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astralmirrors · 4 months
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⇆ㅤ ||◁ㅤ❚❚ㅤ▷||ㅤ ↻
⠀⠀⠀⠀⠀⠀⠀⠀STEP INSIDE ⠀⠀⠀⠀⠀⠀⠀⠀WALK THIS WAY ⠀⠀⠀⠀⠀⠀⠀⠀YOU &. ME BABE ⠀⠀⠀⠀⠀⠀⠀⠀HEY, HEY .ᐟ
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astralmirrors · 4 months
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Please reblog this if it’s okay for me to just pop into your ask box to RP with you even if you haven’t reblogged a meme because I just want to RP with you
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astralmirrors · 4 months
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the happiest of holidays !! (a list of wintry prompts!)
as requested by a lovely follower, here's a list of prompts set around this time of year! i'll probably add to them as time passes, but i hope you enjoy them, and i hope you all have a peaceful and restful december and a fruitful new year! much love to all! as always, DO NOT ADD TO THIS LIST! bon appetit!
[ SKATE ]: the sender invites the receiver to go ice-skating with them.
[ COOKIES ]: the sender and the receiver spend the night in the kitchen decorating cookies together.
[ LAST-MINUTE ]: the sender and receiver head out together to try and find some gifts for their family and friends.
[ FROZEN ]: sender and receiver wrap up warm and head out into a fresh blanket of snow to make a snowman together.
[ CHOCOLATE ]: the sender and receiver set up a fully decked-out hot chocolate bar and get to work making the perfect hot cocoa.
[ COLD ]: while walking with the receiver, the sender secretly makes a snowball and throws it at them, initiating a full-on snowball fight.
[ TOGETHER ]: the sender attends a highly popular winter party with the receiver.
[ ROAD ]: the sender and receiver end up driving home together for the holidays on a lengthy road trip.
[ LIGHT ]: the sender and/or the receiver light the menorah together.
[ BALL ]: the sender and the receiver attend a highly prestigious winter gala together.
[ STUCK ]: the sender and receiver are snowed in together at the same building, and must spend the evening together until they can find a way out.
[ EXCHANGE ]: the sender meets up with the receiver in order to exchange gifts with one another.
[ ESCAPE ]: as a surprise to the overworked receiver, the sender treats them to a weekend away after renting a winter cabin.
[ KITCHEN ]: the sender and receiver work together to make a huge holiday meal in the kitchen, to varying degrees of success.
[ CRAFTY ]: the sender and receiver spend an evening together designing and creating winter decorations.
[ SPIN ]: the sender and the receiver engage in a game of spinning the dreidel together.
[ CHOICE ]: the sender and receiver embark on a mission: getting the perfect christmas tree.
[ COZY ]: the sender and receiver enjoy a cozy evening in front of a fire, watching a movie together.
[ COVER ]: the sender attends a family event with the receiver, but there's a twist: they're pretending to be the receiver's partner.
[ FRIGHTFUL ]: the sender and receiver attempt to decorate the exterior of the sender/receiver's home together.
[ DELIGHTFUL ]: the sender and receiver work together to decorate the interior of the sender/receiver's home.
[ SMOOCH ]: the sender and receiver end up under the mistletoe together during an evening of celebrations.
[ SWEET ]: the sender and receiver enjoy an evening of baking treats together, again, to varying degrees of success.
[ SPARK? ]: the receiver walks into the living room to find the sender trying to light a fire and struggling with the process.
[ SLOPES ]: the sender and receiver enjoy a day of hitting the slopes and skiing together.
[ CHEESE! ]: the sender and receiver try to orchestrate the perfect, most stress-free photography session for the festive photo.
[ CUTE? ]: the sender and receiver participate in the ancient tradition of wearing ugly/itchy sweaters during the holiday period.
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astralmirrors · 4 months
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𝐢𝐧𝐭𝐢𝐦𝐚𝐭𝐞 + 𝐬𝐞𝐱𝐮𝐚𝐥 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧 𝐪𝐮𝐞𝐬𝐭𝐢𝐨𝐧𝐬.
minors dni, mature / usfw questions ahead. please specify muse when sending to a mumu blog.
... 01. what sexuality does your muse identify as, or most closely with? 02. when did your muse realise they had become sexually attracted to others? 03. what traditional 'turn on's' apply most to your muse? 04. what non-sexual act of foreplay most turns them on? 05. what are the top kinks that your muse enjoys? 06. what are some/a kink that your muse wants to explore? 07. how to they view sexual intimacy and love? 08. outside of the bedroom or domicile, where has your muse had sex? 09. do they prefer/tend to be dominant, submissive, both, or etc.? 10. how often does your muse indulge in self-pleasure? 11. what is your muses favourite, or most favoured, position/s? 12. how sensitive sexually is your muse? 13. does your muse enjoy wearing something special in the bedroom? 14. has your muse ever indulged in temperature play? if not, would they? if so; how did they find the experience? 15. relative to genre, has your muse ever used toys with a partner or themselves? 16. how vocal is your muse when intimate? 17. how confident is your muse in expressing their desires? 18. has your muse ever bathed or showered naked intimately with another? 19. how does your muse feel about eye contact during sex? 20. has your muse ever indulged in the use of restraints; whether using them on someone or themselves?
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astralmirrors · 5 months
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send “🌿🍒” (or "mistletoe") for my muse's reaction to standing under a mistletoe with your muse  ♡
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astralmirrors · 5 months
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ROYAL, FANTASY ROMANCE AND SPICE. all these quotes and sentences are taken from different sources as well some made by myself. change pronouns and places and names as you see fit. some of these are heavy with tension or sexual intention, though nothing too graphic, but you are warned some of these are full of spice and forbidden romance. if you have more suggestions, send them to me and i will add them to this post.
ACTIONS AND SCENARIOS. add +reverse to change the roles.
(royal ball): our muses dance at a royal ball. 
(captive in the tower): sender is held captive and receiver helps save them.
(arranged marriage): our muses are thrown together into an arranged marriage.
(childhood betrothal): arranged to wed since being children, our muses finally meet days before the wedding.
(ward): send is a ward at the receiver's house/home. 
(stolen kiss): sender kisses receiver before a battle, away from prying eyes.
(mystery knight): sender is unknown at court and receiver wants to know them further.
(secrets): our muses are together in a secret relationship as their families wouldn’t approve. 
(brother’s keeper): sender is receiver’s brother's best friend. Sender has been harboring a crush since they met.
(taken): sender is taken prisoner by receiver on their ship at sea after a shipwreck.
(horse ride): there is only one horse trope, our muses have to ride together.
(guard): sender is made receiver’s guard and they have to travel/spend time together.
(no one is here to help): receiver is taken to sender as their captive.
(aftermath): after a battle/war, sender and receiver reunite thinking the other was dead. 
(my prince): sender falls for receiver, who is the realm’s prince/princess.
(tourney): sender gives the receiver their favor during a tournament.
(piece of me): sender ties a piece of cloth on receiver’s hand to wrap around a wound.
(you left): sender left receiver years ago, now reunited, receiver is upset.
(last kiss): unsure if they will see each other again, sender kisses the receiver before distracting enemies so receiver can escape.
(under my protection): sender proclaims himself receiver’s protector while receiver is traveling/captive.
(starcrossed): our muses find out they have to marry other people and they reunite at night.
(we were in love once): our muses were together in a relationship in their youth and now see each other after years.
(my castle is yours): sender pledges their castle as a fortress to keep the receiver safe.
(gentle touch): sender heals the receiver of their wounds and inevitably grows close.
(magic): receiver is a being of magical properties and sender finds themselves enthralled by them.
(my paramour): receiver becomes sender’s mistress.
(the bane of my existence): our muses never got along and yet, they harbor feelings for one another after a heated argument.
(maze): our muses lose their guards in a maze and they find each other alone.
(it was always you): our muses are childhood friends about to get married.
(to make peace): from opposite houses, our muses are now married to bring peace.
(corner): behind a corner of the great hall, sender corners receiver after seeing them dance with someone else.
(advisor): receiver works as an advisor for sender, despite objection around court.
(rags to riches): receiver is a bastard now made legitimate and people around the realm came to meet them. Sender is one of them.
(at your service): receiver is a lady in waiting/personal guard to sender’s sibling and a romance develops.
(saved): sender is saved by receiver, who is a healer/witch.
SENTENCES AND QUOTES:
“You are enough to drive a saint to madness or a king to his knees.”
“He didn't marry you to become king. He became king because he wanted to marry you.”
“Little by little, the old world crumbled, and not once did the king imagine that some of the pieces might fall on him.”
“I want you—but I don’t want this."
“Rule with the heart of a servant. Serve with the heart of a king.”
“There’s a fine line between gossip and history, when one is talking about kings.”
“I will not share you."
“Well, princess, let’s see what you’re made of.”
“She added the flowers and incense to help mask your own scent.”
“Your eyes betray you. Your body even responds to mine no matter that you’re angry. You want me.”
“He is my ruin. My complete and utter devastation.”
“Just how long have you been sticking it to the girl who’s like a little sister to us?”
“There’s a certain sort of beauty in submission.”
“My story hasn’t been written yet, but I know it begins with you.”
“You will love this man. Do you understand? You will love him, serve him, and obey him in all things. This is your duty to me and to France. Am I clear?’
“She didn’t need a man. She wanted one.”
“Your wish is my command, my queen.”
“It is legal because I wish it.”
“Rejection is an opportunity for your selection.”
“She's magic, Cassandra. A single flower blooming in an endless desert.”
“Do you really want to put yourself through this? Is loving me really enough to endure everything you have to just to be with me?"
“Make no mistake.You are under my protection now, and I protect what is mine.”
“But perhaps, when you sleep, you will dream of me."
“I cannot come with you, my prince.”
“This woman was consuming him, bit by bit.”
“Call him. Claim him. Speak his Name. Make him thine before all others.”
“You are the harbor of my soul’s journeying.”
“We love what we love. We don’t need to justify it to anyone… not even to ourselves.”
“To love something despite. To know the flaws and love them too. That is rare and pure and perfect.”
“The heart is neither given nor stolen. The heart surrenders.”
“Give yourself to me.”
“I ask for so little. Just fear me, love me, do as I say and I will be your man to serve.”
“I married you to stop the bloodshed, and you keep killing. When will it be enough- when?”
“Marriage is a marriage- love or arranged. Both require the same level of commitment.”
“We are trapped by convention and must marry another.”
“We had both accepted the unwritten rule of arranged marriage: love, if it arrived at all, would bloom with time.”
“Be with me. Want me. Stay with me.I don’t know how to be without you.”
“We were doomed from the start. A lost cause. A losing battle.”
“Mr. Larsen, if you make me cry at my own coronation ball, I’ll never forgive you.”
“You are my very own forbidden fruit.”
“I’m scared, but I’d rather have one real day with you than a lifetime of misguided security.”
“And you, are mine.”
“You think a courtship and a hunt are two separate things. They are not.”
“I will share him with you, I cannot lose him.”
“Why must you resist me so dearly? When you tremble under my touch?”
“You must be made of magic itself. Your touch is warm.”
“One day, I will be able to leave you.”
“Did he touch you? Did you enjoy the way he held you across the room?”
"I will be your husband. I will take a solemn vow to protect you until death do us part. Do you understand what that means?"
“And why, pray tell, should I make it easy?'
"You are the bane of my existence--and the object of all of my desires. Night and day I dream of you."
"I did not ask for this--to be plagued by these feelings."
“I have loved you at every dance, on every walk, and every time we've been together. You must feel it in your heart, because I do."
“Because,by the time I’m done, prayer is the only thing that is going to save you.”
“Suppose I told everyone that I had seduced you.”
“You’re not planning to refuse me, are you?”
'Tell me if I do anything you don't like.”
“Say you do not care for me. Tell me you feel nothing and I will walk away.”
“I am a gentleman. My father raised me to act with honor, but that honor is hanging by a thread that grows more precarious with every moment I spend in your presence.”
“If I wed your sister, it will bind me and you together for eternity, and I will spend every day of my marriage wanting you, dreaming of you, dreading the day when my last thread of honor finally snaps.”
“I have never met anyone like you. It is maddening, how much you consume my very being.”
“That scent. It has remained imprinted on my mind ever since that night of the conservatory ball on that terrace. Lilies.”
“I desire you. I burn for you. I can't sleep at night because I want you."
“You’re the center of a star, and the force of gravity keeps pulling me closer, and I don’t give a damn that I’m about to be incinerated.“
“Whatever bad thing happened to you, it hasn’t made you less beautiful. There’s beauty in darkness, too.”
“I belong to you. Only you…I’ll always be yours. No matter what.”
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astralmirrors · 5 months
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⤏ send me “plots please”
… and I’ll respond with  3  (or more)  interesting  plots / relationships / connections  I can think of for our muses!   There is  no pressure  for us to write any of them,   but it’s a great starting point for you to get a sense of how I think our muses might interact and what sorts of plots I’m most interested in happening between them  -  so don’t be shy!
for multimuse blogs make sure to specify who you’re looking to plot with
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astralmirrors · 5 months
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send me a number for my muse to talk about …  could be npc’s from your muse’s canon or other muses! 
1. someone they fear
2. someone they love
3. someone they miss
4. someone they admire
5. someone they’ve forgiven
6. someone they feel dislikes them
7. someone they view as a mentor
8. someone they view as a role model
9. someone they would like to befriend
10. someone they’re holding a grudge against
11. someone they have romantic feelings toward
12. someone who taught them a valuable lesson
13. someone they have conflicted feelings about
14. someone whose choices have drastically impacted their life
15. someone they used to view positively, but now view negatively 
16. someone they used to view negatively, but now view positively 
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astralmirrors · 5 months
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𝐋𝐄𝐓𝐓𝐄𝐑 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
literally letter threads are elite. that’s. that’s all the context we have here. also bc the language is obviously being changed slightly here. so, for clarification: the person receiving the meme, is the writer of the letter! the person SENDING the meme, is RECEIVING the letter! now. go write letters, u magnificent cupcakes, and DO NOT ADD TO THIS LIST!!! i will know, and i will hunt u down and curse ur potatoes to be soapy and bland and messy for all eternity.
[ LOVE ]:     the writer begins the first of a series of love letters to the recipient.
[ SORRY ]:     the writer delivers a letter of apology to the recipient.
[ LAST ]:     a letter sent in the aftermath of the writer’s death.
[ TWIST ]:     a letter sent in the aftermath of the writer’s alleged death, only to reveal that they are, in fact, still alive.
[ FINAL ]:     a letter written in the aftermath of the recipient’s death, where the writer knows they’ll never get the chance to read it.
[ INITIATE ]:     a letter written to the recipient in order to maintain communication between the two while the writer is far away from them.
[ FAREWELL ]:     a letter written to say goodbye to the recipient, where the writer knows there’s an extremely high chance that they’ll never see each other again.
[ REVELATION ]:     a letter written that reveals the truth about an event(s) that the writer believes the recipient may be misinformed about.
[ EXPLAIN ]:     a letter that explains the reasoning behind choices that the writer has made in the past, which they would like to explain to the recipient.
[ BAD ]:     a letter that delivers bad news to the recipient.
[ UPDATE ]:     a letter that updates the recipient on the writer’s life, or certain on-going events that are happening in their life.
[ AFAR ]:     a letter delivered by the writer from another country/city/planet/etc in order to reassure the recipient and let them know they’re okay. (not intended to be a back-and-forth, like [ INITIATE ] does).
[ HIDDEN ]:     a letter written and delivered to the recipient in secret, for the recipient’s eyes only, as a result of information it contains, or because of the person who wrote it.
[ UNSENT ]:     a letter written for the recipient, but which the writer ultimately never sends for reasons that the writer conceals, or may reveal within the letter itself.
[ MISTAKE ]:     a letter which is sent to the recipient by mistake, and which may contain sensitive information about the recipient.
[ UNVEIL ]:     a letter which reveals the truth about a plan that the writer previously and deliberately concealed from the recipient for their safety/well-being.
[ NEEDED ]:     a letter that the writer wrote for the recipient after learning of their recent struggles in their personal life, and which contains uplifting words of encouragement, support and other things they feel they should hear to help them through.
[ PILLOW ]:     a letter left neatly atop a pillow on the bed that the writer and recipient share, that is discovered by the recipient the following morning after the writer leaves the room/home.
[ FRIDGE ]:     a letter attached to the fridge with magnets for the recipient to read in the kitchen.
[ KNOWN ]:     a letter which the writer left in a place that only the writer and recipient know of, knowing that only the recipient would be able to find it first.
[ HELP ]:     a letter written by the writer to the recipient, asking the recipient for help.
[ STOP ]:     a letter written for the recipient which the writer intends to be their final letter to them, and which ultimately concludes all communications between the writer and recipient from that moment forth.
[ PAST ]:     a letter which the writer wrote in the past, that reveals a piece of their backstory, that the reader finds and reads out of curiosity. (this could also be a letter written TO the receiver of the meme, or about them, or anything at all!)
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astralmirrors · 5 months
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"Maybe not," Quattro replies with a coolness hardly befitting the man he’s sure Amuro sees him as. He’s thought about it extensively before, though never was granted the time to ask—truly, how /does/ Amuro see him?
Surely, they both developed views of the other that, obviously, differed from reality. Completely different from the other, even, but one trait must have been common—to see the other as a heartless murderer, guilty of the untimely death of Lalah Sune.
Maybe that's all they'd ever agree on. That one of them got her killed that night. Yes— Amuro would be right to assume Quattro was also unable to "forgive and forget."
"Fate instead, perhaps, us meeting again here. On the same side.” Whether Quattro is taunting Amuro or being truthful here seems to be outside even his own knowledge, and his expression stays calculatingly even.
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“Your growth seems to have stunted. Is that what you call doing well for yourself?”
Quattro tilts his head, hands carefully folded over crossed legs, hidden eyes glancing downward at the difference in their body language. Amuro, in Quattro’s opinion, has a habit of making himself seem small. It's almost interesting, why /does/ he behave that way?
“I did all I had to—though, not all I would have liked.” He leaves no room for Amuro to ask what he may have meant, quickly following up to answer the question asked of him.
“That's a simple question with a complex answer. Roughly for the same reason as you—I simply was not made for mundane life.”
It's difficult, would take far too much time, to explain his entire life between then and now. To explain how he became Quattro Bajeena—and that Amuro is entirely correct in assuming that he never truly stopped fighting. Always embroiled in conflict, always keeping himself busy. Keeping his mind occupied.
Silence in space is often replaced by unwelcome memories.
continued. / @astralmirrors
Clasping his fingers together, Amuro tried to meet Quattro's gaze behind those sunglasses of his. "Is that why we're here again? Out of necessity?" The last thing Amuro expected after the One Year War was being in the same space as the man whom he once and still knew as Char Aznable.
In spite of their previous animosity, he was surprised that he was as calm as he could be. Time must have both done them a favor in an almost miraculous way. Nevertheless, Amuro wasn't ready nor would he be ever willing to forgive and forget. Without needing to say it out loud, he felt that Quattro might feel the same way.
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"I think I was doing pretty good for myself after playing my part. But, I guess living a normal life will never be in the cards for me. And maybe the same goes for someone like you, too." Seven years was a long time, but the nightmares and guilt during those days of mundanity often made him relive the horrors of war.
"Besides, you managed to accomplish what you had to do back then. Well, I'm pretty sure you did." His clasp tightened, regaining composure shortly afterwards. "So tell me... Why haven't you ever stopped fighting, Char?" His referral to Quattro as his previous identity was out of habit, and an indicator if he wasn't being in total control of his emotions.
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astralmirrors · 5 months
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[ src. ] " i was surprised at what i was capable of. "
( amuro to quattro zeta timeline, coz we just have to ( ͡° ͜ʖ ͡°) )
Despite all that Amuro has been through—of all the encounters the two have had with each other—Quattro found that he knew very little about the man himself. That fact, in Quattro's eyes, was something of a strength. Only so much can be done to harm someone the public has minimal personal information on.
To say that Quattro had resigned to this lack of knowledge wouldn't be an understatement. In his eyes, they had an innate understanding of each other beyond the need for conversations like this—but he's not the type to pass up such a thing, either.
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"War brings about the unexpected," his response begins with an even tone. "It's often surprising, the things people do out of necessity."
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astralmirrors · 5 months
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[ i'm paying closer attention to new asks/starters than old ones bc of how long i've been gone—it feels weird to reply to smth sent to me ages ago ;;
feel free to resend stuff i haven't replied to / send new things! i'm at work at this very second but i'm starting to work on stuff. ]
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astralmirrors · 5 months
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𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.
okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )
[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)
[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.
[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.
[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.
[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.
[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.
[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.
[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.
[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.
[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.
[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.
[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.
[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.
[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.
[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.
[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.
[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.
[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back
[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.
[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.
[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.
[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.
[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.
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astralmirrors · 5 months
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[ hiiii.... OTL
hopefully i can actually be more active here soon, i'm infinitely more active on RP twitter...... i've been really wanting to get back to writing char/quattro more often though, so i might end up back here more! ]
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astralmirrors · 5 months
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* 𝐓𝐇𝐄 𝐊𝐈𝐋𝐋𝐄𝐑 ( 𝟐𝟎𝟐𝟑. )
feel free to change pronouns / wording!
" it's amazing how physically exhausting it can be to do nothing. "
" if you are unable to endure boredom, this work is not for you. "
" i am what i am. "
" i'm not exceptional, i'm just a part. "
" consider yourself lucky if our paths never cross. "
" luck isn't real, nor is karma, or sadly - justice. "
" one is born, lives their life and eventually, one dies. "
" most people refuse to believe that the great beyond is no more than a cold, infinite void. "
" avoid being seen, which is impossible in the twenty-first century, so at least avoid being memorable. "
" keep calm, keep moving. "
" it's a dog-eat-dog world. "
" every man for himself. "
" kill or be killed. "
" survival of the fittest, isn't it all just human nature? "
" it's the idle hours that most often lead a man to ruin. "
" i'm aided and abetted by law enforcement fatigue. "
" vigilance is essential, even the most disciplined mind can become weary, impatient, hurried, sloppy. "
" i find music a useful distraction. "
" i'm not here to take sides. "
" it's not my place to formulate any opinion. "
" no one who can afford me needs to waste time winning me to some cause. "
" i serve no god or country. "
" if i'm effective, it's because of one simple fact - i don't give a fuck. "
" each and every step of the way, ask yourself - what's in it for me? "
" you've done what you can do. "
" calm, breathe. "
" obviously it's a fucking problem to say the least. "
" there were two of them. "
" i've learned not to pry. "
" i was so afraid, afraid i might say something. "
" you'd have been proud, i was strong. "
" i don't know who they are, don't wanna know who you are either. "
" care to explain yourself? "
" who do you think you're trying to intimidate? "
" i need that information, and you are running outta time. "
" need any help getting rid of that body? "
" i'm not a bad person. "
" hope they're not planning a sleepover. "
" how's 'i don't give a fuck' going? "
" fight only the battle you're paid to fight. "
" you picked the wrong house, motherfucker. "
" it's common knowledge when a female is found slain, the prime suspect is always the husband or boyfriend. "
" well, maybe not common knowledge. "
" i've been so good for so long. "
" tell me he went horribly. "
" you would be very impolite to refuse to join in my last supper. "
" afraid it's tainted? "
" what happened to her, i had no part in. "
" i objected to his methods and i told him so. "
" it's nothing personal. "
" we've all had to work through the occasional civilian who's stood between eyes and the prize. "
" i was surprised at what i was capable of. "
" how easy it was. "
" i assured myself there were some things i would never do. "
" less you know, the better. "
" one man's cruelty is another man's pragmatism. "
" you're here because you couldn't help yourself. "
" you expected to sit across from me and feel nothing but reassured. "
" how is it possible? having prepared myself for this moment for so long, i have failed to believe that it would ever arrive. "
" i wouldn't wish it on my worst enemy, who, come to think of it, at this moment, is you. "
" you'll remember our conversation. "
" help a girl out, won't you? "
" trust no one. "
" this is what it takes, if you want to succeed. "
" good enough for james bond. "
" i told you this, and you don't listen to me. "
" once i see his eyes, i'll have a pretty good idea of how this is gonna go. "
" i'm not going to be disappointed in you. "
" i came to show you how easily one might get to you. "
" do you and i have a problem? "
" nobody's perfect. "
" the need to feel secure, it's a slippery slope. "
" fate is a placebo. "
" maybe you're not one of the few. "
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astralmirrors · 7 months
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INTIMIDATION AND VIOLENT RP PROMPTS. ( A collection of action based roleplay prompts. Feel free to add information if you wish. )
Send a symbol for the action and/or send a # for reverse
🤲🏻 or ‘firm’ // sender grabs receivers chin firmly
🔪 🔙 or 'knife behind’ // sender presses a knife on receivers’ throat from behind
🔪 🔜 or 'knife front’ // sender presses a knife on receivers’ throat from front
🧱 or 'wall’ // sender backs receiver up against a wall
🔗 or 'kidnap’ // sender kidnaps receiver ( feel free to specify details )
👐 or 'choking’ // sender wraps their hands around receivers’ throat
💥or 'smack’ // sender smacks receiver in the face
🩸or 'bleed’ // sender makes receiver bleed ( feel free to specify where )
🤕 or 'knockout’ // sender knocks receiver’s head against the wall
🦴or 'bone’ // sender breaks one of receiver’s bone ( feel free to specify which bone )
🚬 or 'burn’ // sender burns receiver ( feel free to specify details )
🔫 or 'gun’ // sender points a gun at receiver’s head
⛓ or 'handcuffs’ // sender handcuffs receiver ( feel free to specify details )
🪓 or 'weapon’ // sender corners receiver with a weapon
🔧or 'gunpoint’ // sender holds receiver at gunpoint
🗑 or 'murder’ // sender attempts to murder receiver
✂️ or 'cut’ // sender cuts receiver ( feel free to specify details )
🧤 or 'yank’ // sender grabs receivers hair and yanks them over the floor
💊 or 'drug’ // sender sedates receiver ( feel free to specify ex. for a kidnapping, torture, etc. )
➰ or 'restraint’ // sender restrains receiver with ropes
💧or 'water’ // sender waterboards receiver
💪or 'arm’ // sender forces receiver’s arm behind their back
🔥or 'fire’ // sender puts cigarette out on receiver’s body
🪖 or 'tackle’ // sender tackles receiver on the ground
🚅 or 'shoot’ // sender non-fatally shoots receiver
2K notes · View notes
astralmirrors · 7 months
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the  intimacy  of  hands.
[ win ]  –  for the sender’s muse to place a hand on the receiver’s neck and rest their forehead against the receiver’s own for a close congrats or excitement at something. [ brush ]  –  for the sender’s muse to give the receiver’s muse a passing touch along the shoulder’s / back as they walk by. [ hold ]  –  for the sender’s muse to hold the receiver’s muse by the face / neck gently and brush their thumbs along their cheeks to get them to focus on them. [ passing confidence ]  –  for the sender’s muse brush their finger’s against the receiver’s muse’s hand, too scared to hold their hand. [ intertwine ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and kiss the back of their hand. [ intertwine & kiss ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and kiss the back of their hand. [ intertwine & hold ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and hold them during an emotional moment to reassure them. [ wrap ]  –  for the sender’s muse to casually wrap their arms around the receiver’s neck and lean on their shoulder from behind. [ palm kiss ]  –  for the sender’s muse to kiss the palm of receiver’s hand. [ hand kiss ]  –  for the sender’s muse to kiss the back of the receiver’s hand. [ lay ]  –  for the sender’s muse to lay next to the receiver and lay their hand in the receiver muses’ hand. [ reassure ]  –  for the sender’s muse to place their hand over the receiver’s in a moment of stress and squeeze reassuringly. [ squeeze ]  –  for the sender’s muse to place their hands on the receiver’s shoulders from behind, and offer a reassuring / affirming squeeze before moving on. [ pluck ]  –  for the sender to pluck a foreign object ( twig / leaf / etc. ) out of the receiver muses’ hair. [ play ]  –  for the sender’s muse to run their hand up the receiver’s shoulder and play with the hair at the base of their neck as a means of comfort. [ rub ]  –  for the sender muse to rub up and down the receiver’s back / shoulder as a means of comfort. [ shoulder ]  –  for the sender’s muse to place a hand on the receiver’s shoulder to comfort them, or stop them. [ hug ]  –  for the sender’s muse to drag the receiver’s muse into a tight hug by the back of the neck, and play with their hair at the base of their neck in order to comfort them. [ shock ]  –  for the sender to recoil a bit in shock at how quick the receiver latches onto them in a moment of high emotion, before returning the affections. [ cup ]  –  for the sender’s muse to cup the receiver’s face, and brush their thumb along the receiver’s cheek. [ hair ]  –  for the sender to brush a strand of hair out of the receiver’s face. [ hair & lean ]  –  for the sender to brush a strand of hair out of the face, and lean in slowly for a kiss. [ cup & kiss ]  –  for the sender’s muse to cup the receiver muses’ face during an incredibly passionate and long overdue kiss. [ what a rush ]  –  for the long long overdue kiss to end, only for the sender to rest their head on the receiver’s, and comment “do you know how long I’ve wanted to do that?” [ no tears ]  –  for the sender to cup the receiver’s face and brush away their tears with their thumbs. [ no tears & kiss ]  –  for the sender to cup the receiver’s face and brush away their tears with their thumbs & kiss the receiver’s forehead. [ stumble ]  –  for the sender’s muse to catch and help the receiver’s muse keep balance. [ shudder ]  –  for the sender to shudder a little at some gentle touch from the receiver. [ nononono! ]  –  for the sender to hold the receiver’s head / face while they’re injured, brush their thumb along their cheeks & refuse to accept that the receiver is dying. [ acceptance ]  –  for the sender & receiver to sit / lay somewhere in acceptance of their ends together. in a final act of closeness, the sender places their hand in the receiver’s own.
[ prompt ] + reverse  –  to reverse any of the prompts !
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