angelajennings

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Spring Show, juried by Tanya Aguiñiga at the Erie Art Museum.

March 15th - August 9th, 2024

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The Formless is What Keeps Bleeding, Heavy Manners Library, Los Angeles CA. March 8th, 2024

Published by HEXENTEXTE, The Formless is What Keeps Bleeding extends Cindy Rehm’s research into lost women—those who have been silenced throughout time through suppression or appropriation. Rehm’s project is comprised of nearly two-hundred collage drawings in response to Marcel Duchamp’s installation Étant donnés. The lifeless female body central to this work contains three women central to Duchamp’s life, who remain culturally obscure: book binder, Mary Reynolds, Brazilian sculptor Maria Martins, and his second wife Alexina "Teeny" Duchamp. In this series, Rehm explores the lingering presence of these three women and considers the possibility for a line of communication between women across generations.

The evening will feature a screening curated by Rehm in conversation with themes in the book, including fragmentation of the body, haunted landscapes, and somatic imprints of misogyny and violence. Works by: Tricia Avant, Ursula Brookbank, Camille Cléant, Georgie Flood, Guta Galli, Angie Jennings, Ibuki Kuramochi, Elizabeth Leister, Aleksandra Murawska, Shana Robbins, Anne Lesley Selcer, Nataša Prosenc Stearns, and Eija Temisevä.

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Women's Biennial, 1020 Collective, Erie, PA. November 9th - January 8th, 2024

Image: by Aleah Zerance

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ACRE (Artist Cooperative Residency & Exhibitions): Strategy Summer, July 28th to August 5th, Photo Cred: Kate Bowen

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Transcendental Arrangements, Miller Institute of Contemporary Art, Carnegie Mellon University, Pittsburgh, PA. Curated by Elizabeth Chodos, July 28th-Sept 8th.

With:  Sue Abramson, A.W. Allison, Elijah Burgher, Julia Haft-Candell, Jovencio de la Paz, Joshua Challen Ice, Ulric Joseph, Eli Kessler, Jessica Labatte, Deanna Mance, Brent Nakamoto, Mikael Owunna, Paula Wilson

Image: Water Weeps in a Vail, 2018, latex house paint, acrylic, paper, semi precious beads, sequins, sand, yarn, wire thread, mirror, lace on found quilt, 64" x 56"

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Video Art PGH, Miller Institute of Contemporary Art, Carnegie Mellon University, Pittsburgh, PA, July 28th-September 3rd. Curated by Cameron A. Grange

With: Scott Andrew + Jesse Factor, Angie Jennings, Jamie Walters Kessler, Erin Mallea, Evangeline Mensah-Agyekum, Diana Khoi Nguyen, Ajunie Virk

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Erie Arts and Culture Purposeful Place Making, with assistance from Rayne Burgin and Rylee Kahler. West 8th and Liberty Street Erie, PA, July 2023

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Oasis at CENART (Centro Nacional de las Artes), Mexico City. In coordination with Beetle Chat produced by Tender Claws, May 12th - June 11th, 2023.

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Spring Show, juried by Gaëtane Verna at the Eire Art Museum, March 17th to August 11th, 2023. Photo cred: Matthew Aungst

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Invented Archives with Mitsuko Brooks and Diana Sofia Lozano curated by Paula Burleigh, Allegheny College Art Galleries, January 24th- March 3rd, 2023. Panel discussion hosted on Monday, February 13, 5:30-6:45 pm moderated by  Soledad Caballero. 

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ACRE (Artist Cooperative Residency & Exhibitions) July 31st-August 14th, 2022. Photo Cred: Laura D Gibson

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Echoes of Africa, curated by Denise Rogers in collaboration with San Diego Mesa College, June 4th-August 20th, 2022, San Diego Central Public Library

#angie jennings

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Wasteland curated by Dominic Paul Miller, April 16th-May 2022. 56300 29 Palms Hwy, Yucca Valley, CA 92284

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Other Animals, organized by Ren Ebel, Gattopardo, Los Angeles, CA.

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‘Guides from the night fields’ interview with Alexander Berggruen, August 2021. 

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Guides from the night fields, reviewed by Angelica Fuentes, on Daily Lazy August 18th, 2021.

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‘Guides from the night fields’, Alexander Berggruen, July 21st-August 31st, 2021. To the underground, 2021, colored pencil on paper, 42 x 50 in. (106.7 x 127 cm.)