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apothe-roses · 2 days
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Reblog if you're shorter than 5'8.
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apothe-roses · 2 days
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in all seriousness it's very alienating knowing theres Something Wrong With You. like seeing your mental illness come through in your behaviour and thought processes and knowing it's irrational and unhealthy, knowing other people are reading you as weird or stupid, and not being able to do anything about it is such a lonely experience
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apothe-roses · 3 days
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🫦
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apothe-roses · 4 days
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“We’ll blend in” says the man in an all white tracksuit 💀
Convince
"Please, Holy Father. We can't." She muttered, trying to pull away from him as he dragged her down a small, cramped dark corridor – he was dressed all in a white tracksuit, a hoodie on his head, a sunglasses with white frames on his face.
"Stop it. We're going on a date. We'll have ice cream and come back." He said calmly, as if he had thought it through carefully and had a perfectly laid out plan in his head in which everything had to work out.
"No one will notice our disappearance. We'll blend in with the crowd, have an ice cream, walk around the Vatican and come back. After this we can kiss if you want." He added after a moment, as if he thought that might be part of her ideal image of the event.
She gave in.
The Gate of Salvation
Send me a word
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apothe-roses · 4 days
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Reblog and see if you get a color.
PURPLE: We near never speak, but I do enjoy your presence on my dashboard.
FUCHSIA: I wish I could become your best friend through the internet.
GREY: You leave me with jumbled words.
RED: I’m in love with you.
PINK: I have a crush on you.
TURQUOISE: You’re hot.
CHARTREUSE: I sincerely wish you would notice me.
TEAL: We have quite a lot in common.
BLUE: You are my Tumblr crush.
ORANGE: I dislike your page.
YELLOW: PLEASE FUCK ME.
WHITE: PLEASE MARRY ME.
GREEN: I find you cute.
BLACK: I would date you.
BROWN: I dislike you.
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apothe-roses · 4 days
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i PERSONALLY would like to FALL IN LOVE please!!!!!! and have the SAME PERSON fall in love with me BACK!!!!!!! could i get some MUTUAL AFFECTION out here!!!!!!!!!
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apothe-roses · 5 days
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"Don't use Libby because it costs libraries too much, pirate instead" is such a weird, anti-patron, anti-author take that somehow manages to also be anti-library, in my professional librarian-ass opinion.
It's well documented that pirating books negatively affects authors directly* in a way that pirating movies or TV shows doesn't affect actors or writers, so I will likely always be anti-book piracy unless there's absolutely, positively no other option (i.e. the book simply doesn't exist outside of online archives at all, or in a particular language).
Also, yeah, Libby and Hoopla licenses are really expensive, but libraries buy them SO THAT PATRONS CAN USE THEM. If you're gonna be pissed at anybody about this shitty state of affairs, be pissed at publishing companies and continue to use Libby or Hoopla at your library so we can continue to justify having it to our funding bodies.
One of the best ways to support your library having services you like is to USE THOSE SERVICES. Yes, even if they are expensive.
*Yes, this is a blog post, but it's a blog post filled with links to news articles. If you can click one link, you can click another.
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apothe-roses · 5 days
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The person I reblogged this from deserves to be happy
I tried to scroll past this. I really did
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apothe-roses · 7 days
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The way you characterize Aemond in this is just 😘🤌🏻
I also love that the reader insert is more reserved and straightforward and is still capable of having banter with Aemond
I don’t trust Alys at alllllll.
A Duet of Fire and Fate
Part One
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Summary: his music school having been challenged by Riverrun Conservatory, Aemond is given the opportunity to come face to face with their top musician | Word Count: 4.7k~ | Warnings: smut (not with the main female character), toxic relationship, semi-public sex
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Nothing quite compared to the low hum, and delicate whine of a cello. It had been that way for some time, ever since he'd discovered it.
Aemond still remembers the look on his mother's face, her chocolate eyes wide with pride and joy, when her son who was still freshly mutilated, resulting in the loss of sight in his left eye, took an interest in playing classical music.
The cello had become more than just an instrument to Aemond; it was his refuge, his voice in a world that had grown suddenly more silent and unforgiving. The accident had not just taken half his sight but had cast a shadow over his once bright future. Music, however, brought light back into his life, offering a path forward that he had never anticipated.
The Targaryen name, synonymous with power and prestige in other realms, here lent an aura of intrigue and expectation to his performances. Yet, it was Aemond's own skill, the raw emotion he channelled through the strings of his cello, that captivated audiences. His music was a blend of classical elegance and a palpable intensity that seemed to stem from the very depths of his being.
And Aemond was nothing if not a perfectionist at heart.
He perfected everything, to the point of madness some felt. And if he had not invited a feeling of deep, primal intrigue from every performance he gave, then what was the point? This innocent hobby at first, honed by his parents and caregivers alike, was now a way of life. A career. Something to strive for.
As he became older, this competitive nature never wavered once. He embraced it like a challenge to be met. And the conductor of this prestigious school, Otto Hightower, both a friend of his father, Viserys, a business giant well-known across all of Westeros, and conveniently his grandfather, expected nothing short of the best from his prodigious grandson.
He was never self-conscious either, even if he was easily noticeable and stared upon everywhere he went. And one might expect little attention from the opposite sex in a world of classical music and elegant instruments, but for Aemond this could not have been less true.
He attracted in every show, not only with his talent but with his haunting appearance. The straight long scar through his left eye was struck in the middle by a pale blue pupil, his other seeing eye stark in comparison. Women would watch his slender fingers strike fear, passion and energy into their hearts, wishing the very same could grip at their skin.
To their frustrations, he never acted on this popularity.
Alys Rivers was the only woman he ever reciprocated affections of some kind for. At least two decades his senior, his family had been less than impressed at her presence in his life. But there was no choice on their part. Aemond had made his, and Alys Rivers, like it or not, was his muse. A classical music lover at heart. And a professional critic no less.
One might be forgiven for thinking they disliked each other, they rarely exhibited romance. She was more akin to his manager than anyone else, critiquing his manner of playing and giving advice where he didn't want it. And he rewarded her, away from the prying eyes of the public, with quick, angry sex, exerting what control he did have, into intimacy.
She, like him, had a haunting presence to her, but one less mysterious. More overtly seductive. And though sometimes it seemed to irk Aemond, some felt as if they were still acquainted by convenience if nothing else.
Aemond always arrived early to Kings Landing Music College. The stuffy, wood-panelled room gave some semblance of comfort. There was something about the acoustics, the closeness, that felt almost womb-like. Safe. Familiar.
Meticulously, tuning his cello, he half-listened to the skinny, pink-faced Blackwood, practicing at the same time, “sound like a fucking dying pig.”
“Half dying,” Aemond murmured, with a roll of his eyes.
Otto waltzed in, clad in black slacks and a loose forest-green jumper, “Blackwood, get your fucking instrument in tune please. Fucking Cole could do a better job in violas.”
Criston twirled two Timpani sticks between his fingers, giving a look of mock offence from across the room, “just because I'm over here doesn't mean I can't hear you-”
“Alright, alright, before we begin today’s practice, I have an announcement,” Otto declared, his voice commanding attention. The room quickly fell silent, the anticipation palpable in the air.
“We’ve been challenged to a competition by the Riverrun Conservatory,” Otto revealed, his eyes sweeping across the room, measuring the reaction to his words. The announcement ignited a buzz among the musicians, the rivalry between the schools notorious for its intensity. 
“This isn’t just any friendly showcase. It’s a direct confrontation on neutral ground at the upcoming city arts festival. We will be judged on technique, emotional expression, and the complexity of our performance.”
Aemond’s pulse quickened. Riverrun Conservatory had a formidable reputation, known for their strict discipline and innovative performances. The thought of competing against them stirred a mix of excitement and nerve.
Otto’s gaze swept over the room, lingering for a moment on Aemond, then moving on. “I want crispness, I want emotion, and above all, I want precision. We will begin selecting the repertoire tomorrow. Today, I want everyone to focus on their sections. I expect perfection and I will accept nothing less than your best.”
With a decisive turn, Otto left the rehearsal space, his footsteps echoing his determination. The room erupted into whispers and hurried discussions; the stakes had been set.
Blackwood sighed, stress gnawing and weighing on his face. “Fuck me, no pressure then.”
“Don't fucking shit yourself. It's only Riverrun,” a lanky guy mumbled behind his flute.
“Shut your fucking mouth!”
Aemond tuned his cello once more, a determined glint in his eye. He was eager to prove himself, not just as a formidable cellist, but as a key player in leading his school to victory. As the rehearsal began, the sounds of strings, woodwinds, and brass filled the room, each musician pouring their heart into the notes.
Aemond knew that every session, every note, would count. The festival was not just another performance; it was a proving ground. And he was ready to claim his place on it.
With his cello perched on his back as if it were an extension of himself, Aemond strode toward Otto’s office. The familiar weight of the instrument reassured him, steadying his nerves as he prepared to discuss the imminent arrival of their rivals from Riverrun Conservatory.
Upon reaching the heavy oak door, Aemond knocked with a confident rhythm and was quickly greeted by Otto, who peered out from behind a mountain of musical scores. His deep-set eyes and beard, more salt than pepper, gave him an air of aged wisdom.
"Aemond, what's the matter?" Otto asked, noticing the urgency in Aemond's posture.
Stepping inside, Aemond carefully leaned his cello against the wall. "I've heard that Riverrun will be arriving tomorrow to practise here, in preparation for the festival. They’ll be using some of our facilities. I wanted to discuss how we can use this to our advantage, especially since their star pianist is said to be among them."
Otto raised an eyebrow, a slight grin playing at the corners of his mouth. Perhaps he saw the cunning nature reflected in his grandson he perceived in himself.
"Indeed, they will be here. It’s a rare opportunity to observe them up close, to learn their strengths and possibly their weaknesses. We’ve managed to arrange different practice times to ensure there’s no direct overlap, but our paths will certainly cross."
Aemond nodded, his mind racing with possibilities. "If we could subtly observe their practice sessions, we might glean insights into their preparation and techniques. It could inform our strategy and help us focus our rehearsals where we need the most work."
Otto walked over to his desk and shuffled some papers, revealing a schedule. "Here are the timings. Riverrun’s sessions are slotted just after ours in the adjacent rooms. It’s crucial we keep our interactions professional, but keep your eyes and ears open. Understand how their pianist integrates with their ensemble— it’s not just about her solo performance."
"Should we consider adjusting our pieces or rehearsal focus based on what we learn?" Aemond asked, his voice low.
"Potentially," Otto responded, tapping his fingers on the desk. "But let’s not be hasty. First, observe. See if there’s a particular piece they struggle with or excel in. We’ll adjust our strategy based on solid evidence, not assumptions."
Aemond felt a surge of tactical excitement. "I’ll make sure our section leaders are discreet but observant. We can use this chance to refine our performance to outshine theirs."
"Exactly," Otto agreed, handing Aemond a copy of the schedule. "Use this opportunity wisely. We need every edge we can get against Riverrun. Remember, they are guests in our school, so maintain the highest standards of respect and professionalism at all times."
With a firm nod, Aemond picked up his cello, feeling a renewed sense of purpose. As he left Otto’s office, he knew the next few days could define the outcome of the festival. The challenge was daunting, but Aemond was ready to lead his school not just to compete, but to win.
Aemond was barely through the front door of his apartment before Alys was barraging him with questions. Her fine lips were lacquered with red, fingernails painted a charcoal black as she poured herself a coffee.
“I heard about the competition. Riverrun is notorious. Sure you can handle it?” She smirked behind the rim of her cup.
He sighed, setting down his cello, “yes, I can fucking handle it.” That was his only response before sinking into the sofa, laying his head flat back against the sofa, eyes shut, as if he wanted her to disappear.
He was somewhat ashamed to admit the way he tensed and then relaxed at the way her fingers expertly kneaded his shoulders, massaging the stress from him. But even more so as they trailed down, sharp nails ghosting over his neck had his lips parting and his trousers growing tight.
“Now, now. You know I only want you to do better,” she cooed, “and you will get better, with the right critique.”
He could hear her smile, her tone light and sensual as she trailed off.
Aemond turned his head and looked up at her where she was looming over him, her thumbs still pushing circles on his sore muscles.
“Critique?”
Alys’s lips curved up in a knowing smile, her gaze fixed on him with an intensity that seemed to pierce through his weariness. Her green, emerald like eyes, were like daggers, hooking and reeling him in somewhere dark.
"Of course, critique," she murmured, her voice a melodious blend of challenge and tease. "Every artist needs it, even the great Aemond Targaryen. Especially with Riverrun breathing down our necks."
She moved around the sofa with the grace of a cat, setting her coffee down on the table before moving her legs either side of him, brushing her clothed core beneath her skirt against his growing hardness. "I watch, I listen, and I provide feedback that no one else dares to give you."
Aemond sighed, shifting to look at her more directly. The red of her lips was stark against the softer hue of her face, a deliberate pop of colour that matched the sharpness in her words. "And how exactly does your 'feedback' help me tonight?" he asked, his tone a mix of scepticism and intrigue.
"It helps because it makes you think. It makes you feel. Isn't that what music is about?" Alys replied, her hands now moving down from his shoulders, her fingers tracing lines across his chest through his shirt. "Besides, seeing you tense up like that, only to melt under my touch—it tells me where you're holding back. Not just here," she said, pressing briefly into a particularly tight spot. Then, her touch sank to his belt, then drifting lower and stroking his growing erection, teasing his length slowly. 
"But here too."
Her approach was intoxicating, a dangerous mix of personal care and professional critique. "You're brilliant, Aemond, but even brilliance can be polished," she continued, leaning in to whisper against his ear. "Let me polish you, make you shine brighter. Let me push you to be the best, and then push a little harder."
Aemond felt the dual edges of her influence—the softness of her caress, the hard truth in her critique. It was a manipulation he allowed, perhaps even welcomed. Her presence was woven into his life, a thread that was both comforting and controlling. Sometimes too tight. 
With two needy hands on her buttocks, he rolled up her skirt around her hips, dipping between her welcoming thighs, his ego somewhat inflated to find she was wet already. Alys did little else in reaction than assisting to undo his belt, taking his hard length in her hand and seductively massaging from base to tip.
He pulled her forcefully against him, fingers dug into her pale skin as she hovered over him and sank slowly, splitting herself open on his cock with a practised moan. Her hips moved instinctually, stretching to accommodate his thickness over and over. 
Between grunts and curses, Aemond was rarely vocal. Sex was a way to dispel frustration and invite inspiration in his clear head afterwards. Alys could be anyone. But he had to admit, he found her interesting, if not for her advice.
Her manicured and rounded nails dug into his neck as Alys moved on him with vigour, one hand stealing between them to circle her bud to try and hurtle herself towards completion.
It had occurred to Aemond that she was similarly using him in the same way.
With a bruising grip around her waist, Aemond jutted up into her shakily, coming hard within Alys’ quivering walls in the aftermath of her orgasm. And once she gained her breath, she peeled his hands off her as if he were suffocating. His member slid out of her, softened and slick with her moisture.
Alys straightened, stepping back to observe him, her eyes assessing as she wiggled her skirt back down. "Tomorrow, I'll come to the rehearsal. I want to see how you handle yourself with Riverrun watching. I'll be watching too, taking notes." Her tone was playful yet serious, a reminder of her dual role in his life.
As she retreated to the kitchen, Aemond lay there, a part of him resenting the ease with which she shifted roles from lover to critic, yet another part eager to prove himself worthy of her praise, his heart going fast still in the aftermath of their hastened sex.
 He knew that Alys's critiques, though wrapped in seduction, were aimed at forging him into a sharper, more formidable musician. In the complex symphony of their relationship, her motives played out in chords, each note crafted to challenge and change him.
The next day dawned crisp and clear, the early morning sun casting long shadows over the grounds of the music school. The building was abuzz with the nervous energy of anticipation, the air vibrating with the undertones of an impending musical clash.
As he made his way through the corridors to the rehearsal room, he could hear the murmur of voices, the tuning of instruments, and the occasional burst of laughter or a sharp command. Today, the halls of his own school would play host not just to its students but also to their rivals from Riverrun Conservatory.
Aemond entered the rehearsal room to find it already half-filled with his peers, each one keenly aware of the significance of the day. The room was set up with chairs and stands arranged in a precise semi-circle, awaiting the arrival of the Riverrun musicians.
Before long, the members of Riverrun Conservatory began to filter in, their expressions a mix of confident smiles and cautious glances. The room's atmosphere thickened with the tangible sense of competition, each group eyeing the other, assessing and reassessing.
Amid this tense backdrop, Alys slipped into the room, a notepad clutched in her hand and a pen poised for action. Her presence was a sharp reminder to Aemond of the dual aspects of their relationship. She caught his eye and offered a slight nod, an unspoken signal that she was here in her professional capacity.
The rehearsal began with Otto taking the lead, his voice firm as he called for attention. "Let's begin with a warm-up. Remember, while we share our space today, let's show our guests the level of excellence we strive for."
Aemond took his place, settling his cello between his knees. His fingers danced over the strings, tuning with meticulous care, his gaze occasionally drifting to the Riverrun musicians who were setting up nearby. Among them, he noticed a young woman, stood between two other boys who looked over her at one another with smug smiles. They were most certainly either violinists or cellists. But the woman between them, he saw, had such delicate fingers, this had to be the pianist he had heard so much about.
All watched them perform with a sort of challenging, stoic expression, as if judging every movement, every chord and sound made. Every choice scrutinised. In the corner of his eye, between glances at the music, Aemond noticed Alys scribbling down notes.
And when their performance came to an end, Riverrun Conservatory clapped, alongside their conductor, Lyonel Strong. He was burly, red-cheeked, strict but well-meaning, as far as Aemond had heard. But the way he and Otto Hightower looked at one another was akin to some secret rivalry nobody else was privy to.
Alys slid up to Aemond’s side as he began to tidy his instrument away, her presence immediately electric. “See that man?” she whispered, nodding subtly towards Lyonel. “He conducts with his heart on his sleeve, not a metronome like Otto. That’s why they play with such passion. It’s infectious, captivating.”
Aemond nodded, absorbing her analysis. He knew of her critical acumen, but there was a personal edge to her voice now. “You sound almost admiring,” he observed, watching her closely.
Alys’s expression darkened slightly, her emerald eyes flitting back to Lyonel. “I might admire his style, but not the man. Not after everything.” She sighed, a sound more resigned than angry. “He might be the maestro of emotions, Aemond, but off that podium, he’s a different story.”
Aemond did not inquire further. If he was being truthful with himself, he didn't much care for Alys' personal grievances.
“Keep a close eye on their cellist,” Alys warned from the sidelines, watching Riverrun tune and start up their instruments for their own warm up.
As Riverrun began their performance, Aemond’s attention initially settled on the cellist, analysing his fluid technique and the rich emotion flowing from his strings. However, his focus soon drifted to the pianist, who was poised before her instrument like a painter in front of a blank canvas. Her movements were almost ethereal, feather-like, as her fingers danced across the keys, each note floating into the air with a delicate precision that seemed to transcend the mechanics of the piano itself.
The pianist's performance captivated Aemond, her connection with the music evident in the subtle sway of her body and the gentle closing of her eyes as she played. It was more than mere execution, it was an embodiment of the piece, a true manifestation of feeling and artistry.
Alys, standing beside Aemond, watched the pianist with a discerning eye. After a moment, she leaned closer to Aemond and whispered, "See how she plays? It’s like she’s not just striking notes, but weaving a spell. Each touch is thoughtful, precise yet so naturally expressive."
Aemond nodded, fully absorbed in the performance. He could see what Alys meant—the pianist wasn’t just playing, she was performing in a way that made the piano speak directly to the audience. It was an inspiring display of how technique served as the foundation for emotional expression.
"Her approach is impressive," Alys continued, her voice a mix of professional respect and genuine admiration. "That’s what we need to aim for, Aemond. It’s not just about the notes, but how you make them feel alive, how you connect them to the listener’s soul."
Watching the pianist, Aemond felt a surge of inspiration mixed with a competitive drive. He realised that this was the standard he needed to meet and exceed. The way the pianist’s performance resonated in the room, how it seemed to stir the hearts of all who listened, including his own—it set a clear benchmark.
As the piece drew to a close, and the final note lingered in the air, a hushed silence fell over the room before applause erupted. The pianist looked up, her expression serene, almost surprised by the intensity of the audience’s reaction.
Aemond clapped, his applause thoughtful, infused with a newfound respect and a burning motivation. He turned to Alys, a determined look in his eyes. "I see it now," he said. "But she's nothing special. Our pianist is just as good."
“Just as good isn't enough. We have to be better. We need to surpass them—to be so outstanding that Riverrun feels like just a prelude to our performance. They shouldn’t just be impressed by us; they should be overwhelmed."
Aemond’s eyes narrowed thoughtfully as he processed her words. He watched the pianist from Riverrun mingle with the crowd, her presence still resonating with the lingering notes of her performance.
The shy, timid prodigy. A story written a million times. He felt as if he saw right through her, and no way was that washing with him.
“Meet me in the supply room before lunch,” Alys whispered, turning on her heel before Aemond could reply. The swing of her hips as she moved towards the Riverrun musicians and indication of what she wanted from him. All she ever wanted from him.
Aemond merely watched on from the sidelines, arms crossed. Alys mingled with them all, shaking their hands and wishing them luck in the weeks of practice and competitiveness to come. And when she finally shook the hand of the pianist, his gaze flickered between his lover and the delicate frame of this stranger he had yet to know.
Everything about her was different to Alys. She wore sheer black tights, and sensible shoes. Her skirt was flowy and ended mid tight, covered only at the top by her high-necked top, also black. And it was here he recognised a similarity in her and Aemond's dress sense.
Alys on the other hand exuded sexuality. Tight fitting skirts and dresses, no tights and heels at least four inches high. And while Alys wore a sleek straight style, the pianist was loose and free, if not slightly frizzy.
He watched the two women talking animatedly. Alys no doubt congratulating her on how well she plays.
He'd never been in more need of a cigarette then right at this moment.
“I apologise for him, he’s usually more expressive on stage than off,” Alys joked lightly as they approached, teasing Aemond in her usual manner.
The pianist extended her hand to Aemond with a firm, confident grip that surprised him. “It’s a pleasure to meet you. I’ve seen your performances online,” she stated, her tone straightforward, skipping the usual pleasantries. Her directness was refreshing yet unexpected.
Aemond took her hand, a bit taken aback by her assertiveness. “Thank you,” he responded, realising only after the words left his mouth that she hadn’t actually complimented his work, just acknowledged it. “Your performance today was quite remarkable.”
“Thank you,” she replied, nodding politely, her smile brief. There was no reciprocal flattery, no effusive praise—just a clear, concise acknowledgment.
Her straightforwardness intrigued Aemond. It was rare for him to encounter someone who didn’t engage in the typical exchange of mutual admiration among peers, especially when one had just praised the other. Her confidence and lack of concern for social niceties made him rethink the usual dance of compliments that often felt more obligatory than genuine.
Their exchange maintained a professional veneer, but Aemond felt a distinct chill in the air as the pianist held his gaze with an unyielding intensity.
“I'm interested. How do you prepare for a performance of this calibre?” She asked in a probing manner, clasping her hands behind her back. And when she swept her hair out her face, a dash of her perfume hit him, light and floral, he noted.
“I focus deeply on the composition's technical demands," he responded crisply, his voice carrying a cool, almost detached quality. "Emotional expression is secondary to flawless execution.”
She bit back a smile he noticed before she could hide it, “that is quite a disciplined approach.”
"It’s the only way to ensure a performance is beyond reproach," he stated flatly, eyes scanning the room. "Judges appreciate perfection.”
“And the audience?”
He shrugged, “whether they do or not, it doesn't change my approach.”
She nodded, leaving a long pause, as if laying a trap, “interesting,” she mused, "I always believed that connecting with the audience was the true measure of a performance’s success."
“Emotions are too subjective.”
Alys, sensing the growing tension, interjected with a light laugh. "Aemond here is all about the technicalities when it comes to music. He believes in precision over passion."
The pianist tilted her head slightly, considering his response with an analytical gaze before a playful glimmer appeared in her eyes. “Are all aspects of your life subject to such rules?” her tone light, but probing. “Musicians are usually branded as romantics, after all.”
Aemond's brow twitched, a subtle annoyance. “There is a time and a place. In a competition, it's about control. Discipline.”
She hummed, slightly amused, “how practical. Does it not get lonely, striving so often for perfection?”
He shrugs, “it doesn't matter. Wins are measurable, feelings not so.”
“Musicians are not remembered for their wins. They're remembered for the feelings they tease out of people.”
Aemond’s gaze held steady, impressed by her ability to intertwine light-hearted banter with serious debate. “Maybe so, but I’d rather be remembered for setting records than stirring hearts.”
There was a long pause, her eyes never leaving him as if trying to piece together a delicate and intricate puzzle. And she had to bite her lip to contain her smile, simmering frustration in his chest.
“Interesting,” she mused, releasing her lip from between her teeth.
She finally broke their intense gaze, stepping back slightly as she prepared to leave. "Thank you for the conversation, Aemond. It was... enlightening," she said, her tone serious and reflective. "I'll be interested to see how your focus on the technicalities plays out in the competition. Good luck."
With a formal nod, she turned and walked away, her demeanour composed and professional. Aemond watched her rejoin her group, the interaction leaving him with a lingering sense of disquiet. Her straightforward, no-nonsense approach had challenged his views subtly yet profoundly, pushing him to reconsider the balance between technique and emotion in his performances.
Something he'd considered very little.
And as he fucked out his frustrations with Alys in the supply room, pushing her front against the wall and plunging into the tight warmth and solitude she offered, the encounter had ignited a new sense of challenge within him, or perhaps it was a hint of doubt, unsettling the confidence he had always felt in his methodical approach to music.
The usual clarity with which he viewed his musical career was now clouded with questions, thanks to a simple yet impactful exchange. It was a confrontation of ideals that made him both wary and intrigued.
It was clear now that the competition had escalated to more than just notes and rhythms—it was a clash of philosophies, a duel of passion in dual meaning.
And he was prepared to meet it head on.
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General Taglist: @aemondsfavouritebastard @bellstwd @blackswxnn @blairfox04 @buckybarnesb-tch @castellomargot @emmaisafictionwhore @hb8301 @jamespotterismydaddy @justbelljust @minholy223 @mochi-rose @natty2017 @nenelysian @primonizzutto @qyburnsghost @randomdragonfires @risefallrise @thelittleswanao3 @theoneeyedprince
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apothe-roses · 9 days
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I am a graphic designer by education and profession. Looking for modifications and manipulations in graphics is my hobby. You can see the most in graphics when they are properly exposed. For example, using the exposure tool in Photoshop. I set the sliders to: first one: + 13.65, second one: +0.0096, third one: +1.65 and this is what my eyes saw.
Each application has its own way of encoding images and text. Here, apparently, when writing text, the application created transparent rectangular frames under each text, which you can clearly see below.
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But I noticed something strange in some screenshots. Text without such borders. Text I think was added in a graphics program. There are only pixels around it.
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Here, in turn, I noticed a different relationship. When the text comes from the original screenshot, the pixels around the text surround the text so that it floats on long letters like "d,t,l,b,k". However, somehow magically in others, the pixels around them are perfectly even and take the shape of a rectangle.
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These screenshots come from the wonderful houseoftheassholes.
Now let's look at the couple of screenshots Em published. You can clearly see after I overexposed the area that she blurred in the program to obscure the data. Apart from that? Clean screenshot in very good quality. Eveything looks the same.
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In graphics, nothing happens without a reason. The applications are created automatically and operate on the basis of numbers and calculations. They don't make mistakes, it's impossible for one text to be displayed one way and another another.
I haven't checked all the screenshots because I don't have the strength to do it anymore. I just felt that as a graphic designer I owed it to everyone to check it out.
No one told me to do this or asked me to do it. This is my personal opinion on my personal blog. I leave it to you to decide what you think about it.
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apothe-roses · 9 days
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Behold. My new favorite reaction image.
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apothe-roses · 10 days
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A Duet of Fire and Fate
COMING SOON
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Summary: Aemond Targaryen, a talented cellist marked by his family's legacy and a personal tragedy meets a gifted pianist from a music rival school. As they navigate the pressures of a national music competition, their initial rivalry transforms into a complex relationship filled with unspoken desires and shared musical ambitions. Amidst the backdrop of high stakes performances and the cutthroat world of classical music, they discover that their greatest challenge isn't winning the competition, but understanding the true harmony between their hearts and their art.
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apothe-roses · 10 days
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I would like to say thank you to all whom have shared, commented, or reached out to me about the situation I spoke of in my previous post.
I will reiterate that I am not blameless in all this. I have said mean-spirited things, and have reached out to those I have spoken ill of and been honest to them about this. I endorsed unkind beliefs about numerous members of the fandom, and I declined to take action on instances of anonymous hate, racial aggression or outright cyber stalking. I have engaged in untrue speculation about other users, and I have performed actions that I cannot take back. This makes me part of the problem, and I own that. Again, to those of you whom I have reached out to and apologised personally, I will reiterate this publicly: I am sorry. I was unfair, I was unkind, and I will do better.
I do not wish to make further public commentary on the perpetrators. I have said my piece, and I believe I have done so in a way that does not suggest I have not had a part to play. I will state again that, at the end of the day, this all started over fanfiction. We came here for our love of reading and writing stories about our favourite characters and our favourite worlds. Not this.
But where there has been so much pain, suffering, anger and hatred, there is also the burgeoning of hope. Individuals from all sides of this fandom have lent their ear and offered me a truly astonishing outpouring of kindness, acceptance and support. Many mutuals whom I have had little interaction with in the past have come to offer kind words and encouragement. Users I have not known in the past have reached out. People who have believed untruths about me and Ange have apologised to me, and I have readily accepted these apologies in the spirit of doing and being better. I have even been able to correspond with people of whom I had spoken ill of and levied a great deal of emotional damage to in the past, and the degree of love and well-wishes from a community that I had long considered 'broken' has really and truly been a testament to how willing we all are to effect change and move on as a group.
I would like to say thank you to you all: for those of you who have reached out, for those of you who are thinking of reaching out, and those who have offered your support silently. There are many ways in which you've all done this, and it is so incredibly appreciated. We've had a difficult run on here, but here's hoping we can call it the Post-Season 1 Madness in our fandom lore and recall it with wry expressions and the pangs of hurt since passed, rather than continued hostility. It won't be easy. There's been a lot of bad blood here. But I'm ready for change, and I know everyone else is, too. That's good enough for me.
Lastly, and these words are understatements: I want to say thank you to @ewanmitchellcrumbs. Ange, you have been admirable in all this. You've faced an awful lot in your time here, none of it easy and little of it kind, and while it is validating to see the outpouring of support for you, I know that none of it can truly erase what has happened. We all of us see the things you've endured, and you are absolutely one of the strongest women I know. I love you very dearly, and I truly hope that from here on out, fandom is the enjoyable experience that you deserve.
Thank you, everyone. Here's to a happy 2024, and an exciting lead-up to Season 2.
Team Daemon for the win!
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apothe-roses · 10 days
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Never going to get over how modern adaptations of Dracula purposefully overlook the sexual assault metaphor and instead make it sexy and make Lucy a flirty stereotype and make Mina this poor repressed Victorian woman who needs Dracula to free her from the shackles of propriety.
It’s like they never read the book at all.
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apothe-roses · 10 days
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another day, another moodboard!
my first modern story, Down In Flames 🖤
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apothe-roses · 10 days
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Hey girl! Could you possibly add me to the tags for I Wanna Ride? Pls and thank you😊
Sure thing! Just be warned I haven’t updated it in months 😅
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apothe-roses · 10 days
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so next season is aemond gonna be all like “yeah i killed my bastard nephew😏 my traitor sister’s bastard😏 the bastard that owed a debt😏 i’ll face my uncle next if he so wishes😏 i’m so awesome now i should be made king by default😏” in public and then weep into his pillow when he’s alone because he’s a teenager who just killed someone for the first time and disappointed mommy with his uncouth behaviour and also kinslayed so he’s definitely going to the seven hells and-
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