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by Andrei Riabovitchev
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autonomoustweekazoid · 13 hours
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autonomoustweekazoid · 13 hours
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autonomoustweekazoid · 13 hours
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₴₳Ɏ ł₮ Ɇ₦ØɄ₲Ⱨ, ₮ⱧɆɎ'ⱠⱠ ฿ɆⱠłɆVɆ ł₮ 「十分に言えば、彼らは信じてくれるでしょう」
Tools: Leonardo AI, Lexica AI, Krea AI, G'MIC-Qt and GIMP
Links: Instagram // Threads // Ko-Fi
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autonomoustweekazoid · 13 hours
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"And when Bob and Arlen's fifteen year old daughter Luna was shot dead in a stick-up job, he points out that her killer was a young Native American compelled to rob by brutal and oppressive history; opposes the death penalty, and stands as an extraordinary and exemplary human being...
...With 35 books weaving his ideas in their spectacular diversity, weaving his luminescent consciousness into the intellectual DNA of our painfully slow developing society. And dancing somewhere, with his wife, back when he could still dance, and she was still alive"
- From Alan Moore's Beautiful Tribute to Robert Anton Wilson (Queen Elizabeth Hall, 2007)
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“You should view the world as a conspiracy run by a very closely-knit group of nearly omnipotent people, and you should think of those people as yourself and your friends.”
"Besides Paranoia is a Loser script; it defines somebody else as being in charge around here except me. I prefer to define myself and my friends as the architects of the future.
If David Rockefeller has the same idea about himself and his friends, well, the future itself will decide which coalition was really on the Evolutionary Wave: the Money people or the Idea people".
- Robert Anton Wilson
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"Ontological anarchy combines elements of traditional anarchism (see Government as Criminal Conspiracy) with Discordianism, mathematical chaos theory, surrealism, the Moorish Orthodox Science of Noble Drew Ali, and bits of several mystic traditions, especially the Sufi and Taoist.
Basically, it consists of (a) the perpetual anarchist quest for maximum liberty of the individual and (b) a prose style of such post-modern density and Nietzschean fury that it continually “tricks” the reader into realizing just how very little liberty we ever experience, and how much bland tyranny we presently endure.
Poetic terrorism started out as a graffiti campaign, but Bey now defines it as “a strange mixture of clandestine action and lying (which is what art is all about)” and compares street theater with guerrilla theater.
“If you call what you’re doing a ‘street performance,’ you’ve already created a split between artist and audience….But if you stage a hoax, make an incident, create a situation, it might be possible to draw people in as participants and to maximize their freedom.”
- Robert Anton Wilson, Everything is Under Control
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Thatd be nice.
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Hands are for fighting.
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