bats, suffocated with a plastic pouch over his head, then dismembered and barbecued.
At one point, witness Dennis Austin testified, he saw Menchaca’s torso, with limbs and legs missing, inside a blue plastic bathtub, with a plastic bag all over the brain that “held it in place.”
“We determined the torso, psyche still attached, but detached, like a bobblehead, ” he said. “I will never forget that aroma. It smelled worse than decomposed animal.”
Daniel Lopez, 28, was arrested for murder Oct. 3, 2014 after police saw a body wrap in trash bags at his house. ( Bexar County Sheriff’s Office)
Austin said he saw blood on the walls and sofa of a San Antonio home that Lopez and Dominguez shared, while the victim was bound at his hands and feet, with his mouth videotapeed, research reports said.
“He( Menchaca) was bleeding from the cheek, there was blood everywhere on him, ” Austin said. “It was like a horror movie.”
“There was blood everywhere on him. It was like a horror movie.”
– Witness Dennis Austin
Another witness, Menchaca’s girlfriend, Sylvia Flores, said she saw Moreno and Lopez attack Menchaca with the at-bats Sept. 30, 2014, the Express-News reported.
Candie Dominguez, 35, was arrested for slaughter Oct. 3, 2014 after police acquired a torso wrap in trash bags at Lopez’s residence, where she also lived. ( Bexar County Sheriff’s Office)
She said Lopez and Menchaca were involved in an altercation over anti-retroviral drugs deal, when Menchaca stabbed Lopez, where it was shot at Menchaca, the report said.
Flores said on the day of the two attacks, Dominguez, “whos also” Menchaca’s cousin, produced her and Menchaca to a back room of Lopez’s residence, where Moreno and Lopez thump Menchaca “until he fell to the ground with his bloody chief pushed up against a sofa.”
“He was on his back and was calling for his life, ” she told the jury.
“He was on his back and screaming for his life.”
– Witness Sylvia Flores
Flores was stripped naked and bound soon after, she said. Days subsequently, she said Lopez showed her the barbecue cavity and was poking “a leg or arm, a joint” with a stick, the Express-News reported.
Austin said the two cousins tried to suffocate Menchaca with a pillow and plastic container, the newspaper reported. He said the man told Lopez he was sorry and “begged for his life, ” but he said Lopez told Menchaca “no, you( expletive) with the wrong person.”
If convicted, Moreno could face life in prison, Fox San Antonio reported.
Amy Lieu is a news editor and reporter for Fox News.
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Victim’s legs were burned on BBQ pit, witnesses tell jury
Read more: http :// www.foxnews.com/ us/ 2018/03/ 03/ victims-limbs-were-burned-on-bbq-pit-witnesses-tell-jury.html
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