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Hiraku Suzuki (鈴木ヒラク) - Road sign-ammonite [pieces of asphalt], 2008

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Blaibach Concert Hall with the Wire Chair by Charles & Ray Eames <3

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Comme des Garçons, 1997

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Chrome Hearts: Sterling Silver Jewelry Showcase (2018)

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Alexander McQueen: Alien Platform Heel (2010) Spring/Summer 2010 ‘Plato’s Atlantis’ Collection

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Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth

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“To know the night is a lot like knowing poetry, and knowing poetry requires what Keats called “negative capability,” the capacity for “being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.” To know the night means having the clarity that some things are and should be and always will be hidden, for the night has been, or is, or should always be, the time of lovers, revolutionaries, and other conspirators. The night world is that which should be, or once always was, veiled.”

— Anne Boyer, from her essay “The Fall of Night”, Lapham’s Quarterly, Volume XII, Number 1 | Winter 2019 (via kitchen-light)

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Robert Mapplethorpe

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Arline Fisch: Body Ornament (1971)

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“how can people sit on a train and not notice each other? how can people resist the urge to connect somehow?…can people feel my eyes on them as I do theirs on me? do we all know that we’re here in this social prison system? why aren’t we more prepared to have more fun being human beings? will women ever outgrow the scars inflicted upon them by a world ruled by men? must my fantasies be stuck working overtime?…my hair looks like shit and i’m feeling embarrassed and ugly all-around.” oh jeff

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Kate Moss Photographed By: Steven Klein (1993)

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Ann Demeulemeester Antwerp 1999

Up until recently I thought I had only shot black and white  in Ann’s beautiful sunny studio. Easy to miss one roll of film contacted in black and white! Twenty years later here is the frame.

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Issey Miyake 1993 Photographer Irving Penn Source

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robert wun ss23

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Kappa Coffee Table Designed By Maria Pergay