mutuals do u wanna come over here and live in colour coordinated townhouses like the beatles with me
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Beatles Wives on Self Help
inspired by paperback book covers of the 60s and 70s, here’s a little graphic design project i’ve been working on pondering the question: what kind of self-help(esque) books would have been useful to the beatles WAGs circa 1968 - then creating them as if they had written them theirselves.
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Old Paul McCartney being haunted by his younger self and the ghost of George stripping is such a mood
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The Beatles - Now And Then (Official Music Video)
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It's John Lennon's birthday. Pet a cat. Write a Poem. Coordinate a group masturbation session. Overindulge in hallucinogenic drugs. Text your ex boyfriend. Serve cunt. Break up your polycule. Get put on an fbi watchlist. Have a cry. Have a laugh. Cause issues
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George Harrison and Paul McCartney, circa 1962.
“When we lived in 12 Ardwick Road I vaguely remember a lad who lived in Upton Green, a couple of roads away from us.
The next time I saw the same lad was in and around the ‘Inny,’ but as he was a year ahead of me, he was immediately classified as one of the ‘big lads’ and therefore unapproachable. He was obviously one of those working class rebel chaps and toward the end of our school days together he got more and more outrageous. The compulsory school uniform was outvoted by his extrovert dress sense and his hair was the longest anyone could possibly get away with in the Inny, all ‘Tony Curtis’d back,’ with a school cap perched on the top rear like a rabbi’s skull cap. When his guitar playing affinity with Paul was established in the end of term skewl koncerts, he’d visit our new Forthlin home […].
His dress by this time was even more interesting… full length, skin-tight drainies down to his bright fluorescent socks, even brighter lime (Upton) green waistcoat under his blazer which he would flash at me in the school corridors (followed by a wink). He had the first blue suede, winkle picker shoes which together with incessant chewing of gum all became his trade marks. My Sweet Lord knows who he was, but his Mum must have loved him.” - Mike McCartney (writing about “George Handsome”), Thank U Very Much: Mike McCartney’s Family Album (1981) (x)
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35mm colour negatives of John and Paul performing in Austria (1965)
"There was something special about this impromptu concert. In retrospect, I think it was because John and Paul were playing because they wanted to... Watching them that night in Austria - full of beer, jumping from one rock and roll classic to another - must have been like seeing them in Hamburg before they became world famous." - Henry Grossman
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Paul McCartney’s 1964: Eyes of the Storm.
From the Waterstones site:
‘Millions of eyes were suddenly upon us, creating a picture I will never forget for the rest of my life.’
In 2020, an extraordinary trove of nearly a thousand photographs taken by Paul McCartney on a 35mm camera was re-discovered in his archive. They intimately record the months towards the end of 1963 and beginning of 1964 when Beatlemania erupted in the UK and, after the band’s first visit to the USA, they became the most famous people on the planet. The photographs are McCartney’s personal record of this explosive time, when he was, as he puts it, in the ‘Eyes of the Storm’.
1964: Eyes of the Storm presents 275 of McCartney’s photographs from the six cities of these intense, legendary months - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and many never-before-seen portraits of John, George and Ringo. In his Foreword and Introductions to these city portfolios, McCartney remembers ‘what else can you call it - pandemonium’ and conveys his impressions of Britain and America in 1964 - the moment when the culture changed and the Sixties really began.
1964: Eyes of the Storm includes:
- Six city portfolios - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and a Coda on the later months of 1964 - featuring 275 of Paul McCartney’s photographs and his candid reflections on them
- A Foreword by Paul McCartney
- Beatleland, an Introduction by Harvard historian and New Yorker essayist Jill Lepore
- A Preface by Nicholas Cullinan, Director of the National Portrait Gallery, London, and Another Lens, an essay by Senior Curator Rosie Broadley
Looks like the publication date is June 13, 2023
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