astraldisastersa

[astraldisastersa]

i’m thinking i might remake this blog for a few reasons:

1. there’s content for ocs that i no longer use on this blog

2. there’s old content that applies to ocs i added later and i don’t want to go back and tag it all

3. my drafts are super full. like crazy full. it’s a mess

the name will still be the same, it’ll just be a new blog

[astraldisastersa]

My new addition to my pink collection. 1987 Northern Telecom phone I found today for $4.99 💕 brought to you by u/MrCrix @ r/VaporwaveAesthetics

#sal

[astraldisastersa]

Palisades Park, New York 1970s.

#jess

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#sal

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Rambler, 1964.

#dee

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Photo by Bruce Davidson, Brooklyn, NY, 1959, Light edit by JoeInCT

#dee

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The Mint, August 1968

#jasper #milkcap

[astraldisastersa]

The Hotel Webster, Miami, designed by Henry Hohauser in 1936.

#astor

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#maynard

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1969 Fender Rhodes Student Piano in Avocado Green

#roland

[astraldisastersa]

Nam June Paik „Video-Synthesizer“, 1969/92. Installation, 210 (305 with monitors) x 155 x 150 cm, Original incl. synthesizer, two moving frames, 12 monitors of different sizes, 2 DVD players, @ Kunsthalle Bremen - The Kunstverein in Bremen, © Nam June Paik Estate, New York, 2010. Photo by Jürgen Nogai

#maxell #bob #sal

[astraldisastersa]

Suzanne Treister, No Quiz, Not enough memory, and Four exits as a part of her 1991-1992 series “Fictional Videogame Stills” 

“In the late1980s I was making paintings about computer games. In January 1991 I bought an Amiga computer and made a series of fictional videogame stills using Deluxe Paint II. I photographed them straight from the screen as there was no other way to output them that I knew of. Also, the effect of the photographs perfectly reproduced the highly pixellated, raised needlepoint effect of the Amiga screen image. Conceptually this means of presentation was also appropriate in that it made it seem like I had gone into a videogame arcade and photographed the games there, lending authenticity to the fiction. This series was shown in London at the Edward Totah Gallery in March 1992 and later that year at the Exeter Hotel in Adelaide Australia. The original Amiga floppy disks are now corrupt but the original photographs/works still exist.” -Suzanne Treister on her website, suzannetreister.net

#marquee

[astraldisastersa]

untitled by mary_robinson on Flickr.

#maxell #bob #sal

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Rise and fall, Ian Davis

#jess

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“Carlin Comforts” 1930 ad detail.

#astor

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Creepy crawlies from recycled parts, by Justin Gershenson-Gates.

#dee

[astraldisastersa]

Roland TR-606, analog drum machine.

#roland